Fans of Erin Watt will love this angst-ridden YA book about family, loyalty and love.

Being crew is walking between two worlds. One world is normal: Prom. Parties. College. Those are the concerns they worry about. In our world, we deal with other situations. Cops. Drugs. Brawling. That's a typical day for us. But what if it wasn't? What if there came a day when you stopped? When you considered letting your enemies win? When you didn't fight back? When you chose a different path? First I lost my family. Then I got the Wolf Crew. I couldn't lose them too. But what happens when Cross, Zellman, and Jordan keep going... ...and I don't? Crew Princess is the second book in the Crew Series.

The book consists of three parts. The first deals with different types of trips and companies, including mini cruises, themed itineraries, crossings, and river cruises. The second part of the book is dedicated to around-the-world itineraries, with objective criteria to make it easier to choose between different ships and itineraries, the necessary arrangements before and during the trip, the routine on board, details of the destinations visited by the author, as well as curiosities about this experience. The third part of the book is dedicated to the cruise industry in international academia, identifying the most studied and researched topics associated with the cruise industry, as well as the participation of different countries and geographical regions in the production of this knowledge, in addition to a chapter with the experience of the research group on sea and river cruises coordinated by PUC Rio.

Since the 1990s the cruise industry has become one of the largest employers of musicians in the world. Thousands of professional musicians work on cruise ships daily, entertaining millions of passengers. Cruisicology: The Music Culture of Cruise Ships provides the first in-depth account of the culture and the industrial determinants of cruise ship music. Based on interviews with working musicians and coauthor David Cashman’s experience as a cruise ship musician, this book investigates how music is organized and made onboard a cruise ship. David Cashman and Philip Hayward study the working life of musicians, why and how corporate shipping lines include music onboard their vessels, the history of musicians on passenger shipping, and the likely future directions of musical entertainment within the industry. Cashman and Hayward illustrate the positive and negative experience of artists making music every day in confined spaces with close proximity to their audiences.

The behavioral psychologist onboard a survey ship headed to a planet ripe for colonization, Dr. Grace Park must determine the origin of a strange phenomenon that is causing the crew to suffer mental breaks without losing her own mind in the process.