Ê A bullet misses its target in Sarajevo, a would-be Austrian painter gets into the Viennese academy, Lord Halifax becomes British prime minister in 1940 instead of Churchill: seemingly minor twists of fate on which world-shaking events might have hinged. Alternative history has long been the stuff of parlor games, war-gaming, and science fiction, but over the past few decades it has become a popular stomping ground for serious historians. The historian Richard J. Evans now turns a critical, slightly jaundiced eye on a subject typically the purview of armchair historians. The bookÕs main concern is examining the intellectual fallout from historical counterfactuals, which the author defines as Òalternative versions of the past in which one alteration in the timeline leads to a different outcome from the one we know actually occurred.Ó What if Britain had stood at the sidelines during the First World War? What if the Wehrmacht had taken Moscow? The author offers an engaging and insightful introduction to the genre, while discussing the reasons for its revival in popularity, the role of historical determinism, and the often hidden agendas of the counterfactual historian. Most important, Evans takes counterfactual history seriously, looking at the insights, pitfalls, and intellectual implications of changing one thread in the weave of history. A wonderful critical introduction to an often-overlooked genre for scholars and casual readers of history alike.

A bullet misses its target in Sarajevo, a would-be Austrian painter gets into the Viennese academy, Lord Halifax becomes British prime minister in 1940: seemingly minor twists of fate on which world-shaking events might have hinged. Alternative history has long been the stuff of parlour games, war-gaming and science fiction, but over the past few decades it has become a popular stomping ground for serious historians. Richard J. Evans now turns a critical, slightly jaundiced eye on the subject. Altered Pasts examines the intellectual fallout from historical counterfactuals. Most importantly, Evans takes counterfactual history seriously, looking at the insights, pitfalls and intellectual implications of changing one thread in the weave of history.

Edward Jessup, a young psycho-physiologist, experiments with different states of consciousness, obsessed with an addiction to truth and knowledge. He injects himself with psychedelic drugs, lies locked in an isolation tank and experiences all the stages of pre-human consciousness until finally terrible changes take place with him: Jessup also physically transforms into a pre-human being. His thirst for knowledge drives him into ever new, increasingly irreversible transformations. Only the horror when his body begins to dissolve into pure energy brings him back to human bonds... Paddy Chayefsky (January 29, 1923 – August 1, 1981), one of the most important US dramatists, wrote a breath-taking, equally philosophical shocker with his debut novel. In 1980, British director Ken Russell adapted the novel based on Paddy Chayefsky's screenplay - starring: William Hurt, Blair Brown and Drew Barrymore.

They were made to forget. But they'll never forgive. Everything about Anna's life is a secret. Her father works for the Branch, at the helm of its latest project: monitoring and administering treatments to the four genetically altered boys in the lab below their farmhouse. There's Nick, solemn and brooding; Cas, light-hearted and playful; Trev, smart and caring; and Sam . . . who's stolen Anna's heart. When the Branch decides it's time to take the boys, Sam stages an escape. Anna's father pushes her to go with them, making Sam promise to keep her away from the Branch, at all costs. On the run, with her father's warning in her head, Anna begins to doubt everything she thought she knew about herself. She soon discovers that she and Sam are connected in more ways than either of them expected. And if they're both going to survive, they must piece together the clues of their past before the Branch catches up to them and steals it all away.

“The most robust defense of historical counterfactuals to date . . . For those interested in this fascinating subject, Black’s book is indispensable.”—Publishers Weekly (starred review) What if there had been no World War I or no Russian Revolution? What if Napoleon had won at Waterloo in 1815, or if Martin Luther had not nailed his complaints to the church door at Wittenberg in 1517, or if the South had won the American Civil War? The questioning of apparent certainties or “known knowns” can be fascinating and, indeed, “What if?” books are very popular. However, this speculative approach, known as counterfactualism, has had limited impact in academic histories, historiography, and the teaching of historical methods. In this book, Jeremy Black offers a short guide to the subject, one that is designed to argue its value as a tool for public and academia alike. He “demonstrates that, in skillful hands, counterfactual history is more than just fun; as one ingredient among many, it can be an extremely fertile source of explanation” (History Today). “[Black’s] illustrative examples of ‘what if' ‘how,’ and ‘why’ will make readers sit back and wonder.”—Kirkus Reviews “With a unique methodology, Black performs a what-if analysis of history to show how little it takes to change the world’s fate . . . This book provokes thought and speculation while also entertaining.”—Foreword Reviews “A sparkling defense of the legitimacy and utility of counterfactual history―of what ifs―and the best single work on its subject available.”—Weekly Standard

What happens when Willow Sparks literally rewrites her fate?

From its first publication in 1997, Altered State established itself as the definitive text on Ecstasy and dance culture. This new edition sees Matthew Collin cast a fresh eye on the heady events of the acid house 'Summer of Love' and the rave scene's euphoric escalation into commercial excess as MDMA became a mass-market narcotic. Altered State is the best-selling book on Ecstasy culture, using a cast of memorable characters to track the origins of the scene and its drug through psychedelic subcults, underground gay discos and the Balearic paradise of Ibiza, to the point where Tony Blair was using an Ecstasy anthem as an election campaign song. Altered State critically examines the ideologies and myths of the scene, documenting the criminal underside to the blissed-out image, shedding new light on the social history of the most spectacular youth movement of the twentieth century.