Presents letters written by the American painter and his brothers and parents from the late 1920s to the late 1940s.

Alexis de Tocqueville arrived in the United States for the first time in May 1831, commissioned by the French government to study the American prison system. For the next nine months he and his companion, Gustave de Beaumont, traveled and observed not only prisons but also the political, economic, and social systems of the early republic. Along the way, they frequently reported back to friends and family members in France. This book presents the first translation of the complete letters Tocqueville wrote during that seminal journey, accompanied by excerpts from Beaumont's correspondence that provide details or different perspectives on the places, people, and American life and attitudes the travelers encountered. --from publisher description.

The first-ever narrative history of African Americans told through their own letters Letters from Black America fills a literary and historical void by presenting the spectrum of African American experience in the most intimate way possible—through the heartfelt correspondence of those who lived through monumental changes and pivotal events, from the American Revolution to the war in Iraq, from slavery to the election of Obama.

Spanning 350 years of American history and culture, a collection of more than two hundred letters, many never before published, reveals the personalities and feelings of Americans great and small, from Amelia Earhart to Elvis Presley to Malcolm X. Reprint.

Following his bestselling memoir, It’s a Long Story, Willie Nelson now delivers his most intimate thoughts and stories in Willie Nelson's Letters to America. A New York Times, Wall Street Journal, and USA Today bestseller! From his opening letter “Dear America” to his “Dear Willie” epilogue, Willie digs deep into his heart and soul--and his music catalog--to lift us up in difficult times, and to remind us of the endless promise and continuous obligations of all Americans--to themselves, to one another, and to their nation. In a series of letters straight from the heart, Willie sends his thanks and his thoughts to: Americans past, present, and future, his closest family members, andhis parents, sister, and children, his other family members his guitar “Trigger”, his hero Gene Autry, the US founding fathers, his personal heroes, from our founding fathers to the leaders of future generations and to young songwriters as well as leaders of our future generations. Willie’s letters are rounded out with the moving lyrics to some of his most famous and insightful songs, including “Let Me Be a Man,” “Family Bible,” “Summer of Roses,” “Me and Paul,” “A Horse called Music,” “Healing Hands of Time,” and “Yesterday's Wine.”

Richard H. Brodhead uses a great variety of historical sources, many of them considered here for the first time, to reconstruct the institutionalized literary worlds that coexisted in nineteenth-century America: the middle-class domestic culture of letters, the culture of mass-produced cheap reading, the militantly hierarchical high culture of the post-Civil War decades, and the literary culture of post-emancipation black education. Moving across a range of writers familiar and unfamiliar, and relating groups of writers often considered in artificial isolation, Brodhead describes how these socially structured worlds of writing shaped the terms of literary practice for the authors who inhabited them.

More than 25 years after the official end of the Vietnam War, "Dear America" allows readers to witness the war firsthand through the eyes of the men and women who served there. Excerpt in "Time" magazine.