"Intellectual reveling at its finest."—Booklist "A delightful and curious book about borders, boundaries, fences, and lines."—Slate "A thoughtful and entertaining look at the demarcations in our lives."—Times Dispatch After years of crossing borders in search of new birds and new landscapes, Peter Cashwell's exploration of lines between states, between time zones, and between species led him to consider the lines that divide genders, seasons, musical genres, and just about every other aspect of human life. His conclusion: Most had something in common—they were largely imaginary. Nonetheless, Along Those Lines, a tour of the tangled world of delineation, attempts to address how we distinguish right from wrong, life from death, Democrat from Republican—and how the lines between came to be. Part storyteller, part educator, and part wise guy, Cashwell is unafraid to take readers off the beaten path—into the desert vistas of the Four Corners, the breeding ground of an endangered warbler, or the innards of a grand piano. Something amusing and/or insightful awaits at every stop. And he's not alone. The tricks and treats of the human instinct for drawing lines are revealed in interviews with experts of all sorts. Learn about the use of the panel border from a Hugo Award–winning comics creator. Trace the edge of extinction with the rediscoverer of the Ivory-billed Woodpecker. Get the truth about the strike zone from an umpire who holds a degree in physics. You'll begin to see even the most familiar lines in a whole new way. "From music to politics to gender splits, the things that divide us also tell us quite a bit about who we are, and how we got there. You couldn't ask for a better guide than Peter Cashwell, whose eloquent musings on the lines we draw—and sometimes erase—is illuminating, fascinating, and impossible to put down."—Caroline Leavitt "If, as Paul Klee told his students at the Bauhaus, a line is a dot that goes for a 'walk,' then Along Those Lines is a beguiling and personal treasury of dots on hikes, treks, and walkabouts. To accept this invitation to meander through the author's territory of boundaries, borders, definitions, demarcations, and delineations is to be rewarded with surprising answers to questions you didn't know you had until now, about everything under the sun, from strike zones, musical genres, and Gerrymandering to birding, gender, and how different religions define the lines between right and wrong. Peter Cashwell's appreciation of the boundaries that create our world is a pure delight." —Katharine Weber "As if by magic, Cashwell gives us the power to see the invisible lines we live by and—perhaps more importantly—the permission to smudge, erase, dissolve, or redraw the lines that don’t serve us well. Along Those Lines is an imaginative and well-researched book full of Cashwell's trademark imagination and humor.* Even the most edgy, rule-bound readers will come away enlightened and liberated. [*His footnotes alone could open Saturday Night Live.]"—Maria Mudd Ruth "Peter Cashwell has written a brilliant, mind-bending saga of delineation as a supreme act of imagination, as a noble and often comic attempt to confine the raggedy universe within a geometer’s desperate dreams of precision."—Will Blythe

"Romanian-born American artist Saul Steinberg (1914-1999) won international acclaim for his inventive, wry representations of the postwar age. His work appeared on the covers and interiors of the New Yorker for nearly six decades, and his drawings, collages, prints, paintings, and sculptures have been exhibited in galleries and museums around the world. With essays by cartoonist Chris Ware and curator Mark Pascale, this book traces Steinberg's imagery as it evolved over the full scope of his career, during which he refused to distinguish between high and low art. The 60 works included range from the witty black-ink takes on his newly adopted land of 1940s America to the watercolor paintings he made as a mature artist in the late 1980s"--

The fighting on July 1, 1863 built the foundation to what would become known as the bloodiest battle fought on American soil. Yet, it remains one of the most overlooked locations ofthe battlefield. Cast into the shadows of much more scenic locations, such as Little Round Top, Devil's Den, and the Wheatfield, it is easy to drive right through one of the most iconic locations of the battlefield. This comprehensive and reader-friendly narrative works to shine some light onto a portion of the battlefield that is so often overlooked. Beginning on June 9 and taking the reader through to July 1, James Smith II goes through great lengths to explain the movement of troops, human interest stories, humorous accounts, and detailed descriptions of the men present for the battle, in a close examination of the harrowing deeds it took to preserve a nation during the American Civil War.

This book presents new readings of D.H. Lawrence’s later novels from the perspective of established critical theory and contemporary thought: a specific critical theory or critical perspective is selected and applied to each novel in order to present particular interpretations of each. Although remaining faithful to one’s personal desires without being unduly concerned with the outside world is considered a Lawrentian virtue, I would like to show another Lawrence who was sensitive enough to the outside world and to the social discourses of his time to employ elements of them in his novels, although subtly, and with critical shifts and displacements. Lawrence is a writer who continually draws lines of flight to escape from capitalist societies that ascribe essential value and power to money.

Told in their separate voices, sixteen-year-old Prince Oliver, who wants to break free of his fairy-tale existence, and fifteen-year-old Delilah, a loner obsessed with Prince Oliver and the book in which he exists, work together to seek his freedom.

Twelve-year-old Edward thought of Simon as his friend and never imagined life without his companion and slave. But when the Union army invades Virginia and takes over Edward's family's plantation, Edward's family flees to nearby Petersburg, while Simon runs toward freedom. With terrific detail and historical facts woven throughout, the author crafts a story set during the actual siege at Petersburg, complete with battle scenes, descriptions of army life on both sides of the war, and what life was like, told from the point of view of two young boys--one white and one black.

During much of his early career, from 1944 through to the early 1960s, Richard Hardy took hundreds of pictures of life on the railways and the men he knew and worked with on a daily basis, using his trusty Brownie 620 box camera. These unique behind the scenes images form a fascinating and hugely evocative portrayal of Britain at the height of the era of steam, during the time of the 'Big Four', and after 1947 when the sprawling nationalised network known as British Railways came of age. The second edition contains many new unseen photos which capture the railways in wartime, providing a valuable social record of the nation at war. In addition there is a sequence of rare photographs of French engines, railways and railwaymen, offering a superb contrast to the British rail network (it quickly becomes evident that the British rail system ran on tea, whereas the French system ran on wine). Great characters are the unifying theme of the pictures, and they include famous figures associated with the railways, such as the poet John Betjeman. This wonderfully illustrated book sets Richard's personal photographs and text alongside a carefully collated selection of ephemera, artworks and photographs drawn from the National Railway Museum in York. Collectively these images and artefacts tell the stories of the great brotherhood of railwaymen, brilliantly evoking the speed, heat and dust of the footplate.