Alice Notley's Alma, or The Dead Women is a cross-genre book, poem/novel, poetry/prose, comedy/tragedy, that submits to no discipline but its own and was conceived by the author in a state of personal, national and planetary grief. In this book, Alma, the true god of our world, is a foul-mouthed middle-aged working-class woman, a junkie who injects heroin into the center of her forehead and dreams and suffers our nightmares with us. With the Dead Women, a community of spirits she attracts before but especially after September 11, 2001, Alma surveys with disbelief and horror the actions of the United States government as it perpetrates one war and prepares for another.

Sex makes monkeys out of all of us. If you don’t give in to it, you wind up a cold, unfeeling bastard. If you do, you spend the rest of your life picking up the pieces. . . . At the start of senior year at William & Mary, the six-foot-tall, raven-haired beauty Victoria “Vic” Savedge finds her future mapped out in detail. She will marry Charly Harrison, the son of one of Virginia’s most prominent families. Though branded by a fiery streak of independence, Vic hasn’t really considered any other options. Until she meets a woman named Chris. A transfer from Vermont, Chris is new to Southern mores and attitudes. Though instantly captivated by Vic, she is also drawn to the entire quirky but charming Savedge family. But the young women’s friendship is not your basic college-girl variety. For neither can resist their mutual attraction–an attraction that erupts into a passion that will forever change the course of both their lives.

The House of the Dead recounts the story of Alexander Goryanchikov, a gentleman who is sent to a prison colony in Siberia for killing his wife. Largely ignored at first by his fellow inmates due to his noble blood, he gradually settles in and becomes an avid observer of the new world around him – watching his fellow prisoners being brutally and cruelly punished by the guards, listening to their past stories of blood and murder, assimilating the institution's social codes and learning that even convicts are capable of acts of pure generosity. Based on Dostoevsky's own autobiographical experiences of penal servitude in Siberia, this genre-defying novel is not only an unflinching exposé of the conditions faced by prisoners during the Tsarist period, but also a call to see the human side in criminals and rediscover the values of forgiveness and compassion.

“A wicked sharp spy novel…Equal parts Tinker Tailor Soldier Spy and Killing Eve.” –S. A. Cosby, author of Blacktop Wasteland and Razorblade Tears An exhilarating spy thriller written by an intelligence veteran about two women CIA agents whose paths become intertwined around a threat to the Russia Division--one that's coming from inside the agency. Lyndsey Duncan worries her career with the CIA might be over. After lines are crossed with another intelligence agent during an assignment, she is sent home to Washington on administrative leave. So when a former colleague--now Chief of the Russia Division--recruits her for an internal investigation, she jumps at the chance to prove herself. Lyndsey was once a top handler in the Moscow Field Station, where she was known as the "human lie detector" and praised for recruiting some of the most senior Russian officials. But now, three Russian assets have been exposed--including one of her own--and the CIA is convinced there's a mole in the department. With years of work in question and lives on the line, Lyndsey is thrown back into life at the agency, this time tracing the steps of those closest to her. Meanwhile, fellow agent Theresa Warner can't avoid the spotlight. She is the infamous "Red Widow," the wife of a former director killed in the field under mysterious circumstances. With her husband's legacy shadowing her every move, Theresa is a fixture of the Russia Division, and as she and Lyndsey strike up an unusual friendship, her knowledge proves invaluable. But as Lyndsey uncovers a surprising connection to Theresa that could answer all of her questions, she unearths a terrifying web of secrets within the department, if only she is willing to unravel it....

Selected poems from a visionary feminist poet.

Three of Austen's smaller works, worthy of reading for both pleasure and study: Lady Susan, in which a widow seeks an advantageous second marriage; and the unfinished novels The Watsons and Sandition.

From the acclaimed and award-winning author of The Hunger comes an eerie, psychological twist on one of the world's most renowned tragedies, the sinking of the Titanic and the ill-fated sail of its sister ship, the Britannic. Someone, or something, is haunting the ship. Between mysterious disappearances and sudden deaths, the guests of the Titanic have found themselves suspended in an eerie, unsettling twilight zone from the moment they set sail. Several of them, including maid Annie Hebley, guest Mark Fletcher, and millionaires Madeleine Astor and Benjamin Guggenheim, are convinced there's something sinister--almost otherwordly--afoot. But before they can locate the source of the danger, as the world knows, disaster strikes. Years later, Annie, having survived that fateful night, has attempted to put her life back together. Working as a nurse on the sixth voyage of the Titanic's sister ship, the Britannic, newly refitted as a hospital ship, she happens across an unconscious Mark, now a soldier fighting in World War I. At first, Annie is thrilled and relieved to learn that he too survived the sinking, but soon, Mark's presence awakens deep-buried feelings and secrets, forcing her to reckon with the demons of her past--as they both discover that the terror may not yet be over. Brilliantly combining the supernatural with the height of historical disaster, The Deep is an exploration of love and destiny, desire and innocence, and, above all, a quest to understand how our choices can lead us inexorably toward our doom.