This is Volume II of two volumes. American Silhouettes is primarily a study in human character in its dealing with the adversity of life. The setting is America during the last quarter of the twentieth century. More specifically it focuses on the struggle of two generations of a small African American family whose destiny encounters more than its share of horrific tribulations. It is a window on life, love, happiness, suffering, and death of the members of this small vulnerable resilient family from the South, that moves to Washington, D.C. for a better life, only to find a very short interlude of happiness, followed by a deep plunge into another cycle of trauma and despair; not death though, that would be too easy; and when death finally does come, it is a liberation of the body and soul. The saga continues with the cycle of misfortune repeating itself in a new age, a new generation with the same finality as if their destiny had been wickedly predefined. From Bridgeville SC to Washington DC, and from Rome to Dakar, their saga brings to light the evil and virtuousness of man in its most natural occurrence, as a part of daily life. The story brings together various individuals of different and sometimes opposite background and describes either the passions of their encounters or the clashes resulting from their conflicts. It analyses the most wonderful passions of love, beauty and happiness, and juxtaposes the horrible ugliness of hate and abuse. It incorporates the duty and responsibility of man within the context of our society and dwells into the aberrations of its marginal sector. It is an interweaved matrix of emotional extremes. It demonstrates that evil has no color, no race, no religion, and that it transcends the social fabric of our society.

Marriages between Americans and Mexican society women and membership in such organizations as Masonic brotherhoods brought the foreigners into the most important social circles.".

"National Portrait Gallery, Smithsonian Institution, Washington, D.C. in association with Princeton University Press, Princeton and Oxford".

Systematically exploring the dynamic interface between Mexico and the United States, this comprehensive survey considers the historical development, current politics, society, economy, and daily life of the border region. Now fully updated and revised, the book analyzes the economic cycles and social movements from the 1880s that created this distinctive borderlands region and propelled it into the twenty-first century and a globalizing world. Richly illustrated with photographs, maps, and tables, the book concludes with an analysis of key borderlands issues that range from the environment to migration to national security.

The nineteenth century was a period of peak popularity for travel to Latin America, where a new political independence was accompanied by loosened travel restrictions. Such expeditions resulted in numerous travel accounts, most by men. However, because this period was a time of significant change and exploration, a small but growing minority of female voyagers also portrayed the people and places that they encountered. Women through Women's Eyes draws from ten insightful accounts by female visitors to Latin America in the nineteenth century. These firsthand tales bring a number of Latin American women into focus: nuns, market women, plantation workers, the wives and daughters of landowners and politicians, and even a heroine of the independence movement. Questions of family life, religion, women's labor, and education are addressed, in addition to the interrelationships of men and women within the structure of Latin American societies. Women through Women's Eyes is a perceptive look at Latin American women from various walks of life during this period. Within these pages, the reader catches lengthy glimpses of the women on both sides of the travel accounts-author and subject-and thereby may examine them all and their societies close-up.

This memoir details the experiences of an American family cuaght in Revolutionary Mexico. Based on personal documents written by Richard Herr's older brother, the manuscript covers a critical period in Mexican history, beginning during the Porfiriato and continuing through the 1920s.