An annual publication forging a link between social history, American studies, and the decorative arts.

Tour American styles, periods, and types of furniture by examining Chippendale, Shaker, Rococo, and many other distinctly American creations that showcase the artistic merit of American furniture.

Meant for both connoisseur and amateur, this is the definitive book in its field. During ten years of research, the authors examined furniture from coast to coast, in museums and private collections. American Furniture has a running text along with its identification captions, which places furniture in its social and historical context. In its 100 color pictures and 1300 black-and-white photos, the book frequently presents furniture in the rooms they were made for. There is extensive coverage of the masterpieces from the seventeenth century to the present, many of them newly photographed for this book, but coverage is by no means restricted to these pieces. This is the first book to encompass furniture "away from the mainstream"--Pieces made away from the furniture centers of New York, New England, and Pennsylvania. Thus, there is discussion of the furniture of the Southwest; furniture made in Dutch, Spanish, French, and Norwegian settlements; and furniture made in religious enclaves or as part of social or aesthetic reform movements. Also, line drawings reveal how antique furniture was made--and therefore how to tell a genuine antique from a forgery.--From publisher description.

A lavish presentation of this fine Milwaukee collection. Two hundred pieces of seventeenth-, eighteenth-, and early nineteenth-century American furniture. Each entry includes all known information about the particular object's history, cost, design sources, regional origin and unique qualities, as well as a photograph of the piece and a description of its salient construction features. Complimenting this rich catalogue are two essays. The first summarizes stylistic developments in the period 1680-1820 and seeks to place the Stone collection in historical perspective. The second, by Stanley Stone himself, discusses a personal approach to collecting that mixes obvious aesthetic joy and keen judgment--two qualities everywhere evident in this remarkable collection.

Answers questions about when, where, how, & even why a piece of furniture was made, covering three centuries of changing styles.

An annual publication forging a link between social history, American studies, and the decorative arts.