During the 1920s Herbert O. Yardley was chief of the first peacetime cryptanalytic organization in the United States, the ancestor of today's National Security Agency. Funded by the U.S. Army and the Department of State and working out of New York, his small and highly secret unit succeeded in breaking the diplomatic codes of several nations, including Japan. The decrypts played a critical role in U.S. diplomacy. Despite its extraordinary successes, the Black Chamber, as it came to known, was disbanded in 1929. President Hoover's new Secretary of State Henry L. Stimson refused to continue its funding with the now-famous comment, "Gentlemen do not read other people's mail." In 1931 a disappointed Yardley caused a sensation when he published this book and revealed to the world exactly what his agency had done with the secret and illegal cooperation of nearly the entire American cable industry. These revelations and Yardley's right to publish them set into motion a conflict that continues to this day: the right to freedom of expression versus national security. In addition to offering an exposé on post-World War I cryptology, the book is filled with exciting stories and personalities.

The first novel in a brand-new alternate history series where Teddy Roosevelt is president for a second time right before WWI breaks out, and on his side is the Black Chamber, a secret spy network watching America's back. 1916. The Great War rages overseas, and the whole of Europe, Africa, and western Asia is falling to the Central Powers. To win a war that must be won, Teddy Roosevelt, once again the American president, turns to his top secret Black Chamber organization--and its cunning and deadly spy, Luz O'Malley Aróstegui. On a transatlantic airship voyage, Luz poses as an anti-American Mexican revolutionary to get close--very close--to a German agent code-named Imperial Sword. She'll need every skill at her disposal to get him to trust her and lead her deep into enemy territory. In the mountains of Saxony, concealed from allied eyes, the German Reich's plans for keeping the U.S. from entering the conflict are revealed: the deployment of a new diabolical weapon upon the shores of America...

One of the most colorful and controversial figures in American intelligence, Herbert O. Yardley (1889-1958) gave America its best form of information, but his fame rests more on his indiscretions than on his achievements. In this highly readable biography, a premier historian of military intelligence tells Yardley's story and evaluates his impact on the American intelligence community. Yardley established the nation's first codebreaking agency in 1917, and his solutions helped the United States win a major diplomatic victory at the 1921 disarmament conference. But when his unit was closed in 1929 because "gentlemen do not read each other's mail," Yardley wrote a best-selling memoir that introduced-and disclosed-codemaking and codebreaking to the public. David Kahn de-scribes the vicissitudes of Yardley's career, including his work in China and Canada, offers a capsule history of American intelligence up to World War I, and gives a short course in classical codes and ciphers. He debunks the accusations that the publication of Yardley's book caused Japan to change its codes and ciphers and that Yardley traitorously sold his solutions to Japan. And he asserts that Yardley's disclosures not only did not hurt but actually helped American codebreaking during World War II.

The second novel in an alternate history series where Teddy Roosevelt is president once more right before WWI breaks out, and on his side is the Black Chamber, a secret spy network watching America's back. After foiling a German plot to devastate America's coastal cities from Boston to Galveston, crack Black Chamber agent Luz O'Malley and budding technical genius Ciara Whelan go to California to recuperate. But their well-deserved rest is cut short by the discovery of a diabolical new weapon that could give the German Imperial Navy command of the North Sea. Luz and Ciara must go deep undercover and travel across a world at war, and live under false identities in Berlin itself to ferret out the project's secrets. Close on their trail is the dangerous German agent codenamed Imperial Sword, who is determined to get his revenge, and a band of assault-rifle equipped stormtroopers, led by the murderously efficient killer Ernst Röhm. From knife-and-pistol duels on airships to the horrors of the poison-gas factories to harrowing marine battles in the North Sea, the fight continues--with a world as the prize.

Pres. Franklin D. Roosevelt declared a bank holiday on March 5, 1933, closing banks across the country until they proved financial soundness. Meanwhile, as the United States crawled out of the Great Depression, Jesse H. Mitchell and a group of black businessmen accomplished the extraordinary--they started a black-owned bank on a street known as "Black Broadway" in the nation's capital. Mitchell, a Howard University-educated lawyer and realtor, and his friends sold $65,000 in stock, and in the sweltering heat on August 20, 1934, Industrial Bank of Washington opened for business. A range of black investors rallied around the effort, from individuals, churches, and service-oriented organizations to savvy business owners. The bank has carried on for three generations: Mitchell's son B. Doyle Mitchell Sr. succeeded him as president in 1953, who was then succeeded in 1993 by his grandson B. Doyle Mitchell Jr. as president and CEO and his granddaughter Patricia A. Mitchell as executive vice president.

This Companion authoritatively points to the main areas of enquiry within the subject of African American art history. This book will be of interest to graduate students, researchers and professors and may be used in African American art, visual culture, and culture classes.

Black Nature is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated. Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry--anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the wild. Camille T. Dungy has selected 180 poems from 93 poets that provide unique perspectives on American social and literary history to broaden our concept of nature poetry and African American poetics. This collection features major writers such as Phillis Wheatley, Rita Dove, Yusef Komunyakaa, Gwendolyn Brooks, Sterling Brown, Robert Hayden, Wanda Coleman, Natasha Trethewey, and Melvin B. Tolson as well as newer talents such as Douglas Kearney, Major Jackson, and Janice Harrington. Included are poets writing out of slavery, Reconstruction, the Harlem Renaissance, the Black Arts Movement, and late twentieth- and early twenty-first-century African American poetic movements. Black Nature brings to the fore a neglected and vital means of considering poetry by African Americans and nature-related poetry as a whole. A Friends Fund Publication.