Tobe Hooper's productions, which often trespassed upon the safety of the family unit, cast a critical eye toward an America in crisis. Often dismissed by scholars and critics as a one-hit wonder thanks to his 1974 horror classic The Texas Chain Saw Massacre, Hooper nevertheless was instrumental in the development of a robust and deeply political horror genre from the 1960s until his death in 2017. In American Twilight, the authors assert that the director was an auteur whose works featured complex monsters and disrupted America’s sacrosanct perceptions of prosperity and domestic security. American Twilight focuses on the skepticism toward American institutions and media and the articulation of uncanny spaces so integral to Hooper’s vast array of feature and documentary films, made-for-television movies, television episodes, and music videos. From Egg Shells (1969) to Poltergeist (1982), Djinn (2013), and even Billy Idol’s music video for “Dancing with Myself” (1985), Tobe Hooper provided a singular directorial vision that investigated masculine anxiety and subverted the idea of American exceptionalism.

Provides students with clear and up-to-date coverage of the various areas associated with representations of diversity within the mass media Diversity in U.S. Mass Media is designed to help undergraduate and graduate students deepen the conversations around diversity, equity, and inclusion in the media industries. Identifying consistencies and differences in representations of social identity groups in the United States, this comprehensive textbook critically examines a wide range of issues surrounding media portrayals of race, ethnicity, gender, sexual orientation, disability, age, class, and religion. Throughout the text, students are encouraged to contextualize various issues, place one social group within the framework of others, and consider how diverse communities inform and intersect with each other. Now in its third edition, Diversity in U.S. Mass Media addresses ongoing problematic portrayals, highlights recent progress, presents new research studies and observations, and offers innovative approaches for promoting positive change across the media landscape. Two entirely new chapters explore the ways identity-based social movements, Artificial Intelligence (AI), gaming, social media, and social activism construct, challenge, and defend representations of different groups. Updated references and new examples of social group depictions in streaming services and digital media are accompanied by expanded discussion of intersectionality, social activism, creating inclusive learning and working environments, media depictions of mixed-race individuals and couples, and more. Offering fresh insights into the contemporary issues surrounding depictions of social groups in films, television, and the press, Diversity in U.S. Mass Media: Examines the historical evolution and current media depictions of American Indians, African Americans, Latino/Hispanic Americans, Arab Americans, and Asian Americans Helps prepare students in Journalism and Mass Communication programs to work in diverse teams Covers the theoretical foundations of research in mass media representations, including social comparison theory and feminist theory Contains a wealth of real-world examples illustrating the concepts and perspectives discussed in each chapter Includes access to an instructor's website with a test bank, viewing list, exercises, sample syllabi, and other useful pedagogical tools Diversity in U.S. Mass Media, Third Edition, remains an ideal textbook for upper-level undergraduate and graduate courses in Media Communication, Film and Television Studies, Journalism, American Studies, Entertainment and Media Research, and Diversity, Equity, and Inclusion (DEI).

This pioneering work brings together for the first time in a single reference work all of the extant, fugitive, and recently discovered registration data on African American voters from Colonial America to the present. It features election returns for African American presidential, senatorial, congressional, and gubernatorial candidates over time. Rich, insightful narrative explains the data and traces the history of the laws dealing with the enfranchisement and disenfranchisement of African Americans. Topics covered include: - The contributions of statistical pioneers including Monroe Work, W.E.B. DuBois and Ralph Bunche - African American organizations, like the NAACP and National Equal Rights League (NERL) - Pioneering African American officeholders, including the few before the Civil War - Four influxes of African American voters: Reconstruction (Southern African American men), the Fifteenth Amendment (African American men across the country), the Nineteenth Amendment (African American female voters in 1920 election), and the Voting Rights Act of 1965 - The historical development of disenfranchisement in the South and the statistical impact of the tools of disenfranchisement: literacy clauses, poll taxes, and grandfather clauses. The African-American Electorate features more than 300 tables, 150 figures, and 50 maps, many of which have been created exclusively for this work using demographic, voter registration, election return, and racial precinct data that have never been collected and assembled for the public. An appendix includes popular and electoral voting data for African-American presidential, congressional, and gubernatorial candidates, and a comprehensive bibliography indicates major topic areas and eras concerning the African-American electorate. The African American Electorate offers students and researchers the opportunity, for the first time, to explore the relationship between voters and political candidates, identify critical variables, and situate African Americans' voting behavior and political phenomena in the context of America's political history.