The Year that Defined American Journalism explores the succession of remarkable and decisive moments in American journalism during 1897 – a year of significant transition that helped redefine the profession and shape its modern contours. This defining year featured a momentous clash of paradigms pitting the activism of William Randolph Hearst's participatory 'journalism of action' against the detached, fact-based antithesis of activist journalism, as represented by Adolph Ochs of the New York Times, and an eccentric experiment in literary journalism pursued by Lincoln Steffens at the New York Commercial-Advertiser. Resolution of the three-sided clash of paradigms would take years and result ultimately in the ascendancy of the Times' counter-activist model, which remains the defining standard for mainstream American journalism. The Year That Defined American Journalism introduces the year-study methodology to mass communications research and enriches our understanding of a pivotal moment in media history.

The traditional approach to studying American photojournalism explains the what and who of photojournalism -- what events and developments occurred, what notable images were taken, and who took them. Without neglecting those concerns, American Photojournalism emphasizes the why.

In American Photojournalism Comes of Age, Michael L. Carlebach discusses the ways in which photojournalists redefined the boundaries of publicity and privacy, fact and fabrication during the formative decades of the profession. He explains how more streamlined technologies and the public's growing faith in the camera's accuracy revolutionized - and dramatically increased - the presentation of visual news. The book describes the yellow journalism of the competing Pulitzer and Hearst newspapers, the muckraking efforts of photographers such as Jacob Riis to improve New York City's slums, World War I censorship that staged or faked many "news" photographs, and the rise of both the tabloid and documentary traditions. The author also tells how the increasingly centralized business of photo dissemination could make or break a photographer's career. --Publisher.

This beautiful and informative photographic history includes images from 1900 to 1999. Many are often seen (bullet piercing the apple, splashing crown of milk, Sophia Loren looking askance at Jayne Mansfield's plunging decollete, and Dorothea Lange's Migrant Mother); but most are probably unknown, because the photos were selected not only for their visual and cognitive qualities but also for their importance to the history and development of photographic technique and usage. The century is divided into thirds for explanation's sake, and there is at least one photograph for every year. While this is a picture book, the accompanying text provides informative introductions to the uses and abuses of perhaps the century's most important medium. The book is companion to the PBS series. Oversize: 12.5x9.5". Annotation copyrighted by Book News Inc., Portland, OR

In American Photojournalism Comes of Age, Michael L. Carlebach discusses the ways in which photojournalists redefined the boundaries of publicity and privacy, fact and fabrication during the formative decades of the profession. He explains how more streamlined technologies and the public's growing faith in the camera's accuracy revolutionized - and dramatically increased - the presentation of visual news. The book describes the yellow journalism of the competing Pulitzer and Hearst newspapers, the muckraking efforts of photographers such as Jacob Riis to improve New York City's slums, World War I censorship that staged or faked many "news" photographs, and the rise of both the tabloid and documentary traditions. The author also tells how the increasingly centralized business of photo dissemination could make or break a photographer's career. --Publisher.

"This comprehensive new survey places American photography in its cultural context for the first time. Prize-winning author, Miles Orvell, examines this fascinating subject through portraiture and landscape photography, family albums and memory, analyzing the particular way in which American photographers view the world around them - from Alfred Stieglitz to Walker Evans, Andy Warhol to Cindy Sherman."--Back cover.