Shortlisted for the Penguin Literary Prize Like fireflies to the light, Mona, Benny and Jimmy are drawn into the elegantly wasted orbit of the Crystal Ballroom and the post-punk scene of 80s Melbourne, a world that includes Nick Cave and Dodge, a photographer pushing his art to the edge. With precision and richness Kirsten Krauth hauntingly evokes the power of music to infuse our lives, while diving deep into loss, beauty, innocence and agency. Filled with unforgettable characters, the novel is above all about the shapes that love can take and the many ways we express tenderness throughout a lifetime. As it moves between the Blue Mountains and Melbourne, Sydney and Castlemaine, Almost a Mirror reflects on the healing power of creativity and the everyday sacredness of family and friendship in the face of unexpected tragedy.

Phoebe Halliwell is stunned when her latest vision involves her younger half sister, Paige. The vision reveals to her that Paige is actually an imposter who will infiltrate the Power of Three and break it apart. However, Piper is dismissive when she learns of Phoebe's concerns -- so much so that Cole and Leo end up taking sides as well. Before long, all involved are on edge. Paige senses that her sisters are acting strangely around her, so when she meets Timothy McBride, an attractive young stranger who purports to be a witch, she decides not to tell them. She wants to have something of her own, separate from her Charmed duties. Secrets are estranging the sisters from one another, and the timing isn't good. Women are turning up all over the city, dead by supernatural causes. The perpetrator may be connected to the sisters' past -- but if they can't work together, they might not be able to stop him.

To look at one was to see the other. For family, even the girls' own father, it was a constant guessing game. For strangers, the surprise was overwhelming. And for the twins Olivia and Victoria Henderson, two remarkable young women coming of age at the turn of the century, their bond was mysterious, marvelous, and often playful--a secret realm only they inhabited. Olivia and Victoria were the beloved daughters of a man who never fully recovered from his wife's death bearing them in 1893. Shy, serious Olivia, born eleven minutes before her sister, had taken over the role of mother in their lush New York estate, managing not only a household but her rebellious twin's flights of fancy. Free-spirited Victoria wanted to change the world. She embraced the women's suffrage movement and dreamed of sailing to war-torn Europe. Then, in the girls' twenty-first year, as the first world war escalated overseas, a fateful choice changed their lives forever. It began when Victoria's life was about to become a public scandal. It led to a painful decision, and brought handsome lawyer Charles Dawson into the Henderson's life and family. Hand-picked by the twins' father to save his daughter's reputation, Charles was still mourning his wife's death aboard the Titanic, struggling to raise his nine year-old son alone, determined never to lose his heart again. Charles wanted to believe that, for the sake of his son, he could make an unwanted marriage work. But in an act of deception that only Olivia and Victoria could manage, the twins took an irrevocable step, which changed both their lives forever; and took one of the twins to the battlefields of France, the other into a marriage she longed for but could not have. From Manhattan society to the trenches of war-ravaged France, Mirror Image moves elegantly and dramatically through a rich and troubled era. With startling insight, Danielle Steel explores women's choices: between home and adventure, between the love for family and the passion for a cause, between sacrifice and desire. But at the heart of Mirror Image is a fascinating, realistic portrait of identical twins, two vastly different sisters who lead their lives and follow their destinies against a vivid backdrop of a world at war.

In this awkwardly-paced thriller the future has gone amuck. A Christian group terrorizes the west. Boy Scouts are listed as a subversive hate group. Whooping cranes come back with a vengeance and are eating the Ridley turtles. The poles shift and the North Pole ends up in Libya. U.S. capitalists seek political asylum in Russia. Most Americans are in a stupor from their implanted entertainment systems/GPS locators. NASA mistakenly uses centimetres instead of astronomical units in a major space program. Some outlaw Linton clones accidentally knock a hole in the fabric of time and space. Finally a war breaks out between computers that completely gridlocks all electronic communication. Rapture comes but the massive amount of electronic noise interferes with the transmission so that most people are missed on the first try. What the future holds is unsettling and perhaps dangerously familiar! But in spite of all this, we still have the right to life, liberty and to file suit for unhappiness.

Grimms’ fairy tales, originally collected in 1812, are a timeless chronicle of the possibilities our lives all have, and the full range of human nature. The stories remain just as relevant today as when they were first published over 200 years ago. To introduce these tales to a new generation, Uzzlepye Press presents Mirror Mirrored: An Artists' Edition of 25 Grimms' Tales, a special visual edition of 25 of the stories. It includes not only almost 2,000 vintage Grimms' illustrations remixed into the book alongside the story texts, but also work from 28 contemporary artists visually reimagining these stories.

The pioneer of "literary anthropology," Wolfgang Iser presents a wide-ranging and comprehensive exploration of this new field in an attempt to explain the human need for the "particular form of make-believe" known as literature. Ranging from the Renaissance pastoral to Coleridge to Sartre and Beckett, The Fictive and the Imaginary is a distinguished work of scholarship from one of Europe's most respected and influential critics.

S. N. Eisenstadt is well known for his wide-ranging investigations of modernization, social stratification, revolution, comparative civilization, and political development. This collection of twelve major theoretical essays spans more than forty years of research, to explore systematically the bases of human action and society. Framed by a new introduction and an extensive epilogue, which are themselves important statements about processes of institutional formations and cultural creativity, the essays trace the major developments of contemporary sociological theory and analysis. Examining themes of trust and solidarity among immigrants, youth groups, and generations, and in friendships, kinships, and patron-client relationships, Eisenstadt explores larger questions of social structure and agency, conflict and change, and the reconstitution of the social order. He looks also at political and religious systems, paying particular attention to great historical empires and the major civilizations. United by what they reveal about three major dimensions of social life—power, trust, and meaning—these essays offer a vision of culture as both a preserving and a transforming aspect of social life, thus providing a new perspective on the relations between culture and social structure.