When Adora Benet, the daughter of two Brooklyn advice columnists, gets her own column, the repercussions of her answers are wide-ranging and do not bring her the adulation she expects.

The definitive firsthand account of the movement that permanently broke the American political consensus. What do internet trolls, economic populists, white nationalists, techno-anarchists and Alex Jones have in common? Nothing, except for an unremitting hatred of evangelical progressivism and the so-called “Cathedral” from whence it pours forth. Contrary to the dissembling explanations from the corporate press, this movement did not emerge overnight—nor are its varied subgroups in any sense interchangeable with one another. As united by their opposition as they are divided by their goals, the members of the New Right are willfully suspicious of those in the mainstream who would seek to tell their story. Fortunately, author Michael Malice was there from the very inception, and in The New Right recounts their tale from the beginning. Malice provides an authoritative and unbiased portrait of the New Right as a movement of ideas—ideas that he traces to surprisingly diverse ideological roots. From the heterodox right wing of the 1940s to the Buchanan/Rothbard alliance of 1992 and all the way through to what he witnessed personally in Charlottesville, The New Right is a thorough firsthand accounting of the concepts, characters and chronology of this widely misunderstood sociopolitical phenomenon. Today’s fringe is tomorrow’s orthodoxy. As entertaining as it is informative, The New Right is required reading for every American across the spectrum who would like to learn more about the past, present and future of our divided political culture.

A New York Times Book Review Editors’ Choice Selection A history with sweeping implications, American Messiahs challenges our previous misconceptions about “cult” leaders and their messianic power. Mania surrounding messianic prophets has defined the national consciousness since the American Revolution. From Civil War veteran and virulent anticapitalist Cyrus Teed, to the dapper and overlooked civil rights pioneer Father Divine, to even the megalomaniacal Jim Jones, these figures have routinely been dismissed as dangerous and hysterical outliers. After years of studying these emblematic figures, Adam Morris demonstrates that messiahs are not just a classic trope of our national culture; their visions are essential for understanding American history. As Morris demonstrates, these charismatic, if flawed, would-be prophets sought to expose and ameliorate deep social ills—such as income inequality, gender conformity, and racial injustice. Provocative and long overdue, this is the story of those who tried to point the way toward an impossible “American Dream”: men and women who momentarily captured the imagination of a nation always searching for salvation.

"Cogently argued, fills an important gap in the literature, and is accessible to undergraduates." —Choice "Dismantles the mythology surrounding pawnshops and check-cashing outlets, and demonstrates that they are no longer on the fringe of our financial system but integral to it."—San Francisco Bay Guardian In today's world of electronic cash transfers, automated teller machines, and credit cards, the image of the musty, junk-laden pawnshop seems a relic of the past. But it is not. The 1980s witnessed a tremendous boom in pawnbroking. There are now more pawnshops thanever before in U.S. history, and they are found not only in large cities but in towns and suburbs throughout the nation. As John Caskey demonstrates in Fringe Banking, the increased public patronage of both pawnshops and commercial check-cashing outlets signals the growing number of American households now living on a cash-only basis, with no connection to any mainstream credit facilities or banking services. Fringe Banking is the first comprehensive study of pawnshops and check-cashing outlets, profiling their operations, customers, and recent growth from family-owned shops to such successful outlet chains as Cash American and ACE America's Cash Express. It explains why, despite interest rates and fees substantially higher than those of banks, their use has so dramatically increased. According to Caskey, declining family earnings, changing family structures, a growing immigrant population, and lack of household budgeting skills has greatly reduced the demand for bank deposit services among millions of Americans. In addition, banks responded to 1980s regulatory changes by increasing fees on deposit accounts with small balances and closing branches in many poor urban areas. These factors combined to leave many low- and moderate-income families without access to checking privileges, credit services, and bank loans. Pawnshops and check-cashing outlets provide such families with essential financial services thay cannot obtain elsewhere. Caskey notes that fringe banks, particularly check-cashing outlets, are also utilized by families who could participate in the formal banking system, but are willing to pay more for convenience and quick access to cash. Caskey argues that, contrary to their historical reputation as predators milking the poor and desperate, pawnshops and check-cashing outlets play a key financial role for disadvantaged groups. Citing the inconsistent and often unenforced state laws currently governing the industry, Fringe Banking challenges policy makers to design regulations that will allow fringe banks to remain profitable without exploiting the customers who depend on them.

Major new collection of Latina/o contemporary work for the stage.

For the past fifteen years, acclaimed science writer Margaret Wertheim has been collecting the works of "outsider physicists," many without formal training and all convinced that they have found true alternative theories of the universe. Jim Carter, the Einstein of outsiders, has developed his own complete theory of matter and energy and gravity that he demonstrates with experiments in his backyard,-with garbage cans and a disco fog machine he makes smoke rings to test his ideas about atoms. Captivated by the imaginative power of his theories and his resolutely DIY attitude, Wertheim has been following Carter's progress for the past decade. Centuries ago, natural philosophers puzzled out the laws of nature using the tools of observation and experimentation. Today, theoretical physics has become mathematically inscrutable, accessible only to an elite few. In rejecting this abstraction, outsider theorists insist that nature speaks a language we can all understand. Through a profoundly human profile of Jim Carter, Wertheim's exploration of the bizarre world of fringe physics challenges our conception of what science is, how it works, and who it is for.

This offbeat slice of American history places the story of our great republic beneath an unexpected lens: that of fringe candidates for president of the United States. Mark Stein explores how their quest for our nation’s highest office helped to amplify voices otherwise quashed during their day. His careening tour through elections past includes the efforts of true pioneers in the quest for social equality in our country: the first woman to run for president, Victoria Woodhull in 1872; the first African American to run for president, George E. Taylor in 1904; and the first openly gay cross-dressing candidate for president, Joan Jett Blakk in 1992. But The Presidential Fringe also takes a look at those who would jest their way into the Oval Office, from comedians such as Will Rogers and Gracie Allen to Pat Paulsen and Stephen Colbert. Along the way, Stein shows how even seemingly zany candidates, such as “Live Forever” Jones, Vegetarian Party candidate John Maxwell, Flying Saucer Party candidate Gabriel Green, or, most recently, Vermin Supreme, provide extraordinary insights of clarity into who we were when they ran for president and how we became who we are today. Ultimately, Stein’s examination reveals that it was often precisely these fringe candidates who planted the seeds from which mainstream candidates later harvested genuine, positive change. Written in Stein’s direct and witty style, The Presidential Fringe surveys and portrays an American landscape rife with the unlikely, unassuming, unexpected, and (in a few cases) unbalanced presidential hopefuls who, in their own way, have contributed to this nation’s founding quest to form a more perfect Union.