The unforgettable protagonist of Lola returns in a gritty, high-octane thriller about a brilliant woman who will stop at nothing to protect her growing drug empire, even if she has to go to war with a rival cartel...or her own family It took sacrifice, pain, and more than a few dead bodies, but Lola has clawed her way to the top of her South Central Los Angeles neighborhood. Her gang has grown beyond a few trusted soldiers into a full-fledged empire, and the influx of cash has opened up a world that she has never known--one where her daughter can attend a good school, where her mother can live in safety, and where Lola can finally dream of a better life. But with great opportunity comes great risk, and as Lola ascends the hierarchy of the city's underworld she attracts the attention of a dangerous new cartel who sees her as their greatest obstacle to dominance. Soon Lola finds herself sucked into a deadly all-out drug war that threatens to destroy everything she's built. But even as Lola readies to go to war, she learns that the greatest threat may not be a rival drug lord but a danger far closer to home: her own brother. Edgy, complex, and breathtakingly propulsive, Melissa Scrivner Love has crafted a novel sure to please not only those who loved her first book but everyone who enjoys a gripping thriller.

This collection examines transnational Asian American women characters in various fictional narratives. It analyzes how certain heroines who are culturally rooted in Asian regions have been transformed and re-imagined in America, playing significant roles in Asian American literary studies as well as community life. The interdisciplinary essays display refreshing perspectives in Asian American literary studies and transnational feminism from four continents.

This account by a woman who fought the Nazis alongside her husband is “an indelible portrait of extraordinary strength of character” (The New Yorker). Virginia Roush fell in love with Philippe d’Albert-Lake during a visit to France in 1936; they married soon after. In 1943, they both joined the Resistance, where Virginia put her life in jeopardy as she sheltered downed airmen and later survived a Nazi prison camp. After the war, she stayed in France with Philippe, and was awarded the Légion d’Honneur and the Medal of Honor. This book includes two rare documents—Virginia’s diary of wartime France until her capture in 1944, and her prison memoir written immediately after the war. Together they offer “an invaluable record of the workings of the French Resistance by one of the very few American women who participated in it” (Providence Journal). “A sharply etched and moving story of love, companionship, commitment, and sacrifice . . . This beautifully edited diary and memoir throw an original light on the French Resistance.” —Robert Gildea, author of Marianne in Chains: In Search of the German Occupation, 1940–1945 “At once a stunning self-portrait and dramatic narrative of a valorous young American woman . . . an exciting and gripping story.” —Walter Cronkite

WINNER OF THE JOHN CREASEY DEBUT DAGGER AWARD Nominated for the Edgar Award for best first novel An astonishing debut crime thriller about an unforgettable woman who combines the genius and ferocity of Lisbeth Salander with the ruthless ambition of Walter White The Crenshaw Six are a small but up-and-coming gang in South Central LA who have recently been drawn into an escalating war between rival drug cartels. To outsiders, the Crenshaw Six appear to be led by a man named Garcia . . . but what no one has figured out is that the gang's real leader (and secret weapon) is Garcia's girlfriend, a brilliant young woman named Lola. Lola has mastered playing the role of submissive girlfriend, and in the man's world she inhabits she is consistently underestimated. But in truth she is much, much smarter--and in many ways tougher and more ruthless--than any of the men around her, and as the gang is increasingly sucked into a world of high-stakes betrayal and brutal violence, her skills and leadership become their only hope of survival. Lola marks the debut of a hugely exciting new thriller writer, and of a singular, magnificent character unlike anyone else in fiction.

Short biographies of women who contributed to the American Revolutionary War effort.

Why do the vast majority of heroin users live in cities? In his provocative history of heroin in the United States, Eric C. Schneider explains what is distinctively urban about this undisputed king of underworld drugs. During the twentieth century, New York City was the nation's heroin capital—over half of all known addicts lived there, and underworld bosses like Vito Genovese, Nicky Barnes, and Frank Lucas used their international networks to import and distribute the drug to cities throughout the country, generating vast sums of capital in return. Schneider uncovers how New York, as the principal distribution hub, organized the global trade in heroin and sustained the subcultures that supported its use. Through interviews with former junkies and clinic workers and in-depth archival research, Schneider also chronicles the dramatically shifting demographic profile of heroin users. Originally popular among working-class whites in the 1920s, heroin became associated with jazz musicians and Beat writers in the 1940s. Musician Red Rodney called heroin the trademark of the bebop generation. "It was the thing that gave us membership in a unique club," he proclaimed. Smack takes readers through the typical haunts of heroin users—52nd Street jazz clubs, Times Square cafeterias, Chicago's South Side street corners—to explain how young people were initiated into the drug culture. Smack recounts the explosion of heroin use among middle-class young people in the 1960s and 1970s. It became the drug of choice among a wide swath of youth, from hippies in Haight-Ashbury and soldiers in Vietnam to punks on the Lower East Side. Panics over the drug led to the passage of increasingly severe legislation that entrapped heroin users in the criminal justice system without addressing the issues that led to its use in the first place. The book ends with a meditation on the evolution of the war on drugs and addresses why efforts to solve the drug problem must go beyond eliminating supply.