On Halloween: the Tricksters came. On Halloween: the Tricksters joked. On Halloween: the Tricksters played pranks. On Halloween: the Tricksters murdered. Now, Logan Parsons and her best friend, Yvette Wyss, must try to survive the night. They are alone, scared, horrified, and about to come face-to-face with an evil far greater than man has ever known. The tricks are about to begin.

When you gamble with kingdoms, all bets are off. Legends are born in this thrilling and New York Times bestselling spy saga from the fantasy author who is legend herself: Tamora Pierce. Aly is from a family known for great deeds. She is the daughter of Alanna, the famed knight and King’s Champion of Tortall. But even though she is bold and brave, like her mother, her true talents lie on her father’s side, in the art of spying. When Aly is captured by pirates and sold as a slave to an exiled royal family in the faraway Copper Isles, she strikes a bargain with the trickster god. If she can keep young noblewomen Sarai and Dove safe for the summer, then he will return Aly to her family. The task should be simple, but Sarai and Dove are anything but. It’s a time of murderous plotting at court, and Aly will need to rely on her training and the insights of a strange young man named Nawat to survive in a world where trust can cost you your life. “Tamora Pierce’s books shaped me not only as a young writer but also as a young woman. She is a pillar, an icon, and an inspiration. Cracking open one of her marvelous novels always feels like coming home.” —SARAH J. MAAS, #1 New York Times bestselling author “Tamora Pierce didn’t just blaze a trail. Her heroines cut a swath through the fantasy world with wit, strength, and savvy. Her stories still lead the vanguard today. Pierce is the real lioness, and we’re all just running to keep pace.” —LEIGH BARDUGO, #1 New York Times bestselling author

In Trickster Makes This World, Lewis Hyde brings to life the playful and disruptive side of human imagination as it is embodied in trickster mythology. He first visits the old stories—Hermes in Greece, Eshu in West Africa, Krishna in India, Coyote in North America, among others—and then holds them up against the lives and work of more recent creators: Picasso, Duchamp, Ginsberg, John Cage, and Frederick Douglass. Twelve years after its first publication, Trickster Makes This World—authoritative in its scholarship, loose-limbed in its style—has taken its place among the great works of modern cultural criticism. This new edition includes an introduction by Michael Chabon.

Coyote. Anansi. Brer Rabbit. Trickster characters have long been a staple of folk literature. Twenty-six authors, including Holly Black (The Spiderwick Chronicles), Charles de Lint (Little (Grrl) Lost), Ellen Klages, (The Green Glass Sea), Kelly Link (Pretty Monsters), Patricia A, McKillip (Ombria in Shadow), and Jane Yolen, have crafted stories and poems drawing from cultures and traditions all over the world—each surprising, engrossing, and thought provoking. Terri Windling provides a comprehensive introduction to the trickster myths of the world, and the entire book is highlighted by the remarkable decorations of Charles Vess. The Coyote Road, like its companions The Green Man (winner of the World Fantasy Award) and The Faery Reel (a World Fantasy Award Finalist), is essential reading for anyone interested in contemporary fantasy fiction.

2010 Maverick Award winner, 2011 Aesop Prize Winner – Children's folklore section, and a 2011 Eisner Award Nominee. All cultures have tales of the trickster – a crafty creature or being who uses cunning to get food, steal precious possessions, or simply cause mischief. He disrupts the order of things, often humiliating others and sometimes himself. In Native American traditions, the trickster takes many forms, from coyote or rabbit to raccoon or raven. The first graphic anthology of Native American trickster tales, Trickster brings together Native American folklore and the world of comics. In Trickster, 24 Native storytellers were paired with 24 comic artists, telling cultural tales from across America. Ranging from serious and dramatic to funny and sometimes downright fiendish, these tales bring tricksters back into popular culture.

Two women. Two journeys. One God. Evelyn Sherwood has reached a crossroad: she can no longer deny God's existence by ignoring Him. Too much has happened. But now what? Will she acknowledge a faith that comes only from God and accept Christ as the Messiah for the Nation of Israel? Will her past continue to haunt her, or can she trust the Christ of the New Testament with her future? Guilt, grief, and anger threaten the right decision as God continues to bring turmoil into her life in His patient pursuit of one of His chosen people. Abby Waters has loved and worshipped God since childhood. Nothing has weakened or challenged her faith, not even nine years at the hand of an abusive husband. She always believed God would intervene, would protect her, would change her husband. But when the unthinkable happens, she wishes her husband dead and she runs, not just from her husband, but from God. Faith, trust, hope and justice entwine these two women in a friendship that bridges the gap between grandmother and a young woman, both running, both needing God. Amidst their fears, will they hear God's gentle whisper, will they feel His quiet hush? Can they trust a God they cannot see? Then Came a Hush begs the reader to ask the question, Do I believe in the God of the Old Testament, would I know His voice, and how would I respond to the Christ of the New Testament if He asked, 'Who do you say I am?'

The trickster and the hero, found in so many of the world’s oral traditions, are seemingly opposed but often united in one character. Trickster and Hero provides a comparative look at a rich array of world oral traditions, folktales, mythologies, and literatures—from The Odyssey, The Epic of Gilgamesh, and Beowulf to Native American and African tales. Award-winning folklorist Harold Scheub explores the “Trickster moment,” the moment in the story when the tale, the teller, and the listener are transformed: we are both man and woman, god and human, hero and villain. Scheub delves into the importance of trickster mythologies and the shifting relationships between tricksters and heroes. He examines protagonists that figure centrally in a wide range of oral narrative traditions, showing that the true hero is always to some extent a trickster as well. The trickster and hero, Scheub contends, are at the core of storytelling, and all the possibilities of life are there: we are taken apart and rebuilt, dismembered and reborn, defeated and renewed.