A gripping portrait of black power politics and the struggle for civil rights in postwar Oakland As the birthplace of the Black Panthers and a nationwide tax revolt, California embodied a crucial motif of the postwar United States: the rise of suburbs and the decline of cities, a process in which black and white histories inextricably joined. American Babylon tells this story through Oakland and its nearby suburbs, tracing both the history of civil rights and black power politics as well as the history of suburbanization and home-owner politics. Robert Self shows that racial inequities in both New Deal and Great Society liberalism precipitated local struggles over land, jobs, taxes, and race within postwar metropolitan development. Black power and the tax revolt evolved together, in tension. American Babylon demonstrates that the history of civil rights and black liberation politics in California did not follow a southern model, but represented a long-term struggle for economic rights that began during the World War II years and continued through the rise of the Black Panthers in the late 1960s. This struggle yielded a wide-ranging and profound critique of postwar metropolitan development and its foundation of class and racial segregation. Self traces the roots of the 1978 tax revolt to the 1940s, when home owners, real estate brokers, and the federal government used racial segregation and industrial property taxes to forge a middle-class lifestyle centered on property ownership. Using the East Bay as a starting point, Robert Self gives us a richly detailed, engaging narrative that uniquely integrates the most important racial liberation struggles and class politics of postwar America.

Christians are by their nature a people out of place. Their true home is with God; in civic life, they are alien citizens "in but not of the world." In American Babylon, eminent theologian Richard John Neuhaus examines the particular truth of that ambiguity for Catholics in America today. Neuhaus addresses the essential quandaries of Catholic life -- assessing how Catholics can keep their heads above water in the sea of immorality that confronts them in the world, how they can be patriotic even though their true country is not in this world, and how they might reconcile their duties as citizens with their commitment to God. Deeply learned, frequently combative, and always eloquent, American Babylon is Neuhaus's magnum opus -- and will be essential reading for all Christians.

Why did 81 percent of white evangelicals vote for Donald Trump in 2016? And what does this tell us about the relationship between Christianity and democracy in the United States? American Babylon places our present political moment against a deep historical backdrop. In Part I the author traces the development of democratic institutions from Ancient Greece through to the American Revolution and of Christian political theology from Augustine to Falwell. Part II charts the decline of democratic governance within American churches; explains the capture of evangelical Christianity by the Republican Party; and denounces the fateful embrace between white Christian nationalists and right-wing populists that culminated in Trump’s victory. An accessible and timely book, American Babylon is essential reading for those concerned with the vexed relationship of religion and politics in the United States, including students and scholars in the fields of divinity, history, political science, religious studies, and sociology.

Christians are by their nature a people out of place. Their true home is with God; in civic life, they are alien citizens "in but not of the world." In American Babylon, eminent theologian Richard John Neuhaus examines the particular truth of that ambiguity for Catholics in America today. Neuhaus addresses the essential quandaries of Catholic life -- assessing how Catholics can keep their heads above water in the sea of immorality that confronts them in the world, how they can be patriotic even though their true country is not in this world, and how they might reconcile their duties as citizens with their commitment to God. Deeply learned, frequently combative, and always eloquent, American Babylon is Neuhaus's magnum opus -- and will be essential reading for all Christians.

The most comprehensive account available of the rise and fall of the Black Power Movement and of its dramatic transformation of both African-American and larger American culture. With a gift for storytelling and an ear for street talk, William Van Deburg chronicles a decade of deep change, from the armed struggles of the Black Panther party to the cultural nationalism of artists and writers creating a new aesthetic. Van Deburg contends that although its tactical gains were sometimes short-lived, the Black Power movement did succeed in making a revolution—one in culture and consciousness—that has changed the context of race in America. "New Day in Babylon is an extremely intelligent synthesis, a densely textured evocation of one of American history's most revolutionary transformations in ethnic group consciousness."—Bob Blauner, New York Times Winner of the Gustavus Myers Center Outstanding Book Award, 1993

Although cinema was invented in the mid-1890s, it was a decade more before the concept of a “film spectator” emerged. As the cinema began to separate itself from the commercial entertainments in whose context films initially had been shown—vaudeville, dime museums, fairgrounds—a particular concept of its spectator was developed on the level of film style, as a means of predicting the reception of films on a mass scale. In Babel and Babylon, Miriam Hansen offers an original perspective on American film by tying the emergence of spectatorship to the historical transformation of the public sphere. Hansen builds a critical framework for understanding the cultural formation of spectatorship, drawing on the Frankfurt School’s debates on mass culture and the public sphere. Focusing on exemplary moments in the American silent era, she explains how the concept of the spectator evolved as a crucial part of the classical Hollywood paradigm—as one of the new industry’s strategies to integrate ethnically, socially, and sexually differentiated audiences into a modern culture of consumption. In this process, Hansen argues, the cinema might also have provided the conditions of an alternative public sphere for particular social groups, such as recent immigrants and women, by furnishing an intersubjective context in which they could recognize fragments of their own experience. After tracing the emergence of spectatorship as an institution, Hansen pursues the question of reception through detailed readings of a single film, D. W. Griffith’s Intolerance (1916), and of the cult surrounding a single star, Rudolph Valentino. In each case the classical construction of spectatorship is complicated by factors of gender and sexuality, crystallizing around the fear and desire of the female consumer. Babel and Babylon recasts the debate on early American cinema—and by implication on American film as a whole. It is a model study in the field of cinema studies, mediating the concerns of recent film theory with those of recent film history.

America, the Daughter of Babylon deals with the prophetic future of the United States of America. The Bible reveals that there will be a second nation of Babylon, which is described in detail throughout scripture and can be identified as America. The bible not only identifies America, but also gives detailed accounts of future events concerning her. God has much to say to us today about our relationship to Babylon and the Babylonian religion. This book reveals that many of the symbols of the Babylonian religion that was created by Lucifer himself, King of Babylon, are displayed as American symbols throughout her Capitol. The American Capitol itself is linked directly to the founding of Babel by its cornerstone.