"Follow Meric, a red-white-and-blue-haired American barbarian on his quest to defeat the post-post-apocolyptic zombie cyborg mummy overload Two-Tank Omen. This is the complete Saturday Morning Epic from the artist and co-writer of Transformers vs. G.I. Joe and the Eisner-nominated Godland. This new edition includes an introduction by Rob Liefeld, creator of Deadpool."--back cover.

American Barbarian is a pop art odyssey from the artist and co-author of Transformers vs. G.I. JOE. A red-white-and-blue-haired hero must defend a post-post-apocalyptic world from the immortal Two-Tank Omen.

Barbarian at the Gate: From the American Suburbs to the Taiwanese Army is the unique account of a white American doing military service in the ROC (Republic of China) army. Locke fell in love with Taiwan during a year of language study and decided to make the island his home. Acquiring Taiwanese citizenship as a way to make life easier proved anything but. The bureaucratic nightmare found him trapped and stateless in Hong Kong for six long months, and after settling into life in Taiwan he received a surprise call-up for military service. It was a daunting challenge for the perennial outsider, the softly-spoken introvert needing to conform to military life in a setting - where as the only westerner - he was the ultimate odd-man-out. After basic training at the country's toughest boot camp he served the rest of his two years' at a mountain base in Miaoli County. Barbarian at the Gate is a detailed and brutally honest insider's look at Taiwan's military, and also the personal story of the search for identity and the struggle to assimilate. Locke describes the nerve-wracking lottery system, the rigors of training, his assignments ranging from running a karaoke bar for officers to slaughtering diseased pigs, the camaraderie of the barracks, and how - unexpectedly - he developed a deeper sense of belonging and acceptance than he ever had before. The book is an intimate portrait of an important part of Taiwanese life that has never been written about in English before. Military service is for many Taiwanese males the most memorable experience of their lives, a difficult rite of passage into manhood that is remembered with dread and nostalgia, and so it proved for Locke.

The most important conflicts in the founding of the English colonies and the American republic were fought against enemies either totally outside of their society or within it: barbarians or brothers. In this work, Wayne E. Lee presents a searching exploration of early modern English and American warfare, looking at the sixteenth-century wars in Ireland, the English Civil War, the colonial Anglo-Indian wars, the American Revolution, and the American Civil War. Crucial to the level of violence in each of these conflicts was the perception of the enemy as either a brother (a fellow countryman) or a barbarian. But Lee goes beyond issues of ethnicity and race to explore how culture, strategy, and logistics also determined the nature of the fighting. Each conflict contributed to the development of American attitudes toward war. The brutal nature of English warfare in Ireland helped shape the military methods the English employed in North America, just as the legacy of the English Civil War cautioned American colonists about the need to restrain soldiers' behavior. Nonetheless, Anglo-Americans waged war against Indians with terrifying violence, in part because Native Americans' system of restraints on warfare diverged from European traditions. The Americans then struggled during the Revolution to reconcile these two different trends of restraint and violence when fighting various enemies. Through compelling campaign narratives, Lee explores the lives and fears of soldiers, as well as the strategies of their commanders, while showing how their collective choices determined the nature of wartime violence. In the end, the repeated experience of wars with barbarians or brothers created an American culture of war that demanded absolute solutions: enemies were either to be incorporated or rejected. And that determination played a major role in defining the violence used against them.

For over a hundred years the Japanese have looked to the West for ideas, institutions and technology that would help them achieve their goal of 'national wealth and strength'. In this book a distinguished historian of Japan discusses Japan's 'cultural borrowing' from America and Europe. W. G. Beasley focuses on the mid-nineteenth century, when Japan's rulers dispatched diplomatic missions to the West to discover what Japan needed to learn, sent students abroad to assimilate information and invited foreign experts to Japan to help put the knowledge to practical use. Beasley examines the origins of the decision to initiate direct study of the West at a time when western countries counted as 'barbarian' by Confucian standards. Drawing on many colourful letters, diaries, memoirs and reports, he describes the missions sent overseas in 1860 and 1862, in 1865-1867 and in the years after 1868, in particular the prestigious embassy led by Iwakura in 1871-1873. The book also tells the story of the several hundred students who went overseas in this period. It concludes by assessing the impact of the encounters on the subsequent development of Japan, first by examining the later careers of the travellers and the influence they exercised (they included no fewer than six prime ministers of the late nineteenth and early twentieth centuries), and then by considering the nature of the ideas they brought home.

The brilliant, controversial, bestselling critique of American culture that “hits with the approximate force and effect of electroshock therapy” (The New York Times)—now featuring a new afterword by Andrew Ferguson in a twenty-fifth anniversary edition. In 1987, eminent political philosopher Allan Bloom published The Closing of the American Mind, an appraisal of contemporary America that “hits with the approximate force and effect of electroshock therapy” (The New York Times) and has not only been vindicated, but has also become more urgent today. In clear, spirited prose, Bloom argues that the social and political crises of contemporary America are part of a larger intellectual crisis: the result of a dangerous narrowing of curiosity and exploration by the university elites. Now, in this twenty-fifth anniversary edition, acclaimed author and journalist Andrew Ferguson contributes a new essay that describes why Bloom’s argument caused such a furor at publication and why our culture so deeply resists its truths today.

An unprecedented look at the contemporary collective's theatrical art, charting their performances and exploring their social and creative commitments The first monographic publication on the art collective My Barbarian (Malik Gaines, Jade Gordon, and Alexandro Segade) offers new insights into the work of this singular group of performers. My Barbarian has used performance to theatricalize social issues, adapting narratives from modern plays, historical texts, and mass media; this volume accompanies a major retrospective celebrating the group's twentieth anniversary. An overview essay relates their work's formal qualities to several historical moments over this span: the club era following September 11, 2001; postcolonial theater after the 2008 financial collapse; and political theater responding to the pressing issues of today. Other contributions read the collective's output through a lens of queer and other critical theory, and contextualize it within the twenty-first-century experimental performance scene. A richly illustrated visual chronology features texts on each of My Barbarian's past works written by the artists. Performances and video works are re-created using stills alongside photos, drawings, scripts, and personal materials drawn from the artists' archives, many never previously published.