A Choice Outstanding Academic Title, 2015 The first comprehensive history of modern American evangelicalism to appear in a generation, American Apocalypse shows how a group of radical Protestants, anticipating the end of the world, paradoxically transformed it. “The history Sutton assembles is rich, and the connections are startling.” —New Yorker “American Apocalypse relentlessly and impressively shows how evangelicals have interpreted almost every domestic or international crisis in relation to Christ’s return and his judgment upon the wicked...Sutton sees one of the most troubling aspects of evangelical influence in the spread of the apocalyptic outlook among Republican politicians with the rise of the Religious Right...American Apocalypse clearly shows just how popular evangelical apocalypticism has been and, during the Cold War, how the combination of odd belief and political power could produce a sleepless night or two.” —D. G. Hart, Wall Street Journal “American Apocalypse is the best history of American evangelicalism I’ve read in some time...If you want to understand why compromise has become a dirty word in the GOP today and how cultural politics is splitting the nation apart, American Apocalypse is an excellent place to start.” —Stephen Prothero, Bookforum

From Tragedy to Apocalypse in American Literature: Reading to Make Sense of Our Endings argues that imaginative literature is essential to comprehending contemporary threats to the survival of the human species and the preservation of our humanity. Atnip outlines a theory of reading which directs us to realities and imperatives that are ignored, denied, or distorted by dominant social conventions and habits of cognition. She then puts this theory into practice through readings of postwar American works by Robert Lowell, Wallace Stevens, Cormac McCarthy, and Norman Maclean. This book argues that these texts collectively educate us to a new ground of sense—the apocalyptic sublime—and the need for an unending effort to comprehend what it means to live a human life against this inhuman background.

Apocalytic literature has addressed human concerns for over two millennia. This volume surveys the source texts, their reception, and relevance.

Finalist for the 2017 Foreword INDIES Book of the Year Award in the Religion category In this series of essays, Thomas J. J. Altizer explores the Christian epic as the site of modern revolutionary apocalyptic reenactments and renewals of the original apocalypse enacted by Jesus Christ and primitive Christianity. Beginning with the pivotal seventeenth-century figures Milton and Spinoza, Altizer analyzes the apocalyptic visions of key figures of modernity, including Blake, Hegel, Kierkegaard, Nietzsche, and Joyce, often juxtaposing them to surprising and illuminating effect. These revolutionary moments stand in opposition to what Altizer calls the pathological modern counterrevolution that dominates the world today, which is an effect of a new postmodernity and of a progressive dissolution of historical consciousness. Through his analysis of modern apocalyptic moments and thinkers, this book becomes an elegant and accessible guide to Altizer's own apocalyptic vision and his ultimate project of the total and comprehensive reconstruction of theology.

Scholars from a wide array of disciplines describe and debate postcolonialism as it applies to America in this authoritative and timely collection. Investigating topics such as law and public policy, immigration and tourism, narratives and discourses, race relations, and virtual communities, Postcolonial America clarifies and challenges prevailing conceptualizations of postcolonialism and accepted understandings of American culture. Advancing multiple, even conflicted visions of postcolonial America, this important volume interrogates postcolonial theory and traces the emergence and significance of postcolonial practices and precepts in the United States. Contributors discuss how the unique status of the United States as the colony that became a superpower has shaped its sense of itself. They assess the global networks of inequality that have displaced neocolonial systems of conquest, exploitation, and occupation. They also examine how individuals and groups use music, the Internet, and other media to reconfigure, reinvent, and resist postcoloniality in American culture. Candidly facing the inherent contradictions of "the American experience," this collection demonstrates the patterns, connections, and histories characteristic of postcoloniality in America and initiates important discussions about how these conditions might be changed.

Australia has been a frequent choice of location for narratives about the end of the world in science fiction and speculative works, ranging from pre-colonial apocalyptic maps to key literary works from the last fifty years. This critical work explores the role of Australia in both apocalyptic literature and film. Works and genres covered include Nevil Shute's popular novel On the Beach, Mad Max, children's literature, Indigenous writing, and cyberpunk. The text examines ways in which apocalypse is used to undermine complacency, foretell environmental disasters, critique colonization, and to serve as a means of protest for minority groups. Australian apocalypse imagines Australia at the ends of the world, geographically and psychologically, but also proposes spaces of hope for the future.