A 2017 Caldecott Honor Book that The New York Times calls “both classic and ultracontemporary,” Leave Me Alone! is an epic tale about one grandmother, a giant sack of yarn, and her ultimate quest to finish her knitting. One day, a grandmother shouts, "LEAVE ME ALONE!" and leaves her tiny home and her very big family to journey to the moon and beyond to find peace and quiet to finish her knitting. Along the way, she encounters ravenous bears, obnoxious goats, and even hordes of aliens! But nothing stops grandma from accomplishing her goal—knitting sweaters for her many grandchildren to keep them warm and toasty for the coming winter. Vera Brosgol's slyly clever and unexpectedly funny modern folktale is certain to warm even the coldest of hearts. A 2017 Caldecott Honor Book A New York Times Notable Children's Book A National Public Radio Best Book of 2016 A Horn Book Best Book of 2016 A Huffington Post Best Picture Book of 2016

Editorial Reviews 2021-12-14 A teenage crush gets interrupted by a horrible murder in this debut YA novel. It’s the summer of 1962. Eighteen-year-old Paul Dawson just needs to make it through his senior year of high school and then he can leave suburban Caroline Hills in upstate New York behind to become a writer. Until then, he’s stuck lying in his bedroom, playing Roy Orbison songs over and over, and daydreaming about what it would be like to have a girlfriend. His handsome twin brother, Bobby, doesn’t have that problem. He’s the star quarterback; he’s dating the head cheerleader; and he’s also seeing Betty Jo Randall on the side. Then, one day, the perfect girl for Paul appears out of the blue and moves in right next door. “In another life, she must have been a mermaid,” thinks Paul, spying on her over the fence. “Someone that lovely can’t be just anybody. The sky gave her his grey blue eyes. Her rippling red hair cascades down her back like a waterfall. The wind loves her hair. I have never seen a girl let the wind have a way with her hair if she could help it before.” Jenny Winters has just moved in with her grandmother in Caroline Hills after her mother—with whom she’s never had a great relationship—kicked her out of the house for reasons the young woman would prefer not to talk about. Paul will do anything to hang out with Jenny, and she will do anything to stir up some trouble, which is how the two end up breaking into the lake house of the local doctor on the Fourth of July. The same day, Betty Jo is raped and killed—and Bobby is the obvious suspect. But Paul and Jenny think they may have seen the actual murderer, though they’ll need proof if anyone is going to believe them. Can the two outsiders crack the case open and save the town from a killer? And can Paul figure out a way to win the heart of his emotionally unavailable crush? Williams’ prose is lively and smooth. While many of the characters feel like types, she imbues them with energy and humor that make them fresh. The narration shifts between Paul and Jenny, who are both delightfully angst-y, albeit in different ways. Here, Paul panics when Jenny instigates some spontaneous skinny-dipping at the lake: “I empty my pockets. I throw out my wallet, my pocket knife, my admission tickets to the fair, and some folded pieces of paper. I take off my socks and shoes….I pull off my belt so slowly. I don’t know what to do. What would Bobby do? Oh, hell. He’d already be in the lake now.” The characterization, especially the richness of the protagonists’ inner lives, helps the novel to feel bigger than its mystery plot. The author manages to capture the promise and danger of being young, particularly the dynamic of a teenage relationship where one person has lived a lot more life than the other. Readers will look forward to Williams’ future offerings. An immersive, bracing mystery with a big heart. Kirkus Reviews

From Olivie Blake, the New York Times bestselling author of The Atlas Six, comes a literary, intimate study of time, space, and the nature of love. Alone with You in the Ether explores what it means to be unwell, and how to face the fractures of yourself and still love as if you're not broken. CHICAGO, SOMETIME-- Two people meet in the Art Institute by chance. Prior to their encounter, he is a doctoral student who manages his destructive thoughts with compulsive calculations about time travel; she is a bipolar counterfeit artist, undergoing court-ordered psychotherapy. By the end of the story, these things will still be true. But this is not a story about endings. For Regan, people are predictable and tedious, including and perhaps especially herself. She copes with the dreariness of existence by living impulsively, imagining a new, alternate timeline being created in the wake of every rash decision. To Aldo, the world feels disturbingly chaotic. He gets through his days by erecting a wall of routine: a backbeat of rules and formulas that keep him going. Without them, the entire framework of his existence would collapse. For Regan and Aldo, life has been a matter of resigning themselves to the blueprints of inevitability--until the two meet. Could six conversations with a stranger be the variable that shakes up the entire simulation?

Originally published in hardcover in 2021 by Aladdin.

In this delightful memoir, the book critic for NPR’s Fresh Air reflects on her life as a professional reader. Maureen Corrigan takes us from her unpretentious girlhood in working-class Queens, to her bemused years in an Ivy League Ph.D. program, from the whirl of falling in love and marrying (a fellow bookworm, of course), to the ordeal of adopting a baby overseas, always with a book at her side. Along the way, she reveals which books and authors have shaped her own life—from classic works of English literature to hard-boiled detective novels, and everything in between. And in her explorations of the heroes and heroines throughout literary history, Corrigan’s love for a good story shines.

A “thought-provoking” one-volume distillation of the author’s powerful trilogy in praise of the middle class’s role in creating a better, and richer, world (Library Journal). The economist and historian Deirdre Nansen McCloskey has been best known recently for her Bourgeois Era trilogy, a vigorous defense, unrivaled in scope, of commercially tested betterment. Its massive volumes, The Bourgeois Virtues, Bourgeois Dignity, and Bourgeois Equality, solve Adam Smith’s puzzle of the nature and causes of the wealth of nations, and of the moral sentiments of modernity. The world got rich, she argues, not chiefly by material causes but by an idea and a sentiment, a new admiration for the middle class and its egalitarian liberalism. For readers looking for a distillation of McCloskey’s magisterial work, Leave Me Alone and I’ll Make You Rich is what you’ve been waiting for. In this lively volume, McCloskey and the economist and journalist Art Carden bring together the trilogy’s key ideas and its most provocative arguments. The rise of the west, and now the rest, is the story of the rise of ordinary people to a dignity and liberty inspiring them to have a go. The outcome was an explosion of innovation after 1800, and a rise of real income by an astounding 3,000 percent. The Great Enrichment, well beyond the conventional Industrial Revolution, did not, McCloskey and Carden show, come from the usual suspects, capital accumulation or class struggle. It came from the idea of economic liberty in Holland and the Anglosphere, then Sweden and Japan, then Italy and Israel and China and India, an idea that bids fair in the next few generations to raise up the wretched of the earth. The original shift to liberalism arose from 1517 to 1789 from theological and political revolutions in northwest Europe, upending ancient hierarchies. McCloskey and Carden contend further that liberalism and “innovism” made us better humans as well as richer ones. Not matter but ideas. Not corruption but improvement. Leave Me Alone and I’ll Make You Rich draws in entertaining fashion on history, economics, literature, philosophy, and popular culture, from growth theory to the Simpsons. It is the perfect introduction for a broad audience to McCloskey’s influential explanation of how we got rich. At a time when confidence in the economic system is under challenge, this book mounts an optimistic and persuasive defense of liberal innovism, and of the modern world it has wrought. Praise for the Bourgeois Era Trilogy “A contender for the great book of our age.” —The Times, Book of the Week “Persuasive . . . richly detailed and erudite.” —Financial Times

The American entertainer recounts the personal and public scenes, setbacks, and triumphs of her life and uneven international career, assigning places to her vaiour villains and champions.