An encyclopedia designed especially to meet the needs of elementary, junior high, and senior high school students.

V. 1-3 include "Bibliographies of modern authors by Henry Danielson."

Why does Amadi's mother insist he learn to read words when he is going to be a great businessman? Why should an Igbo man of Nigeria waste precious time on books, anyway? When Amadi disobeys his mother and runs off to the market instead of sticking ar

Every 3rd issue is a quarterly cumulation.

“But what is this scent of balmy air? What this ray of light in my tomb? I seem to see an angel, amid a scent of roses” sings Florestan in Fidelio, Beethoven’s only opera. The role of scents, smells, fragrances, and odours in opera has long been neglected, just as how much opera and its stars have influenced the world of perfumery from the nineteenth century to the present day. In the first book-length study on the topic, Professor Mary May Robertson explores the relationship between opera, perfumes, and their respective protagonists in order to map out the previously undiscussed connection between the two. Through compelling close readings of librettos and rigorous research through thousands of bottles of perfume, the reader will come to appreciate and recognise the influences and exchanges between operas and perfumes and their ultimate marriage in the previously unrecognised genre of Operatic Perfumes, which is to say, perfumes named after operas, composers, and their divas.