Lynching is often viewed as a narrow form of violence: either the spontaneous act of an angry mob against accused individuals, or a demonstration of white supremacy against an entire population considered subhuman. However, in this new treatise, historian Guy Lancaster exposes the multiple forms of violence hidden beneath the singular label of lynching. Lancaster, who has written extensively on racial violence, details several lynchings of Blacks by white posses in post-Reconstruction Arkansas. Drawing from the fields of history, philosophy, cognitive science, sociology, and literary theory, and quoting chilling contemporary accounts, he argues that the act of lynching encompasses five distinct but overlapping types of violence. This new framework reveals lynching to be even more of an atrocity than previously understood: that mobs did not disregard the humanity of their victims but rather reveled in it; that they were not simply enacting personal vengeance but manifesting an elite project of subjugation. Lancaster thus clarifies and connects the motives and goals of seemingly isolated lynch mobs, embedding the practice in the ongoing enforcement of white supremacy. By interrogating the substance of lynching, American Atrocity shines new light on both past anti-Black violence and the historical underpinnings of our present moment.

Allison tells the story of a terrible moment in American history and explores how to deal with the aftermath. On March 16, 1968, American soldiers killed as many as five hundred Vietnamese men, women, and children in a village near the South China Sea. In My Lai William Thomas Allison explores and evaluates the significance of this horrific event. How could such a thing have happened? Who (or what) should be held accountable? How do we remember this atrocity and try to apply its lessons, if any? My Lai has fixed the attention of Americans of various political stripes for more than forty years. The breadth of writing on the massacre, from news reports to scholarly accounts, highlights the difficulty of establishing fact and motive in an incident during which confusion, prejudice, and self-preservation overwhelmed the troops. Son of a Marine veteran of the Vietnam War—and aware that the generation who lived through the incident is aging—Allison seeks to ensure that our collective memory of this shameful episode does not fade. Well written and accessible, Allison’s book provides a clear narrative of this historic moment and offers suggestions for how to come to terms with its aftermath.

"Drawing from the fields of history, philosophy, cognitive science, sociology, and literary theory, and quoting chilling contemporary accounts, historian Guy Lancaster argues that the act of lynching encompasses five distinct but overlapping types of violence"--

A fact-based, fictional account of the alleged killing of 1,000 African American soldiers in 1943, on a base in southwestern Mississippi, "The Slaughter" is taken from both oral accounts and the author's novelization of events.

"Collateral damage" is a military term for the inadvertent casualties and destruction inflicted on civilians in the course of military operations. In Collateral Damage: Americans, Noncombatant Immunity, and Atrocity after World War II, Sahr Conway-Lanz chronicles the history of America's attempt to reconcile the ideal of sparing civilians with the reality that modern warfare results in the killing of innocent people. Drawing on policymakers' response to the issues raised by the atrocities of World War II and the use of the atomic bomb, as well as the ongoing debate by the American public and the media as the Korean War developed, Conway-Lanz provides a comprehensive examination of modern American discourse on the topic of civilian casualties and provides a fascinating look at the development of what is now commonly known as collateral damage.

In this “forensic, unflinching, devastating work of historical recovery” (Sathnam Sanghera), Bud Dajo—an American atrocity bigger than Wounded Knee or My Lai, yet today largely forgotten—is revealed, thanks to the rediscovery of a single photograph. In March 1906, American soldiers on the island of Jolo in the southern Philippines surrounded and killed 1000 local men, women, and children, known as Moros, on top of an extinct volcano. The so-called ‘Battle of Bud Dajo’ was hailed as a triumph over an implacable band of dangerous savages, a “brilliant feat of arms” according to President Theodore Roosevelt. Some contemporaries, including W.E.B. Du Bois and Mark Twain, saw the massacre for what it was, but they were the exception and the U.S. military authorities successfully managed to bury the story. Despite the fact that the slaughter of Moros had been captured on camera, the memory of the massacre soon disappeared from the historical record. In Massacre in the Clouds, Kim A. Wagner meticulously recovers the history of a forgotten atrocity and the remarkable photograph that exposed its grim logic. His vivid, unsparing account of the massacre—which claimed hundreds more lives than Wounded Knee and My Lai combined—reveals the extent to which practices of colonial warfare and violence, derived from European imperialism, were fully embraced by Americans with catastrophic results.