Red Riding Hood runs a local Tavern with her grandmother, Ruby. She doesn’t need a man in her life to be happy, and she prides herself in being an independent woman. During a busy night, a highwayman named, Robin One Eye, shows up offering her protection as a pack of werewolves in the area have become a threat to the local public. He requires a fee, but Red refuses; she's ready to to take her chances with the wolves. Unfortunately, One Eye keeps coming back, sabotaging her business and threatening clients, forcing Red to seek help with the one and only, Alpha King. A hot, arrogant werewolf who's had his eye on her since he stepped foot into Farrington. But Red's been independent for far too long to get tied up again, especially when William not only wants her soul, but heart as well.

In a kingdom ruled by a vampire, royal blood doesn’t mean what it used to—and fairy tales don’t always have happy endings. To wrest her inheritance from her evil stepmother, Cindy must marry a respectable man before she turns 25. The upcoming royal ball is the perfect place to find one—with the help of a fairy godmother. Or at least, a drunken prostitute with some magical skills. At the ball, though, King Caspian sets his sights on her. It’s not like Cindy doesn’t know better—but surely no one’s more respectable than a king. So really, what does she have to lose? Everything, as it turns out. Because the king isn’t human at all, but a monster who’s hell-bent on having Cindy in his bed again. If only he can track her down. Scroll up and one-click this steamy, sexy, adult retelling of Cinderella with a vampire twist!

Snow White has always been a free spirit. She enjoys partying and practising her beloved archery much more than chasing after men. One night, late in the forest, she was hunting a deer for charity when she witnessed her stepmother mercilessly slaughter it before her eyes, performing some sort of magic in the process, vowing to remain the Queen of Tyndil for all eternity. Yanni was devastated when she learned the people in her kingdom believed her to be unfit to rule. After learning a secret, she set off on a journey to Bjorku Kingdom to meet the notorious, known-womaniser, the Ice King. The very same man her stepmother, Ruth, has had her sights on for years. Yanni must repair her reputation in order to become Queen, and with the right man by her side she can change her future. Will she be able to win the man with a heart of ice and prevent her stepmother from triumphing once again?

Read the thrilling second chapter in the saga began in the bestselling romance Beauty and the Beast. May be read as a standalone romance. Sorcha knows every inch of the forest, but a spontaneous visit to her grandmother thrusts her into the middle of a brutal conflict between shifters and an unknown force in the woodlands. As the alpha of Clan TalWolthe, Conall is obligated to protect his fellow wolves at all costs--even if it means his life. After the pack lands in the crosshairs of a huntsman with a grudge, Conall encounters a red-cloaked beauty who may hold the key to defeating an ancient evil menacing their land. Red and the Wolf is a fairy tale retold for an adult audience and improper for anyone below the age of 18. Readers who enjoy strong heroines, caring alphas, detailed world building, and out-of-this-world adventure will be hooked. Perfect for readers of Paranormal Romance, Fantasy, Action and Adventure, Sword and Sorcery, and Shifter Romance.

"Legendary storyteller Stephen King goes into the deepest well of his imagination in this spellbinding novel about a seventeen-year-old boy who inherits the keys to a parallel world where good and evil are at war, and the stakes could not be higher--for that world or ours." --

Since its emergence in the seventeenth century as a distinctive cultural system, children's literature has had a culturally inferior status resulting from its existence in a netherworld between the literary system and the educational system. In addition to its official readership—children—it has to be approved of by adults. Writers for children, explains Zohar Shavit, are constrained to respond to these multiple systems of often mutually contradictory demands. Most writers do not try to bypass these constraints, but accept them as a framework for their work. In the most extreme cases an author may ignore one segment of the readership. If the adult reader is ignored, the writer risks rejection, as is the case of popular literature. If the writer utilizes the child as a pseudo addressee in order to appeal to an adult audience, the result can be what Shavit terms an ambivalent work. Shavit analyzes the conventions and the moral aims that have structured children's literature, from the fairy tales collected and reworked by Charles Perrault and the Brothers Grimm—in particular, “Little Red Riding Hood”—through the complex manipulations of Lewis Carroll in Alice's Adventures in Wonderland, to the subversion of the genre's canonical requirements in the chapbooks of the eighteenth century, and in the formulaic Nancy Drew books of the twentieth century. Throughout her study Shavit, explores not only how society has shaped children's literature, but also how society has been reflected in the literary works it produces for its children.

WITH AN INTRODUCTION BY HELEN SIMPSON From familiar fairy tales and legends âe" Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves âe" Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.