ENTERTAINMENT WEEKLY'S BEST YA OF THE DECADE NEW YORK TIMES bestseller Brand new edition of Victoria Schwab's long out-of-print, stunning debut. All-new deluxe edition of an out-of-print gem, containing in-universe short story "The Ash-Born Boy" and a never-before-seen introduction from V.E. Schwab. The Near Witch is only an old story told to frighten children. If the wind calls at night, you must not listen. The wind is lonely, and always looking for company. There are no strangers in the town of Near. These are the truths that Lexi has heard all her life. But when an actual stranger, a boy who seems to fade like smoke, appears outside her home on the moor at night, she knows that at least one of these sayings is no longer true. The next night, the children of Near start disappearing from their beds, and the mysterious boy falls under suspicion. As the hunt for the children intensifies, so does Lexi's need to know about the witch that just might be more than a bedtime story, about the wind that seems to speak through the walls at night, and about the history of this nameless boy. Part fairy tale, part love story, Victoria Schwab's debut novel is entirely original yet achingly familiar: a song you heard long ago, a whisper carried by the wind, and a dream you won't soon forget.

Mona Chollet's In Defense of Witches is a “brilliant, well-documented” celebration (Le Monde) by an acclaimed French feminist of the witch as a symbol of female rebellion and independence in the face of misogyny and persecution. Centuries after the infamous witch hunts that swept through Europe and America, witches continue to hold a unique fascination for many: as fairy tale villains, practitioners of pagan religion, as well as feminist icons. Witches are both the ultimate victim and the stubborn, elusive rebel. But who were the women who were accused and often killed for witchcraft? What types of women have centuries of terror censored, eliminated, and repressed? Celebrated feminist writer Mona Chollet explores three types of women who were accused of witchcraft and persecuted: the independent woman, since widows and celibates were particularly targeted; the childless woman, since the time of the hunts marked the end of tolerance for those who claimed to control their fertility; and the elderly woman, who has always been an object of at best, pity, and at worst, horror. Examining modern society, Chollet concludes that these women continue to be harrassed and oppressed. Rather than being a brief moment in history, the persecution of witches is an example of society’s seemingly eternal misogyny, while women today are direct descendants to those who were hunted down and killed for their thoughts and actions. With fiery prose and arguments that range from the scholarly to the cultural, In Defense of Witches seeks to unite the mythic image of the witch with modern women who live their lives on their own terms.

t’s once again time for Angel Bay’s annual Witchfest! While swarms of cosplay fanatics and costumed tourists flood the town, a coven of real witches have also arrived. It seems they have a special interest in learning the secret nature of our young angels. But the bigger threat just might be the coven’s daughters—a clique of mean girls who love drama. How far are Emmy and her fellow angels willing to go in order to protect the people and town they’ve come to call home? Dark magic sure sounds tempting. What could possibly go wrong?

The Pulitzer Prize-winning author of Cleopatra, the #1 national bestseller, unpacks the mystery of the Salem Witch Trials. It began in 1692, over an exceptionally raw Massachusetts winter, when a minister's daughter began to scream and convulse. It ended less than a year later, but not before 19 men and women had been hanged and an elderly man crushed to death. The panic spread quickly, involving the most educated men and prominent politicians in the colony. Neighbors accused neighbors, parents and children each other. Aside from suffrage, the Salem Witch Trials represent the only moment when women played the central role in American history. In curious ways, the trials would shape the future republic. As psychologically thrilling as it is historically seminal, THE WITCHES is Stacy Schiff's account of this fantastical story-the first great American mystery unveiled fully for the first time by one of our most acclaimed historians.

There is a little-known tradition of witch lore in Newfoundland culture. Those believed to have the power to influence the fortunes of others are not mythological characters but neighbours, relations, or even friends. Drawing from her own interviews and a wealth of material from the Memorial University Folklore and Language Archive, Barbara Rieti explores the range and depth of Newfoundland witch tradition, looking at why certain people acquired reputations as witches, and why others considered themselves bewitched. The tales that emerge - despite their seemingly fantastic elements of spells and black heart books, hags, and healing charms - concern everyday affairs and reveal the intense social interdependence central to outport life. Frequently featuring women, they provide fascinating new perspectives on female coping strategies in a volatile economy.By addressing the perennial human issues at the heart of witchcraft - construction of enmity and intertwined fate - these narrative accounts also illuminate older witch beliefs revealed in witchcraft trial documents. Making Witches shows that in storytelling communities with a rich legacy of witch lore, witch tradition has endured well into the twentieth century.

From the shelves of mainstream bookstores and the pages of teen magazines, to popular films and television series, contemporary culture at the turn of the twenty-first century has been fascinated with teenage identity and the presence of magic and the occult. Alongside this profusion of products and representations, a global network of teenage Witches has emerged on the margins of adult neopagan Witchcraft communities, identifying themselves through various spiritual practices, consumption patterns and lifestyle choices. The New Generation Witches is the first published anthology to investigate the recent rise of the teenage Witchcraft phenomenon in both Britain and North America. Scholars from Theology, Cultural Studies, Sociology, History and Media Studies, along with neopagan commentators outside of the academy, come together to investigate the experiences of thousands of adolescents constructing an enabling, magical identity through a distinctive practice of Witchcraft. The contributors discuss key areas of interest, inspiration and development within the teen Witch communities from the mid 1990s onward, including teenage Witches' magical practices and beliefs, gender politics, the formation and identification of communities, forums and modes of expression, media representation and new media outlets. Demonstrating the diversification and expansion of neopaganism in the twenty-first century, this anthology makes an exciting contribution to the field of Neopagan Studies and contemporary youth cultures.

In the sixteenth century and seventeenth centuries it was women who were almost exclusively persecuted as witches. However, the witch craze has been subjected to surprisingly little feminist analysis. In Lewd Women and Wicked Witches, Marianne Hester reviews and develops revolutionary feminist thinking. Accordingly, she shows how witches can be seen as victims of the oppression of a male dominated society. Concentrating on English source material, the author shows how witch-hunts may be seen as an historically specific example of male dominance. Relying on an eroticised construct of women's inferiority, they were part of the ongoing attempt by men to maintain their power over women.