This Library of America volume brings together one of Henry James’s most unusual experiments and one of his most beloved masterpieces Writing to his friend William Dean Howells, Henry James characterized his experimental novel, The Sacred Fount, as the only one of his novels to be told in the first person, as “a fine flight into the high fantastic.” While traveling to the country house of Newmarch for a weekend party, the nameless narrator becomes obsessed with the idea that a person may become younger or cleverer by tapping the “sacred fount” of another person. Convinced that Grace Brissenden has become younger by drawing upon her husband, Guy, the narrator seeks to discover the source of the newfound wit of Gilbert Long, previously “a fine piece of human furniture.” His perplexing and ambiguous quest, and the varying reactions it provokes from the other guests, calls into question the imaginative inquiry central to James’s art of the novel. James described the essential idea of The Wings of the Dove as “a young person conscious of a great capacity for life, but early stricken and doomed, condemned to die under short respite, while also enamoured of the world.” The heroine, a wealthy young American heiress, Milly Theale (inspired by James’s beloved cousin Minny Temple), is slowly drawn into a trap set for her by the English adventuress Kate Croy and her lover, the journalist Morton Densher. The unexpected outcome of their mercenary scheme provides the resolution to a tragic story of love and betrayal, innocence and experience that has long been acknowledged as one of James’s supreme achievements as a novelist. This volume prints the New York Edition text of The Wings of the Dove, and includes the illuminating preface James wrote for that edition. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

The first complete anthology of short stories by “the creator of the American short story”— includes the landmark collection Winesburg, Ohio (Michael Dirda, Pulitzer Prize–winning book critic) In the winter of 1912, Sherwood Anderson (1876–1941) abruptly left his office and spent three days wandering through the Ohio countryside, a victim of “nervous exhaustion.” Over the next few years, abandoning his family and his business, he resolved to become a writer. Novels and poetry followed, but it was with the story collection Winesburg, Ohio that he found his ideal form, remaking the American short story for the modern era. Hart Crane, one of the first to recognize Anderson’s genius, quickly hailed his accomplishment: “America should read this book on her knees.” Here—for the first time in a single volume—are all the collections Anderson published during his lifetime: Winesburg, Ohio (1919), The Triumph of the Egg (1921), Horses and Men (1923), and Death in the Woods (1933), along with a generous selection of stories left uncollected or unpublished at his death. Exploring the hidden recesses of small-town life, these haunting, understated, often sexually frank stories pivot on seemingly quiet moments when lives change, futures are recast, and pasts come to reckon. They transformed the tone of American storytelling, inspiring writers like Hemingway, Faulkner, and Mailer, and defining a tradition of midwestern fiction that includes Charles Baxter, editor of this volume. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Collects the unabridged texts of important speeches, including Patrick Henry's "liberty or death" speech, women's rights speeches by Elizabeth Cady Stanton, and Grover Cleveland's address dedicating the Statue of Liberty.

Abraham Lincoln was the greatest writer of the Civil War as well as its greatest political leader. His clear, beautiful, and at times uncompromisingly severe language forever shaped the nation’s understanding of its most terrible conflict. This volume, along with its companion, Abraham Lincoln: Speeches and Writings 1832–1858, comprises the most comprehensive selection ever published. Over 550 speeches, messages, proclamations, letters, and other writings—including the Inaugural and Gettysburg addresses and the moving condolence letter to Mrs. Bixby—record the words and deeds with which Lincoln defended, preserved, and redefined the Union. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

When Cooper's most memorable hero, Leatherstocking, started an American tradition by setting off into the sunset in The Pioneers, one early reader said of his departure, "I longed to go with him." American readers couldn't get enough of the Leatherstocking saga (collected in two Library of America volumes) and, fourteen years after he portrayed the death of Natty Bumppo in The Prairie, Cooper brought him back in The Pathfinder, or The Inland Sea (1841). During the Seven Years War, just after the events narrated in The Last of the Mohicans, Natty brings the daughter of a British sergeant to her father's station on the Great Lakes, where the French and their Indian allies are plotting a treacherous ambush. Here, for the first time, he falls in love with a woman, before Cooper manages bring off Leatherstocking's most poignant, and perhaps his most revealing, escape. The Deerslayer (1842) brings the saga full circle and follows the young Natty on his first warpath. Instinctively gifted in the arts of the forest, pious in his respect for the unspoiled wilderness on which he loves to gaze, honorable to friend and foe alike, stoic under torture, and cool under fire, the young Leatherstocking emerges as Cooper's noblest figure of the American frontier. Enacting a rite of passage both for its hero and for the culture he comes to represent, this last book in the series glows with a timelessness that readers everywhere will find enchanting. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

In the years between the beginning of the twentieth century and the end of World War II, American poetry was transformed, producing a body of work whose influence was felt throughout the world. Now for the first time the landmark two-volume Library of America anthology of twentieth-century poetry through the post-War years restores that era in all its astonishing beauty and explosive energy. This first volume of the set, organized chronologically by the poets’ birthdates, takes the reader from Henry Adams (1838–1918) to Dorothy Parker (1893–1967), and in the process reveals the unfolding of a true poetic renaissance. Included are generous selections from some of the century’s greatest poets: Edwin Arlington Robinson, Robert Frost, Wallace Stevens, William Carlos Williams, Marianne Moore, H.D., Ezra Pound, T. S. Eliot. Here they are seen as part of an age that proposed new and often contentious definitions of what American poetry could be and fresh perceptions of a society undergoing rapid and often tumultuous change. The multifarious aesthetic influences brought to bear—Chinese and Japanese poetry, the African-American sermon, the artistic revolutions of Cubism and Dada, the cadences of jazz, the brash urgencies of vernacular speech—resulted in a poetic culture of dynamic energy and startling contrasts. The poets of this era transformed not only style but traditional subject matter: there are poems here on a silent movie actress, a lynching, the tenements of New York, the trench warfare of World War I, the Russian Revolution, and the landscape of Mars. Here too are folk ballads on events like the assassination of McKinley and the sinking of the Titanic; popular and humorous verse by Don Marquis and Franklin P. Adams; the famous “Spectra” hoax; song lyrics by Ma Rainey, Joe Hill, and Irving Berlin; and poems by writers as unexpected as Djuna Barnes, Sherwood Anderson, John Reed, and H. P. Lovecraft. Included are some of the century’s most important poems, presented in full: Pound’s Hugh Selwyn Mauberley, Eliot’s The Waste Land, Steven’s Notes Toward a Supreme Fiction. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Often compared to the works of E.E. Cummings and Elizabeth Bishop, these poems are a free-ranging exploration of outer and inner worlds, of nature and the human mind In celebration of the centenary of May Swenson’s birth, The Library of America presents a one-volume edition of all of the poems that Swenson published in her lifetime—from her first collection Another Animal (1954) to the innovative shaped poems of Iconographs (1970) to her final work In Other Words (1987)—as well as a selection of previously uncollected work. The collection reveals the sweeping compass of Swenson’s curiosity: nature poems display her keen observation of wildlife; exuberant and erotic love poems celebrate beauty and passion; place poems record her travels to the American Southwest, France, and Italy and her residence in New York City and Sea Cliff, Long Island; verse “analyses” investigate baseball, wave motion, the DNA molecule, bronco busting, James Bond movies, and the first walk on the moon. Swenson was an inveterate reviser: poems in earlier volumes were frequently reworked for inclusion in later volumes, such as To Mix with Time (1963) and New and Selected Things Taking Place (1978). While preserving the order of publication, this volume presents the author’s final or definitive version. Substantive textual variants and title changes are detailed in the notes to the volume. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.