This book considers the relevance of ritual theatre in contemporary life and describes how it is being used as a highly cathartic therapeutic process. With contributions from leading experts in the field of dramatherapy, the book brings together a broad spectrum of approaches to ritual theatre as a healing system.

This well-illustrated book thoroughly investigates the relations between East and West in the Ancient world as seen through the lens of ancient religious practices. The author has concentrated on one aspect of the cult, the ritual drama, and its setting, the cultic theatre.The point of departure is the presence of a great amount of theatrical structures in the sanctuaries in Greece and Italy. Many of these structures were not proper theatres in the modern sense of the word, but rather primitive rows of seats, 'a place to watch from', which is in fact the original meaning of the word 'theatre'. These structures have never before been examined from a functional viewpoint, and the author proposes that their primary raison d'etre was the performance of ritual dramas at the great seasonal feasts. These non-literary dramas re-enacted the story or myth of the divinity, which in symbolic form treated the crises connected with precarious transitions during the agricultural year and human life in general.For various reasons, which she describes, the author points to the relative obscurity of this religious institution in the Greek and Roman world, and notes that as a result, it has received scant attention from scholars. In contrast, it is well known that ritual dramas had been performed in the distant past at the great seasonal feasts of the Orient, and the book includes an excellent overview of the development of this institution as well as the setting chosen for it in the Egyptian, Syrio-Phoenician and Anatolian cults, both in their homelands and in their new host countries in the West.This is a fascinating book for archaeologists and classicists, as well as for anthropologists andhistorians of religion, but it also gives food for thought for those who simply want to l

Throughout the Americas, performances deriving from medieval European rituals, ceremonies, and festivities made up a crucial part of the cultural cargo shipped from Europe to the overseas settlements. In 1583, Sir Humphrey Gilbert sailed from Plymouth, England, to Newfoundland, bringing with him "morris dancers, hobby horses, and Maylike Conceits" for the "allurement of the savages" and the "solace of our people." His voyage closely resembled that of twelve Franciscan friars who in 1524 had arrived in what is now Mexico armed with a repertoire of miracle plays, religious processions, and other performances. These two events, although far from unique, helped shape initial encounters between Europeans and indigenous peoples; they also marked the first stages of the process that would lead—by no means smoothly—to a distinctively American culture. Ritual Imports is a groundbreaking cultural history of European performance traditions in the New World, from the sixteenth century to the present. Claire Sponsler examines the role of survivals and adaptations of medieval drama in shaping American culture from colonization through nation building and on to today's multicultural society. The book's subjects include New Mexican matachines dances and Spanish conquest drama, Albany's Pinkster festival and Afro-Dutch religious celebrations, Philadelphia's mummers and the Anglo-Saxon revival, a Brooklyn Italian American saint's play, American and German passion plays, and academic reconstructions of medieval drama. Drawing on theories of cultural appropriation, Ritual Imports makes an important contribution to medieval and American studies as well as to cultural studies and the history of theater.

In this pioneering work one of the world's leading experts on Native American traditions offers a detailed survey of Native American practices and beliefs regarding health, medicine, and religion. In contrast to the sharp Euro-American division between medicine and religion, Native American medical beliefs and practices can only be assessed, says the author, in their relation to their religious ideas. Spanning the full length and breadth of Native North American cultural areas, from the Northeast to the Southwest, the Southeast to the Northwest, the book offers "thick" descriptions of traditional Native American medical and religious beliefs and practices, demonstrating that for Native Americans medicine and religion are two sides of the same coin: a coherent and holistic system in which supernaturalism acts as a motor in healing.

This text analyzes the phenomenon of American professional wrestling in light of the critical dramaturgy of Erving Goffman, Victor Turner and Mary Jo Deegan. It seeks to offer a scholarly explanation and sociological insight into professional wrestling in America.

Generating a new understanding of the past—as well as a vision for the future—this path-breaking volume contains essays written by playwrights, scholars, and critics that analyze African American theatre as it is practiced today.Even as they acknowledge that Black experience is not monolithic, these contributors argue provocatively and persuasively for a Black consciousness that creates a culturally specific theatre. This theatre, rooted in an African mythos, offers ritual rather than realism; it transcends the specifics of social relations, reaching toward revelation. The ritual performance that is intrinsic to Black theatre renews the community; in Paul Carter Harrison's words, it "reveals the Form of Things Unknown" in a way that "binds, cleanses, and heals."

An analysis of the literary and dramatic function of ritual within the world of Sophocles' plays, for scholars of Greek tragedy, ancient theater, and poetics.