In early July 1899, an excavation team of paleontologists sponsored by Andrew Carnegie discovered the fossil remains in Wyoming of what was then the longest and largest dinosaur on record. Named after its benefactor, the Diplodocus carnegii—or Dippy, as it’s known today—was shipped to Pittsburgh and later mounted and unveiled at the Carnegie Museum of Natural History in 1907. Carnegie’s pursuit of dinosaurs in the American West and the ensuing dinomania of the late nineteenth century coincided with his broader political ambitions to establish a lasting world peace and avoid further international conflict. An ardent philanthropist and patriot, Carnegie gifted his first plaster cast of Dippy to the British Museum at the behest of King Edward VII in 1902, an impulsive diplomatic gesture that would result in the donation of at least seven reproductions to museums across Europe and Latin America over the next decade, in England, Germany, France, Austria, Italy, Russia, Argentina, and Spain. In this largely untold history, Ilja Nieuwland explores the influence of Andrew Carnegie’s prized skeleton on European culture through the dissemination, reception, and agency of his plaster casts, revealing much about the social, political, cultural, and scientific context of the early twentieth century.

A lively account of how dinosaurs became a symbol of American power and prosperity and gripped the popular imagination during the Gilded Age, when their fossil remains were collected and displayed in museums financed by North America’s wealthiest business tycoons. Although dinosaur fossils were first found in England, a series of dramatic discoveries during the late 1800s turned North America into a world center for vertebrate paleontology. At the same time, the United States emerged as the world’s largest industrial economy, and creatures like Tyrannosaurus, Brontosaurus, and Triceratops became emblems of American capitalism. Large, fierce, and spectacular, American dinosaurs dominated the popular imagination, making front-page headlines and appearing in feature films. Assembling the Dinosaur follows dinosaur fossils from the field to the museum and into the commercial culture of North America’s Gilded Age. Business tycoons like Andrew Carnegie and J. P. Morgan made common cause with vertebrate paleontologists to capitalize on the widespread appeal of dinosaurs, using them to project American exceptionalism back into prehistory. Learning from the show-stopping techniques of P. T. Barnum, museums exhibited dinosaurs to attract, entertain, and educate the public. By assembling the skeletons of dinosaurs into eye-catching displays, wealthy industrialists sought to cement their own reputations as generous benefactors of science, showing that modern capitalism could produce public goods in addition to profits. Behind the scenes, museums adopted corporate management practices to control the movement of dinosaur bones, restricting their circulation to influence their meaning and value in popular culture. Tracing the entwined relationship of dinosaurs, capitalism, and culture during the Gilded Age, Lukas Rieppel reveals the outsized role these giant reptiles played during one of the most consequential periods in American history.

In early July 1899, an excavation team of paleontologists sponsored by Andrew Carnegie discovered the fossil remains in Wyoming of what was then the longest and largest dinosaur on record. Named after its benefactor, the Diplodocus carnegii—or Dippy, as it’s known today—was shipped to Pittsburgh and later mounted and unveiled at the Carnegie Museum of Natural History in 1907. Carnegie’s pursuit of dinosaurs in the American West and the ensuing dinomania of the late nineteenth century coincided with his broader political ambitions to establish a lasting world peace and avoid further international conflict. An ardent philanthropist and patriot, Carnegie gifted his first plaster cast of Dippy to the British Museum at the behest of King Edward VII in 1902, an impulsive diplomatic gesture that would result in the donation of at least seven reproductions to museums across Europe and Latin America over the next decade, in England, Germany, France, Austria, Italy, Russia, Argentina, and Spain. In this largely untold history, Ilja Nieuwland explores the influence of Andrew Carnegie’s prized skeleton on European culture through the dissemination, reception, and agency of his plaster casts, revealing much about the social, political, cultural, and scientific context of the early twentieth century.

Book Features: • 32 pages, 7.5 inches x 10 inches • Ages 8-12, Grades 3-6 leveled readers • Simple, easy-to-read pages with vibrant illustrations • Features a timeline and reading extension activity • Glossary and comprehension questions included The Magic of Reading: Introduce your child to the magic of reading and dinosaurs with North American Dinosaurs: Hadrosaurus! The 32-page book has vibrant illustrations and simple, easy-to-read language with interesting facts children will love! Hands-On Reading: Did you know the first North American dinosaur ever seen by the public was from old bones discovered behind a house? Uncover what interesting things scientists know (and what they're still learning) about this prehistoric dinosaur! Features: More than just an engaging story full of fun and interesting facts about paleontology and Hadrosaurus dinosaurs, this kids book also includes a glossary, comprehension questions, a timeline, and an extension activity for added engagement. Leveled Books: Vibrant illustrations and leveled text work together to engage children and promote reading comprehension skills. This dinosaur book engages 3rd-6th grade readers with fun facts and engaging topics like dinosaurs. Why Rourke Educational Media: Since 1980, Rourke Publishing Company has specialized in publishing engaging and diverse non-fiction and fiction books for children in a wide range of subjects that support reading success on a level that has no limits.

An illuminating history of Mr. Waterhouse Hawkins artist and lecturer.

Today, any kid can rattle off the names of dozens of dinosaurs. But it took centuries of scientific effort—and a lot of luck—to discover and establish the diversity of dinosaur species we now know. How did we learn that Triceratops had three horns? Why don’t many paleontologists consider Brontosaurus a valid species? What convinced scientists that modern birds are relatives of ancient Velociraptor? In The Story of the Dinosaurs in 25 Discoveries, Donald R. Prothero tells the fascinating stories behind the most important fossil finds and the intrepid researchers who unearthed them. In twenty-five vivid vignettes, he weaves together dramatic tales of dinosaur discoveries with what modern science now knows about the species to which they belong. Prothero takes us from eighteenth-century sightings of colossal bones taken for biblical giants through recent discoveries of enormous predators even larger than Tyrannosaurus. He recounts the escapades of the larger-than-life personalities who made modern paleontology, including scientific rivalries like the nineteenth-century “Bone Wars.” Prothero also details how to draw the boundaries between species and explores debates such as whether dinosaurs had feathers, explaining the findings that settled them or keep them going. Throughout, he offers a clear and rigorous look at what paleontologists consider sound interpretation of evidence. An essential read for any dinosaur lover, this book teaches us to see an ancient world ruled by giant majestic creatures anew.

In 1878, the first complete dinosaur skeleton was discovered in a coal mine in Bernissart, Belgium. Iguanodon, first described by Gideon Mantell on the basis of fragments discovered in England in 1824, was initially reconstructed as an iguana-like reptile or a heavily built, horned quadruped. However, the Bernissart skeleton changed all that. The animal was displayed in an upright posture similar to a kangaroo, and later with its tail off the ground like the dinosaur we know of today. Focusing on the Bernissant discoveries, this book presents the latest research on Iguanodon and other denizens of the Cretaceous ecosystems of Europe, Asia, and Africa. Pascal Godefroit and contributors consider the Bernissart locality itself and the new research programs that are underway there. The book also presents a systematic revision of Iguanodon; new material from Spain, Romania, China, and Kazakhstan; studies of other Early Cretaceous terrestrial ecosystems; and examinations of Cretaceous vertebrate faunas.