Moses Hazen, commander of the Second Canadian Reiment, was an unusual and influential man during the period of the American Revolution. The Tories who fled to Canada have received careful study, but little attention has been paid to the Canadians who came south to aid the colonists in their fight against the British. Hazen was one of the leading agents of the Continental Congress in the efforts to recruit Canadians from Quebec and Nova Scotia. This book is more than a biography of Hazen; it is also the story of the Canadians who left their homes, farms, and businesses to join the Continental Army. Allan Everest analyzes the war, in particular its norther theater, and discusses the shabby treatment the Canadians and their families received during and right after the war. In addition, he provides new information on frontier land grants as a reward for army service, the vast speculation in land, and finances of the young republic. Hazen, a prime example of the speculators right after the war, stuck by his Canadian troops until they, too, were rewarded with land grants on the northern frontiers of New York State. This book was published for the New York State American Revolution Bicentennial Commission. The Commission was created by the New York State legislature in 1968 to plan and conduct statewide commemorative programs for the 200th anniversary of the American Revolution and the birth of New York State.

Official Graphics Standards Manual or the Official Symbol of The American Revolution Bicentennial

The NASA Graphics Standards Manual, by Richard Danne and Bruce Blackburn, is a futuristic vision for an agency at the cutting edge of science and exploration. Housed in a special anti-static package, the book features a foreword by Richard Danne, an essay by Christopher Bonanos, scans of the original manual (from Danne's personal copy), reproductions of the original NASA 35mm slide presentation, and scans of the Managers Guide, a follow-up booklet distributed by NASA.

During the 1976 Bicentennial celebration, millions of Americans engaged with the past in brand-new ways. They became absorbed by historical miniseries like Roots, visited museums with new exhibits that immersed them in the past, propelled works of historical fiction onto the bestseller list, and participated in living history events across the nation. While many of these activities were sparked by the Bicentennial, M. J. Rymsza-Pawlowska shows that, in fact, they were symptomatic of a fundamental shift in Americans' relationship to history during the 1960s and 1970s. For the majority of the twentieth century, Americans thought of the past as foundational to, but separate from, the present, and they learned and thought about history in informational terms. But Rymsza-Pawlowska argues that the popular culture of the 1970s reflected an emerging desire to engage and enact the past on a more emotional level: to consider the feelings and motivations of historic individuals and, most importantly, to use this in reevaluating both the past and the present. This thought-provoking book charts the era's shifting feeling for history, and explores how it serves as a foundation for the experience and practice of history making today.