A reference work on paranormal experiences and phenomena offers articles discussing the characteristics of each experience, research and evidence associated with them, and possible scientific explanations

From their very inception, movies have served two seemingly contradictory purposes. On one hand, they transport us to fantastical worlds and display mind-boggling special effects. On the other, they can document actual events and immerse us in scenarios that feel so realistic, we might forget we are watching a work of fiction. Alternative Realities explores how these distinctions between cinematic fantasy and filmic realism are more porous than we might think. Through a close analysis of CGI-heavy blockbusters like Wonder Woman and Guardians of the Galaxy, it considers how even popular fantasies are grounded in emotional and social realities. Conversely, it examines how mockumentaries like This is Spinal Tap satirically call attention to the highly stylized techniques documentarians use to depict reality. Alternative Realities takes us on a journey through many different genres of film, from the dream-like and subjective realities depicted in movies like Eternal Sunshine of the Spotless Mind and Memento, to the astonishing twists of movies like Shutter Island and The Matrix, which leave viewers in a state of epistemic uncertainty. Ultimately, it shows us how the power of cinema comes from the unique way it fuses together the objective and the subjective, the fantastical and the everyday.

The envisioned volume is a collection of recent essays about the philosophical exploration, critique and comparison of (a) the major philosophical models of God, gods and other ultimate realities implicit in the world’s philosophical schools and religions, and of (b) the ideas of such models and doing such modeling per se. The aim is to identify exactly what a model of ultimate reality is; create a comprehensive and accessible collection of extant models; and determine how best, philosophically, to model ultimate reality, if possible and desirable.

HOW DO POLITICIANS IN TODAY'S world attain power? How do nations become powerful? Why do human beings follow others unquestioningly, even if it is to their own detriment? What factors determine which politicians, nations and organizations will dominate the modern world? Through much of human history, societal control was determined by militaristic strength. Individuals and tribes fought to control vital resources and land. In the next part of evolution marked by colonialism and the emergence of mega-corporations, money determined power. In the recent decade, the key to supremacy has shifted again. The power and control individuals, leaders and nations have is now determined by their ability to mould the information environment. In The Art of Conjuring Alternate Realities, Shivam Shankar Singh and Anand Venkatanarayanan dive into the operations of political parties, cyber criminals, godmen, nation states and intelligence agencies from around the world to explain how the power to manipulate your thoughts is being harnessed, and how information warfare is shaping your life and world.

Could there be a doorway to the multiverse in our backyard? It's lucky you're here. But for a series of incredible coincidences and roads not taken, your life could be very different. The same goes for reality. We live in just one of many possible worlds. In others, dinosaurs still rule the Earth, the Russians got to the Moon first, time flows backwards and everyone is vegetarian. And that's just for starters. What if the laws of physics were different? If we really did live in a multiverse? If robots became smarter than us? If humans were wiped off the face of the planet? Join New Scientist on a thrilling journey through these and dozens of other incredible but perfectly possible alternative realities, thought experiments and counterfactual histories -each shining a surprising and unexpected spotlight on life as we know it.

From alternate realities to the multiverse, sci-fi tropes are part of our everyday lives. But are they even possible? Strange Science explores out-of-this-world theories and ideas that are grounded in reality.

"Movies are uniquely capable of creating and displaying fantastical worlds. With the rise of CGI came the ascendance of animated fantasy, superhero, and science fiction films. The movies are also capable of representing unique subjective experiences; a movie can be an "experience recorder." Somewhat paradoxically, however, movies are thought to have a strong connection to everyday reality and to have roots in realism. Alternative Realities explores the complex intersection between movies, reality, and fantasy; between subjective and objective representation. It shows that even the most surreal fantasies ground their images, sounds, and narratives in quotidian reality. On the other hand, even the most realistic documentaries and realist dramas rely on creative structures that are products of the human imagination. This combination of realism and imagination, of the objective and the subjective, is the key to the power of movies"--