Stern's stories-witty, moving, charged with narrative energy-never sacrifice storytelling to mere elegance or bursts of essayistic wisdom. This collection demonstrates Stern's remarkable ability to portray people's flawed relationships to ideas, their sometimes bizarre relationships with lovers and friends, their often brilliant, if skewed, appraisals of themselves. The stories reflect Stern's compassion for his characters, whoever they are and whatever their origins. Book jacket.

A chance meeting in the University of North Carolina campus library in 1944 began a decades-long friendship and sixty-year correspondence. Donald Justice (1925-2004) and Richard Stern (1928-2013) would go on to become, respectively, the Pulitzer Prize-winning poet and the acclaimed novelist. A Critical Friendship showcases a selection of their letters and postcards from the first fifteen years of their correspondence, representing the formative period in both writers' careers. It includes some of Justice's unpublished poetry and early drafts of later published poems as well as some early, never-before-published poetry by Stern. A Critical Friendship is the story of two writers inventing themselves, beginning with the earliest extant letters and ending with those just following their first major publications, Justice's poetry collection The Summer Anniversaries and Stern's novel Golk. These letters highlight their willingness to give and take criticism and document the birth of two distinct and important American literary lives. The letters similarly document the influence of teachers, friends, and contemporaries, including Saul Bellow, John Berryman, Edgar Bowers, Robert Lowell, Norman Mailer, Allen Tate, Peter Hillsman Taylor, Robert Penn Warren, Eudora Welty, and Yvor Winters, all of whom feature in the pair's conversations. In a broader context, their correspondence sheds light on the development of the mid-twentieth-century American literary scene.

"Richard Stern is a literary treasure."---Scott Turow --

Stern's brilliantly funny look at modern journalism and its flawed practitioners.

The importance of Chicago in American culture has made the city's place in the American imagination a crucial topic for literary scholars and cultural historians. While databases of bibliographical information on Chicago-centered fiction are available, they are of little use to scholars researching works written before the 1980s. In The Chicago of Fiction: A Resource Guide, James A. Kaser provides detailed synopses for more than 1,200 works of fiction significantly set in Chicago and published between 1852 and 1980. The synopses include plot summaries, names of major characters, and an indication of physical settings. An appendix provides bibliographical information for works dating from 1981 well into the 21st century, while a biographical section provides basic information about the authors, some of whom are obscure and would be difficult to find in other sources. Written to assist researchers in locating works of fiction for analysis, the plot summaries highlight ways in which the works touch on major aspects of social history and cultural studies (i.e., class, ethnicity, gender, immigrant experience, and race). The book is also a useful reader advisory tool for librarians and readers who want to identify materials for leisure reading, particularly since genre, juvenile, and young adult fiction, as well as literary fiction, are included.

“Until the day of Merriwether’s departure from the house—a month after his divorce—the Merriwether family looked like an ideally tranquil one” we read on the first page of Other Men’s Daughters. It is the late 1960s, and the streets of Cambridge, Massachusetts, are full of long-haired hippies decked out in colorful garb, but Dr. Robert Merriwether, who teaches at Harvard and has been married for a good long time, hardly takes note. Learned, curious, thoughtful, and a creature of habit, Merriwether is anything but an impulsive man, and yet over the summer, while Sarah, his wife, is away on vacation, he meets a summer student, Cynthia Ryder, and before long the two have fallen into bed and in love. Richard Stern’s novel is an elegant and unnerving examination of just how cold and destructive a thing love, “the origin of so much story and disorder,” can be.

For nearly half a century, James D. Hart's Oxford Companion to American Literature has offered a matchless guided tour through American literary culture, both past and present, with brief biographies of important authors, descriptions of important literary movements, and a wealth of information on other aspects of American literary life and history from the Colonial period to the present day. In this second edition of the Concise version, Wendy Martin and Danielle Hinrichs bring the work up to date to more fully reflect the diversity of the subject. Their priorities have been, foremost, to fully represent the impact of writers of color and women writers on the field of American literature, and to increase the usefulness of the work to students of literary theory. To this end, over 230 new entries have been added, including many that cover women authors; Native American, African American, Asian American, Latino/a, and other contemporary ethnic literatures; LGBT, trans, and queer studies; and recent literary movements and evolving areas of contemporary relevance such as eco-criticism, disability studies, whiteness studies, male/masculinity studies, and diaspora studies.