"Contextual in approch, this text draws on socio-economic and political studies as well as histories of religion, science, literature, and popular culture, and explores the diverse, conflicted history of American art and architecture. Thematically interrelating the visual arts to other material artifacts and cultural practices, the text examines how artists and architects produced artwork that visually expressed various social and political values."--Publisher's website.

"American Encounters provides a narrative of the history of American art that focuses on historical encounters among diverse cultures, upon broad structural transformations such as the rise of the middle classes and the emergence of consumer and mass culture, and on the fluid conversations between "high" art and vernacular expressions. The text emphasizes the intersections among cultures and populations, as well as the exchanges, borrowings, and appropriations that have enriched and vitalized our collective cultural heritage"--Washington University Open Scholarship website, viewed February 21, 2018.

In the field of American studies, attention is shifting to the long history of U.S. engagement with the Middle East, especially in the aftermath of war in Iraq and in the context of recent Arab uprisings in protest against economic inequality, social discrimination, and political repression. Here, Alex Lubin and Marwan M. Kraidy curate a new collection of essays that focuses on the cultural politics of America's entanglement with the Middle East and North Africa, making a crucial intervention in the growing subfield of transnational American studies. Featuring a diverse list of contributors from the United States, the Arab world, and beyond, American Studies Encounters the Middle East analyzes Arab-American relations by looking at the War on Terror, pop culture, and the influence of the American hegemony in a time of revolution. Contributors include Christina Moreno Almeida, Ashley Dawson, Brian T. Edwards, Waleed Hazbun, Craig Jones, Osamah Khalil, Mounira Soliman, Helga Tawil-Souri, Judith E. Tucker, Adam John Waterman, and Rayya El Zein.

Essays that suggest new ways of understanding the role that US actors and agencies have played in Latin America." - publisher.

In this landmark work, Thomas Tweed examines nineteenth-century America's encounter with one of the world's major religions. Exploring the debates about Buddhism that followed upon its introduction in this country, Tweed shows what happened when the transplanted religious movement came into contact with America's established culture and fundamentally different Protestant tradition. The book, first published in 1992, traces the efforts of various American interpreters to make sense of Buddhism in Western terms. Tweed demonstrates that while many of those interested in Buddhism considered themselves dissenters from American culture, they did not abandon some of the basic values they shared with their fellow Victorians. In the end, the Victorian understanding of Buddhism, even for its most enthusiastic proponents, was significantly shaped by the prevailing culture. Although Buddhism attracted much attention, it ultimately failed to build enduring institutions or gain significant numbers of adherents in the nineteenth century. Not until the following century did a cultural environment more conducive to Buddhism's taking root in America develop. In a new preface, Tweed addresses Buddhism's growing influence in contemporary American culture.

How Pearl Harbor has been written about, thought of, and manipulated in American culture.

DIVA collection of essays that examine the production and consumption of Asian American popular culture, from musical expression to television cooking shows./div