I was 13 years old and clearly remember World War II in 1943 and patriotism was at its' highest. Young men 18 years old and men up to 40 years old were being drafted into the military service. I was tall for my age at 13. I went to the draft board and told them I was 18, they believed me and I was drafted into the army. After 1 year of military duty, I was honorably discharged after returning home. I was inducted into the American Legion as the nation's youngest legionnaire. At the age of 17 and with the permission of my mother, I volunteered to go back into the army and I was sent to serve in Berlin in 1947. At this time in Berlin, the Russians had set up a blockade around West Berlin, trapping American, French and British Armies. When in Berlin, I was given the opportunity to guard some of the top Nazis at Spandau Prison. After my duty in Germany I served in Korea on the front line during the war. Also served in the Vietnam War and was wounded in Vietnam. After 22 years of Army service I retired.

How do you convince men to charge across heavily mined beaches into deadly machine-gun fire? Do you appeal to their bonds with their fellow soldiers, their patriotism, their desire to end tyranny and mass murder? Certainly—but if you’re the US Army in 1944, you also try another tack: you dangle the lure of beautiful French women, waiting just on the other side of the wire, ready to reward their liberators in oh so many ways. That’s not the picture of the Greatest Generation that we’ve been given, but it’s the one Mary Louise Roberts paints to devastating effect in What Soldiers Do. Drawing on an incredible range of sources, including news reports, propaganda and training materials, official planning documents, wartime diaries, and memoirs, Roberts tells the fascinating and troubling story of how the US military command systematically spread—and then exploited—the myth of French women as sexually experienced and available. The resulting chaos—ranging from flagrant public sex with prostitutes to outright rape and rampant venereal disease—horrified the war-weary and demoralized French population. The sexual predation, and the blithe response of the American military leadership, also caused serious friction between the two nations just as they were attempting to settle questions of long-term control over the liberated territories and the restoration of French sovereignty. While never denying the achievement of D-Day, or the bravery of the soldiers who took part, What Soldiers Do reminds us that history is always more useful—and more interesting—when it is most honest, and when it goes beyond the burnished beauty of nostalgia to grapple with the real lives and real mistakes of the people who lived it.

“A riveting tale told through personal accounts and sketches along the way—ultimately, a story of success against great odds. I enjoyed it enormously.” —Tom Brokaw The first book to tell the full story of how a traveling road show of artists wielding imagination, paint, and bravado saved thousands of American lives—now updated with new material. In the summer of 1944, a handpicked group of young GIs—artists, designers, architects, and sound engineers, including such future luminaries as Bill Blass, Ellsworth Kelly, Arthur Singer, Victor Dowd, Art Kane, and Jack Masey—landed in France to conduct a secret mission. From Normandy to the Rhine, the 1,100 men of the 23rd Headquarters Special Troops, known as the Ghost Army, conjured up phony convoys, phantom divisions, and make-believe headquarters to fool the enemy about the strength and location of American units. Every move they made was top secret, and their story was hushed up for decades after the war's end. Hundreds of color and black-and-white photographs, along with maps, official memos, and letters, accompany Rick Beyer and Elizabeth Sayles’s meticulous research and interviews with many of the soldiers, weaving a compelling narrative of how an unlikely team carried out amazing battlefield deceptions that saved thousands of American lives and helped open the way for the final drive to Germany. The stunning art created between missions also offers a glimpse of life behind the lines during World War II. This updated edition includes: A new afterword by co-author Rick Beyer Never-before-seen additional images The successful campaign to have the unit awarded a Congressional Gold Medal History and WWII enthusiasts will find The Ghost Army of World War II an essential addition to their library.

The African-American contribution to winning World War II has never been celebrated as profoundly as in Fighting for America. In this inspirational and uniquely personal tribute, the essential part played by black servicemen and -women in that cataclysmic conflict is brought home. Here are letters, photographs, oral histories, and rare documents, collected by historian Christopher Moore, the son of two black WWII veterans. Weaving his family history with that of his people and nation, Moore has created an unforgettable tapestry of sacrifice, fortitude, and courage. From the 1,800 black soldiers who landed at Normandy Beach on D-Day, and the legendary Tuskegee Airmen who won ninety-five Distinguished Flying Crosses, to the 761st Tank Battalion who, under General Patton, helped liberate Nazi death camps, the invaluable effort of black Americans to defend democracy is captured in word and image. Readers will be introduced to many unheralded heroes who helped America win the war, including Dorie Miller, the messman who manned a machine gun and downed four Japanese planes; Robert Brooks, the first American to die in armored battle; Lt. Jackie Robinson, the future baseball legend who faced court-martial for refusing to sit in the back of a military bus; an until now forgotten African-American philosopher who helped save many lives at a Japanese POW camp; even the author’s own parents: his mother, Kay, a WAC when she met his father, Bill, who was part of the celebrated Red Ball Express. Yet Fighting for America is more than a testimonial; it is also a troubling story of profound contradictions, of a country still in the throes of segregation, of a domestic battleground where arrests and riots occurred simultaneously with foreign service–and of how the war helped spotlight this disparity and galvanize the need for civil rights. Featuring a unique perspective on black soldiers, Fighting for America will move any reader: all who, like the author, owe their lives to those who served.

America's youngest living WWII veteran tells his story.

It all started because of a rifle. The Rifle is an inspirational story and hero’s journey of a 28-year-old U.S. Marine, Andrew Biggio, who returned home from combat in Afghanistan and Iraq, full of questions about the price of war. He found answers from those who survived the costliest war of all -- WWII veterans. It began when Biggio bought a 1945 M1 Garand Rifle, the most common rifle used in WWII, to honor his great uncle, a U.S. Army soldier who died on the hills of the Italian countryside. When Biggio showed the gun to his neighbor, WWII veteran Corporal Joseph Drago, it unlocked memories Drago had kept unspoken for 50 years. On the spur of the moment, Biggio asked Drago to sign the rifle. Thus began this Marine’s mission to find as many WWII veterans as he could, get their signatures on the rifle, and document their stories. For two years, Biggio traveled across the country to interview America’s last-living WWII veterans. Each time he put the M1 Garand Rifle in their hands, their eyes lit up with memories triggered by holding the weapon that had been with them every step of the war. With each visit and every story told to Biggio, the veterans signed their names to the rifle. 96 signatures now cover that rifle, each a reminder of the price of war and the courage of our soldiers.

Children have served as soldiers throughout history. They fought in the American Revolution, the Civil War, and in both world wars. They served as uniformed soldiers, camouflaged insurgents, and even suicide bombers. Indeed, the first U.S. soldier to be killed by hostile fire in the Afghanistan war was shot in ambush by a fourteen-year-old boy. Does this mean that child soldiers are aggressors? Or are they victims? It is a difficult question with no obvious answer, yet in recent years the acceptable answer among humanitarian organizations and contemporary scholars has been resoundingly the latter. These children are most often seen as especially hideous examples of adult criminal exploitation. In this provocative book, David M. Rosen argues that this response vastly oversimplifies the child soldier problem. Drawing on three dramatic examples-from Sierra Leone, Palestine, and Eastern Europe during the Holocaust-Rosen vividly illustrates this controversial view. In each case, he shows that children are not always passive victims, but often make the rational decision that not fighting is worse than fighting. With a critical eye to international law, Armies of the Young urges readers to reconsider the situation of child combatants in light of circumstance and history before adopting uninformed child protectionist views. In the process, Rosen paints a memorable and unsettling picture of the role of children in international conflicts.