Step-by-step instructions and enlightening photos and diagrams thoroughly educate you on parchment and paper care; mattings, hinging and framing; storage; basic conservation procedures; and other relevant topics.

CD-ROM contains: Digital image archive of books, magazines, manuscripts, technologies, and readers to accompany text.

"For more than a century, Nashville's Hatch Show Print has produced show-posters for entertainers of all stripes, from country musicians to magicians, professional wrestlers to rock stars. Hatch Show Print: The History of a Great American Poster Shop is the fully illustrated tour of this iconic institution, offering a glimpse into the history of American entertainment through dynamic and distinctive posters from the 1800s to today." "In this day of new media dominance, the hand-carved, hand-set, hand-inked, and hand-cranked ethic and aesthetic of a Hatch Show Print poster is beyond compare. Complete with over 175 illustrations, including historical photographs and scores of beautiful posters, Hatch Show Print is a dazzling document of this legendary print shop." --Book Jacket.

The volume presents the results of a four-year inter-institutional, interdisciplinary research initiative led and organized by the National Gallery of Art. Contributions by 47 leading photograph conservators, scientists, and historians provide detailed examinations of the chemical, material, and aesthetic qualities of this important class of rare, beautiful, and technically complex photographs. The volume will help those who care for photograph collections gain a thorough appreciation of the technical and aesthetic characteristics of platinum and palladium prints and scientific basis for their preservation.

Considers five documentary sequences or narratives: the antebellum portraits of Mathew Brady and others; the Civil War albums of Alexander Gardner, George Barnard and A.J. Russell; the Western survey and landscape photographs of Timothy O'Sullivan, A.J. Russell, and Carleton Watkins; and social photographs and texts by Alfred Stieglitz and Lewis Hine; as well as documentaries inspired by the Depression, esp. Walker Evans's American Photographs.

"Through this droll sequence of photographs Neidich opens up a new area of photographic investigation, using the medium not to certify cultural biases but to challenge them. These powerful photographs force us to challenge them. These powerful photographs force us to recognize how mediated the media really are, how much our perceptions of ourselves and our past are determined by convenient societal assumptions, to acknowledge just how much "story" there is in "history"--Page 4 de la couverture