George's Progress and Poverty, Bellamy's Looking Backward, and Lloyd's Wealth against Commonwealth championed a national policy allied neither with large-scale capitalism, nor with bureaucratic socialism. Through vivid portraits of these journalists, Thomas traces the evolving ideologies of the most significant reformers of their age.

Justin's having the worst trip ever. He and his mother are Time Traders, traveling undercover to different alternate realities of Earth so they can take valuable resources back to their own timeline. In some of these worlds, Germany won World War I or the world has been destroyed by nuclear warfare. Justin and his mother are in an America that never became the United States: each state is like a country, and many of them are at war with one another. Their mission takes them to Virginia, which is on the verge of bloody violence with Ohio. Beckie is from California and, like the rest of her world, is unaware that Time Traders exist. The only reason she's in small-town Virginia is because her grandmother dragged her there to visit old relatives. Beckie is just as horrified by the violence and racism of the alternate Virginia as Justin is, and the two are drawn to each other. But when full-fledged war breaks out between Ohio and Virginia, including a biologically designed plague, will either of them manage to get back home? Forget about home: will they make it out alive?

"This photographic survey and accompanying text reveal various experiments in communal living and the philosophies behind them." --

This is a source of reliable information on the most important new and alternative religions covering history, theology, impact on the culture, and current status. It includes a chapter on the Branch Davidians.

Bill Kauffman has carved out an idiosyncratic identity quite unlike any other American writer. Praised by the likes of Gore Vidal, Benjamin Schwarz, and George McGovern, he has, with a distinctive and slashingly witty, learnedly allusive style, illumed forgotten corners of American history, articulated a defiant and passionate localism, and written with love and dark humor of his repatriation. Poetry Night at the Ballpark gathers the best of Bill Kauffman's essays and journalism in defense and explication of his alternative America--or Americas. Its discrete pieces are bound by a thematic unity and propulsive energy and are full of unexpected (yet startlingly apposite) connections and revelatory linkages. Whether he's writing about conservative Beats, backyard astronomers, pacifist West Pointers, or Middle America in the movies, Bill Kauffman will challenge, maybe even change, the way you look at American politics and the American provinces.

For more than 50 years, science fiction films have been among the most important and successful products of American cinema, and are worthy of study for that reason alone. On a deeper level, the genre has reflected important themes, concerns and developments in American society, so that a history of science fiction film also serves as a cultural history of America over the past half century. M. Keith Booker has selected fifteen of the most successful and innovative science fiction films of all time, and examined each of them at length—from cultural, technical and cinematic perspectives—to see where they came from and what they meant for the future of cinema and for America at large. From Invasion of the Body Snatchers to Star Wars, from Blade Runner to The Matrix, these landmark films have expressed our fears and dreams, our abilities and our deficiencies. In this deep-seeking investigation, we can all find something of ourselves that we recognize, as well as something that we've never recognized before. The focus on a fairly small number of landmark films allows detailed attention to genuinely original movies, including: Forbidden Planet, Invasion of the Body Snatchers, 2001: A Space Odyssey, Planet of the Apes, Star Wars, Close Encounters of the Third Kind, Alien, E.T. the Extra-Terrestrial, Blade Runner, The Terminator, Robocop, The Abyss, Independence Day, and The Matrix. This book is ideal for general readers interested in science fiction and film.

Berk concludes that our understanding of historical political economy must take markets, technologies, and organizational forms as the contingent outcomes of such constitutional politics, rather than as premeditated contexts for state and economic development.