"A new collection of poetry by CAConrad"--

"A new collection of poetry by CAConrad"--

“Compelling…A bracing work of art and a loving tribute” (Los Angeles Times), this propulsive, stunning book illuminates the experience of living with schizophrenia like never before. Sandra Allen did not know their uncle Bob very well. As a child, Sandy had been told Bob was “crazy,” that he had spent time in mental hospitals while growing up in Berkeley in the 60s and 70s. But Bob had lived a hermetic life in a remote part of California for longer than Sandy had been alive, and what little Sandy knew of him came from rare family reunions or odd, infrequent phone calls. Then in 2009 Bob mailed Sandy his autobiography. Typewritten in all caps, a stream of error-riddled sentences more than sixty, single-spaced pages, the often-incomprehensible manuscript proclaimed to be a “true story” about being “labeled a psychotic paranoid schizophrenic,” and arrived with a plea to help him get his story out to the world. “Searing” (O, The Oprah Magazine), “enthralling” (Star-Tribune, Minneapolis), and “a marvel” (Esquire), A Kind of Mirraculas Paradise shows how Sandy translated Bob’s autobiography, artfully creating a gripping coming-of-age story while sticking faithfully to the facts as he shared them. Sandy also shares background information about their family, the culturally explosive time and place of their uncle’s formative years, and the vitally important questions surrounding schizophrenia and mental healthcare in America more broadly. The result is a heartbreaking and sometimes hilarious portrait of a young man striving for stability in his life as well as his mind, and an utterly unique lens into an experience that, to most people, remains unimaginable. “Thrilling…Gorgeous…a watershed in empathetic adaptation of ‘outsider’ autobiography” (The New Republic), A Kind of Mirraculas Paradise is a dazzlingly, daringly written book that’s poised to change conversations about schizophrenia and mental illness overall.

A woman and a man meet on the beach in the Caribbean. That chance encounter turns into a journey of discovery: of themselves, of each other, and of the island - which has a personality all its own. Accompanied by beautifully rendered watercolor paintings, there will be stunning visual details to consider. Deep-sea dives. Primordial rain forests. Night witches. Dawn carnivals. He learns about the ingredients of a national dish and where runaway slaves hid. She learns he has a scar and a wicked smile. But what you won’t learn are their names. Or ages. Countries of origin. Professions. Political leanings. There will be no interruptions by work deadlines, smartphones, insistent technologies, and other inconsolable distractions. The woman wonders at one point “where is this going?” and we are grateful that we are along for the ride.

On the morning of July 12, 2012, Mandy Bath left her picturesque home and garden in Johnson’s Landing, BC, for a day trip to nearby Kaslo. She had no forewarning of what the placid summer day would bring. But just over an hour later, a massive landslide tore into the community, destroying her home and killing four people: Valentine Webber, aged 60, and his daughters, 22-year-old Diana and 17-year-old Rachel, along with 64-year-old Petra Frehse. Returning the next day to search for her cat, Mandy narrowly avoided being buried beneath a second slide. Disaster in Paradise tells a story of survival, grief and recovery, as Mandy and the other residents of Johnson’s Landing gradually rebuild their community in the wake of the tragedy. Mandy eloquently details her own experience of trauma and healing, and weaves in the stories of other residents and volunteers in the rescue and recovery missions as the community bands together to collectively mourn their loss. The story is grounded by the author’s intimate knowledge of the Johnson’s Landing community, but also reflects the greater themes of loss, perseverance and bravery that arise in natural disasters everywhere.

Eighteen new (Soma)tic exercises that strive for human connection and political action.

Poetry. Asian American Studies. THE VERTICAL INTERROGATION OF STRANGERS blends the narratives of the travelog and the coming of age novel. It is written by a young Indian woman whose travels take her between homes in two countries, India and England, and through parts of the United States. These short pieces reveal new ways of belonging in the world and possibilities for an art grounded in a localized cosmopolitan culture.