A Deep Dive into America's Complex Relationship with Jesus There's no denying America's rich religious background–belief is woven into daily life. But as Stephen Prothero argues in American Jesus, many of the most interesting appraisals of Jesus have emerged outside the churches: in music, film, and popular culture; and among Jews, Muslims, Buddhists, and people of no religion at all. Delve into this compelling chronicle as it explores how Jesus, the carpenter from Nazareth, has been refashioned into distinctly American identities over the centuries. From his enlistment as a beacon of hope for abolitionists to his appropriation as a figurehead for Klansmen, the image of Jesus has been as mercurial as it is influential. In this diverse and conflicted scene, American Jesus stands as a testament to the peculiar fusion of the temporal and divine in contemporary America. Equal parts enlightening and entertaining, American Jesus goes beyond being simply a work of history. It’s an intricate mirror, reflecting the American spirit while questioning the nation's socio-cultural fabric.

Where else but America do people ask: What Would Jesus Do? What Would Jesus Drive? What Would Jesus Eat? "This book is for believers and non-believers alike. It is not a book about whether one should believe in Jesus, but about how Americans have believed in and portrayed him."—from the Introduction Jesus in America is a comprehensive exploration of the vital role that the figure of Jesus has played throughout American history. Written by one of our most distinguished historians, Richard Wightman Fox, this book provides a brilliant cultural history of Jesus in America from its origins to today, demonstrating how Jesus is the most influential symbolic figure in our history. Benjamin Franklin understood Jesus as a wise man worthy of imitation. Thomas Jefferson regarded him as a moral teacher. The assassination of Abraham Lincoln, which occurred on Good Friday, was popularly interpreted as paralleling the crucifixion of Jesus . . . as one preacher put it, "Jesus Christ died for the world, Abraham Lincoln died for his country." Elizabeth Cady Stanton appropriated Jesus' message to champion women's rights. George W. Bush named Jesus as his favorite political philosopher—and several other GOP candidates followed suit—during the last presidential race. As we have seen in recent presidential elections, the name of Jesus is often thrust into the center of political debates, and many Americans regularly enlist Jesus, their ultimate arbiter of value, as the standard-bearer for their views and causes. Fox shows how Jesus influenced such major turning points in American history as: Columbus's voyage of discovery The arrival of the English puritans and Spanish missionaries The American Revolution The abolition of slavery and the Civil War Labor movements Social and cultural revolutions of the sixties and beyond The swelling tide of Christian voices in the politics and entertainment of today Fox gives an expert, lively account of all the ways that Jesus is portrayed and understood in American culture. Extensively illustrated with images representing the multitude of American views of Jesus, Jesus in America reveals how fully and deeply Jesus is ingrained in the American experience.

Growing up fundamentalist and female-and maturing into a feminist By the age of twelve, Susan Campbell had been flirting with Jesus for some time, and in her mind, Jesus had been flirting back. Why wouldn't he? She went to his house three times a week, sat in his living room, listened to his stories, loudly and lustily sang songs to him. So, one Sunday morning, she walked to the front of her fundamentalist Christian church to profess her love for Jesus and to be baptized. But from the moment her robe floated to the surface of the baptistery water, she began to question her fundamentalist Christian faith. If baptism requires complete immersion underwater, what does it mean, she wondered, if a piece of fabric attached to a would-be Christian floats to the top? Does the baptism still count? In this lovingly told tale, Susan Campbell takes us into the world of fundamentalism-a world where the details really, really matter. And she shows us what happened when she finally came to admit that in her faith, women would never be allowed a seat at the throne.

What does the most infamous criminal proceeding in history--the trial of Jesus of Nazareth--have to tell us about capital punishment in the United States? Jesus Christ was a prisoner on death row. If that statement surprises you, consider this fact: of all the roles that Jesus played--preacher, teacher, healer, mentor, friend--none features as prominently in the gospels as this one, a criminal indicted and convicted of a capital offense. Now consider another fact: the arrest, trial, and execution of Jesus bear remarkable similarities to the American criminal justice system, especially in capital cases. From the use of paid informants to the conflicting testimony of witnesses to the denial of clemency, the elements in the story of Jesus' trial mirror the most common components in capital cases today. Finally, consider a question: How might we see capital punishment in this country differently if we realized that the system used to condemn the Son of God to death so closely resembles the system we use in capital cases today? Should the experience of Jesus' trial, conviction, and execution give us pause as we take similar steps to place individuals on death row today? These are the questions posed by this surprising, challenging, and enlightening book

NEW YORK TIMES BESTSELLER The “paradigm-influencing” book (Christianity Today) that is fundamentally transforming our understanding of white evangelicalism in America. Jesus and John Wayne is a sweeping, revisionist history of the last seventy-five years of white evangelicalism, revealing how evangelicals have worked to replace the Jesus of the Gospels with an idol of rugged masculinity and Christian nationalism—or in the words of one modern chaplain, with “a spiritual badass.” As acclaimed scholar Kristin Du Mez explains, the key to understanding this transformation is to recognize the centrality of popular culture in contemporary American evangelicalism. Many of today’s evangelicals might not be theologically astute, but they know their VeggieTales, they’ve read John Eldredge’s Wild at Heart, and they learned about purity before they learned about sex—and they have a silver ring to prove it. Evangelical books, films, music, clothing, and merchandise shape the beliefs of millions. And evangelical culture is teeming with muscular heroes—mythical warriors and rugged soldiers, men like Oliver North, Ronald Reagan, Mel Gibson, and the Duck Dynasty clan, who assert white masculine power in defense of “Christian America.” Chief among these evangelical legends is John Wayne, an icon of a lost time when men were uncowed by political correctness, unafraid to tell it like it was, and did what needed to be done. Challenging the commonly held assumption that the “moral majority” backed Donald Trump in 2016 and 2020 for purely pragmatic reasons, Du Mez reveals that Trump in fact represented the fulfillment, rather than the betrayal, of white evangelicals’ most deeply held values: patriarchy, authoritarian rule, aggressive foreign policy, fear of Islam, ambivalence toward #MeToo, and opposition to Black Lives Matter and the LGBTQ community. A much-needed reexamination of perhaps the most influential subculture in this country, Jesus and John Wayne shows that, far from adhering to biblical principles, modern white evangelicals have remade their faith, with enduring consequences for all Americans.

How is it that in America the image of Jesus Christ has been used both to justify the atrocities of white supremacy and to inspire the righteousness of civil rights crusades? In The Color of Christ, Edward J. Blum and Paul Harvey weave a tapestry of American dreams and visions--from witch hunts to web pages, Harlem to Hollywood, slave cabins to South Park, Mormon revelations to Indian reservations--to show how Americans remade the Son of God visually time and again into a sacred symbol of their greatest aspirations, deepest terrors, and mightiest strivings for racial power and justice. The Color of Christ uncovers how, in a country founded by Puritans who destroyed depictions of Jesus, Americans came to believe in the whiteness of Christ. Some envisioned a white Christ who would sanctify the exploitation of Native Americans and African Americans and bless imperial expansion. Many others gazed at a messiah, not necessarily white, who was willing and able to confront white supremacy. The color of Christ still symbolizes America's most combustible divisions, revealing the power and malleability of race and religion from colonial times to the presidency of Barack Obama.

This book is an intriguing narrative of the interplay between American religion and patterns of American culture in the nineteenth and twentieth centuries. R. Laurence Moore considers the ways nationalism, the separation of church and state, democratic pluralism, and shifts in boundaries between secular and sacred practice have shaped American religion for the past two hundred years.