American Hybrid Poetics explores the ways in which hybrid poetics—a playful mixing of disparate formal and aesthetic strategies—have been the driving force in the work of a historically and culturally diverse group of women poets who are part of a robust tradition in contesting the dominant cultural order. Amy Moorman Robbins examines the ways in which five poets—Gertrude Stein, Laura Mullen, Alice Notley, Harryette Mullen, and Claudia Rankine—use hybridity as an implicitly political strategy to interrupt mainstream American language, literary genres, and visual culture, and expose the ways in which mass culture in the twentieth and twenty-first centuries has had a powerfully standardizing impact on the collective American imagination. By forcing encounters between incompatible traditions—consumer culture with the avant-garde, low culture forms with experimental poetics, prose poetry with linguistic subversiveness—these poets bring together radically competing ideologies and highlight their implications for lived experience. Robbins argues that it is precisely because these poets have mixed forms that their work has gone largely unnoticed by leading members and critics in experimental poetry circles.

This book fills research gaps in the field of Latin American electoral politics, explaining the causes and consequences of electoral manipulation in the hybrid regimes of Latin America between the 1980s and 2020s. This research falls within the field of comparative democratization with the ambition of deepening knowledge on the topic of electoral manipulation in hybrid regimes. In the last decade there has been a clear shift towards hybrid regimes in a considerable number of states (Venezuela, Bolivia, Ecuador, Nicaragua, and Honduras). The common occurrence of such regimes, often referred to by the collective term "hybrid" or "mixed", has led to a rapid expansion of empirical research. However, the current state of research in this field is unsatisfactory. Although existing scholarship tends to agree that the common feature of these regimes is the incumbents' tendency to interfere in political competition, little is known about how incumbents select between different forms of electoral manipulation and how such different forms go on to affect electoral results.

This book assesses the transferability of Japanese-style management and production systems to 81 factories in North America owned by Japanese companies. All of the book's investigations are based on an original methodology, "hybridization analysis", which quantifies the degree to which features of the Japanese system have been transplanted, using an elaborate checklist and scoring system. With its wealth of data, it should serve as a handy reference volume to anyone interested in the issue of international management and the impact of globalization upon production models.

The author examines the role of comedy in the novels of four key postmodern Spanish-American writers: Gustavo Sainz, Alfredo Bryce Echenique, Jaime Bayly and Fernando Vallejo.