When the young Jack MacDonald travelled to Lima, Peru in the late seventies, he had no idea how quickly his life would spiral out of control. Vice and violence become the driving forces in his life, guided by the shaking hands of two fellow travellers who are all in, to win or lose, to kill or be killed. As the country struggles with its own internal conflicts, which threaten to tear it apart, Jack has to find a way out of his own losing game, to create a worthwhile future for himself from a decidedly questionable past.

The rhymes in poems are important to understanding how poets write; and in the nineteenth century, rhyme conditioned the ways in which poets heard both themselves and each other writing. Sound Intentions studies the significance of rhyme in the work of Wordsworth, Keats, Tennyson, Christina Rossetti, Hopkins and other poets, including Coleridge, Byron, Elizabeth Barrett Browning, Swinburne, and Hardy. The book's stylistic reading of nineteenth-century poetry argues for Wordsworth's centrality to issues of intention and chance in poets' work, and offers a reading of the formal choices made in poetry as profoundly revealing points of intertextual relation. Sound Intentions includes detailed consideration of the critical meaning of both rhyme and repetition, bringing to bear an emphasis on form as poetry's crucial proving-ground. In a series of detailed readings of important poems, the book shows how close formal attention goes beyond critical formalism, and can become a way of illuminating poets' deepest preoccupations, doubts, and beliefs. Wordsworth's sounding of his own poetic voice, in blank verse as well as rhyme, is here taken as a model for the ways in which later nineteenth-century poets attend to the most perplexing and important voicings of their own poetic originality.

The world in What Animal is filled with uncontainable data, a rush of experiences tumbling one after the other, experiences whose logic is only that they have happened, or cannot be determined as having happened or not. Images--often spliced together in rapid succession, each with a distinct complex of emotional and associative content--operate in "rhymes" of shape, sound, capacity for motion, texture, and number. Image patterns, sound patterns, syntactical shifts, and physical spaces recur in different forms and combinations, as if, could we only comprehend, the patterns would add up to something of galactic, even infinite, dimension.

First published in 1980, Political Fictions is a work of literary criticism with emphasis on the specific handling of literary forms. The author examines the way in which writers exploring radical politics simultaneously explore radical literary possibilities and look at the various sorts of fictional modes they use-romance, utopian fable, discovered manuscript, imaginary book. He shows how all the writers under discussion experiment with non-realistic forms- sometimes in dialectical combination with realism as one of the poles of the novel’s structure, sometimes in rejection of realism. Wilding has selected six such writers and examines some of their work in detail: Mark Twain, William Morris, Jack London, D.H. Lawrence, Arthur Koestler, and George Orwell. He has chosen works which he believes have been misunderstood and ignored by Left as well as Right. This is a must read for scholars and researchers of English literature and critical theory.

Devotion re-creates the life of Varina Anne (Winnie) Davis, the youngest child of Jefferson Davis, President of the Confederate States of America. Winnie was not quite a year old when the family fled the Rebel stronghold of Richmond as the Civil War was ending. Twenty-one years later, Winnie was catapulted into a celebrity she did not seek. As the officially proclaimed Daughter of the Confederacy, she was presented with great fanfare at large conventions of Confederate veterans from Texas to Virginia. In the late nineteenth century, Winnie Davis was known here and abroad as a foremost cultural symbol of the South's Lost Cause. Yet she was also a cosmopolitan, intellectual "New Woman" who earned a living as a journalist and novelist and traveled with the Joseph Pulitzers. Winnie's adoring followers often misread her steadfast love for her father as unconditional support of the failed Confederacy and the Old South's nostalgic ideals of womanhood. Julia Oliver explores these contradictions from several angles. Winnie speaks from the pages of her journal. Other narrators include Winnie's close friend Kate Pulitzer; her sister, Maggie Hayes; and the love of her life, Alfred Wilkinson, the grandson of a famous abolitionist. From the portrayals of Winnie's romance, her relationships with her parents, her illness and depression, and her ambivalent role as torchbearer for the Lost Cause emerges a young woman whose conflicted existence reflects the tenor of the country in the aftermath of the Civil War. An intimate saga about a remarkable, star-crossed family, Devotion poignantly measures the massive weight of memory on individuals caught up in the sweep of history.