This reference book is the result of eight years of research into the history and methods of Tang Soo Do. This is the only work to present all 19 Tang Soo Do forms from white belt to black belt (fourth dan master grade). Each move of every form is explained in detail.

Over 1500 pictures, and 35 years of heart and soul are in this book. The book contains explanations of each Hyung (form) and its characteristics, and detailed step-by-step illustrations with feet diagrams, different angle shots and traditional pictures. Forms, one-step sparring, self defence, breaking and free sparring for each belt requirement are included, as well as exclusive applications pictures for all forms. Plyometrics (jumping) exercises are included to help you to develop power and explosiveness into your techniques.

Tang Soo Do Korean Empty Hand Self-Defense Complete Book of Hyungs includes step-by-step written instructions and drawings for learning the 25 Tang Soo Do Hyungs including: Kee Cho Il Bu, Kee Cho E Bu, Kee Cho Sum Bu, Pyung Cho Dan, Pyung Ahn E Dan, Pyung Ahn Sum Dan, Pyung Sa Dan, Pyung Oh Dan, Nai Hanji Cho Dan, Nai Hanji E Dan, Nai Hanji Sum Dan, Bassai Cho, Bassai Dai, Jiin, Ship Sum (Sip Soo), Jion, Ginto, Jitti, Wang Shu, Kang Sang Koon So, Kang Sang Koon Dai, O Sip Sa Bo Dai, Tae Kuek Kwan So, Tae Keuk Kwon Dai and Sojin. Also included is a unique history of Tang Soo Do, the relationship between each Hyung and it's symbol (usually an animal), the importance to Tang Soo Do as taught by the early Korean Kwans and a definition of the Korean Kwan leaders. All the early minor and major Kwans and the Kwan creators and their styles taught at each Kwan is included. Almost 1000 new drawings have been added for the reader to better understand each step of each Hyung. Each drawing is numbered and matches with a numbered written instruction. Line drawings are included matching Hyung movements and directions of motion for each of step of the Hyung providing a high level perspective drawing of the area a practitioner moves through as he executes each Hyung. These diagrams allows the practitioner to see the Hyung in several perspectives to better understand what the creator had intended. It also includes is a matrix for correlating the Korean Hyungs to its Japanese and Okinawan Kata counterpart illustrating which ones are the same or similar. An East-West chronology included illustrates the development of Korean Martial Arts to events around the world and over centuries. The book is to be used only as a learning aid to supplement the formal instructions from a Black Belt Tang Soo Do Instructor. These aids are not intended to replace an Instructor nor to be used to learn the Hyungs before an Instructor decides a student is ready to do so

Richard Byrne, black belt in shotokan and taekwondo, expert in tang soo do, 24 years as an instructor, and leading authority on breaking, has written his methods for developing speed, power and precision in delivering decisive blows through a progressive training program in the art of breaking, stressing both safety and correctness.

‘Fighting Scholars’ offers the first book-length overview of the ethnographic study of martial arts and combat sports. The book’s main claim is that such activities represent privileged grounds to access different social dimensions, such as emotion, violence, pain, gender, ethnicity and religion. In order to explore these dimensions, the concept of ‘habitus’ is presented prominently as an epistemic remedy for the academic distant gaze of the effaced academic body. The book’s most innovative features are its empirical focus and theoretical orientation. While ethnographic research is a widespread and popular approach within the social sciences, combat sports and martial arts have yet to be sufficiently interrogated from an ethnographic standpoint. The different contributions of this volume are aligned within the same project that began to crystallize in Loïc Wacquant’s ‘Body and Soul’: the construction of a ‘carnal sociology’ that constitutes an exploration of the social world ‘from’ the body.