For thirty years starting in the mid-1970s, the byline of Jim Dooley appeared on riveting investigative stories of organized crime and political corruption that headlined the front page of Honolulu’s morning daily. In Sunny Skies, Shady Characters, James Dooley revisits highlights of his career as a hard-hitting investigative reporter for the Honolulu Advertiser and, in later years, for KITV television and the online Hawaii Reporter. His lively backstories on how he chased these high-profile scandals make fascinating reading, while providing an insider’s look at the business of journalism and the craft of investigative reporting. Dooley’s first assignment as an investigative journalist involved the city housing project of Kukui Plaza, which introduced him to the “pay to play” method of awarding government contracts to obliging consultants. In later stories, he scrutinized bloody struggles over illicit gambling revenue, the murder of a city prosecutor’s son, local syndicate ties to the Teamsters Union, and the dealings of Bishop Estate. His groundbreaking coverage of the forays by yakuza into Hawaii and the continental United States were the first of its kind in American journalism. As Dooley pursued stories from the underside of island society, names of respected public figures and those of violent criminals filled his notebook: entertainer Don Ho, U.S. Senator Daniel Inouye, Governors George Ariyoshi and Ben Cayetano, Mayor Frank Fasi, and notorious felons Henry Huihui, Nappy Pulawa, and Ronnie Ching. Woven throughout is the name of Big Island rancher Larry Mehau—was he the “godfather of organized crime” in Hawaii as alleged by the FBI, or simply an ex-cop who befriended power brokers in the course of doing business for his security guard firm? The book includes a timeline of Mehau’s activities to allow readers to judge for themselves.

Critically acclaimed author of The Fire Thief and The Bone Field returns to Hawaii with detective Kali Māhoe and a third suspenseful new thriller mystery set in Hawaii! In a remote, mountainous area of a Maui forest near Haleakala volcano, the naked body of a young woman is found hanging from a tree. The nostrils, mouth, and lungs are packed with lava sand. Her hands are bound in twine. Her feet are charred and blackened, suggesting a fire-walking ceremony. For Detective Kali Māhoe, all signs point toward ritual torture and murder. But Kali’s investigation leads her down a winding trail of seemingly unconnected clues—from the hanging tree itself, a rare rainbow eucalyptus, to rumors of a witch haunting the high areas of the forest, to the legend of the ancient Hawaiian sorceress Pahulu, goddess of nightmares. Casting a shadow over it all—the possibility of a Sitting God, a spirit said to invade and possess the soul. Aided by her uncle Police Captain Walter Alaka’i, Officer David Hara, and the victim’s brother, Kali embarks down the darkest road of all. One that is leading to the truth of the mountain’s deadly core and a dark side of the island for which even Kali is unprepared. Praise for The Fire Thief “Bokur’s welcome debut nimbly contrasts the Hawaii of sun and golden beaches with its less well-known underbelly of poverty, discrimination, and crime. Fans of strong female cops will look forward to Kali’s further adventures.”—Publishers Weekly “The Fire Thief has all the elements of a great mystery—crackling tension, brisk pacing, a vibrant setting, and a flicker of paranormal . . . or is it?” —Wendy Corsi Staub

Many people first encounter Hawai‘i through the imagination—a postcard picture of hula girls, lu‘aus, and plenty of sun, surf, and sea. While Hawai‘i is indeed beautiful, Native Hawaiians struggle with the problems brought about by colonialism, military occupation, tourism, food insecurity, high costs of living, and climate change. In this brilliant reinvention of the travel guide, artists, activists, and scholars redirect readers from the fantasy of Hawai‘i as a tropical paradise and tourist destination toward a multilayered and holistic engagement with Hawai‘i's culture and complex history. The essays, stories, artworks, maps, and tour itineraries in Detours create decolonial narratives in ways that will forever change how readers think about and move throughout Hawai‘i. Contributors. Hōkūlani K. Aikau, Malia Akutagawa, Adele Balderston, Kamanamaikalani Beamer, Ellen-Rae Cachola, Emily Cadiz, Iokepa Casumbal-Salazar, David A. Chang, Lianne Marie Leda Charlie, Greg Chun, Joy Lehuanani Enomoto, S. Joe Estores, Nicholas Kawelakai Farrant, Jessica Ka‘ui Fu, Candace Fujikane, Linda H. L. Furuto, Sonny Ganaden, Cheryl Geslani, Vernadette Vicuña Gonzalez, Noelani Goodyear-Ka‘ōpua, Tina Grandinetti, Craig Howes, Aurora Kagawa-Viviani, Noelle M. K. Y. Kahanu, Haley Kailiehu, Kyle Kajihiro, Halena Kapuni-Reynolds, Terrilee N. Kekoolani-Raymond, Kekuewa Kikiloi, William Kinney, Francesca Koethe, Karen K. Kosasa, N. Trisha Lagaso Goldberg, Kapulani Landgraf, Laura E. Lyons, David Uahikeaikalei‘ohu Maile, Brandy Nālani McDougall, Davianna Pōmaika‘i McGregor, Laurel Mei-Singh, P. Kalawai‘a Moore, Summer Kaimalia Mullins-Ibrahim, Jordan Muratsuchi, Hanohano Naehu, Malia Nobrega-Olivera, Katrina-Ann R. Kapā‘anaokalāokeola Nākoa Oliveira, Jamaica Heolimelekalani Osorio, No‘eau Peralto, No‘u Revilla, Kalaniua Ritte, Maya L. Kawailanaokeawaiki Saffery, Dean Itsuji Saranillio, Noenoe K. Silva, Ty P. Kāwika Tengan, Stephanie Nohelani Teves, Stan Tomita, Mehana Blaich Vaughan, Wendy Mapuana Waipā, Julie Warech