This book chronicles the deliverance of a young woman--who lived in Detroit, Michigan--from the clutches of Satan and witchcraft as Jesus Christ became more real to her than life itself. She always knew she had psychic abilities and thought the use of it in witchcraft was the right way, but God opened her eyes to see that gifts and callings are without repentance from God. He made her and gifted her uniquely for a specific purpose of deliverance for herself and others through the Word of God. Alleys of your Mind delves into the nooks and crannies of our minds that hold the silent thoughts, the unkempt, forgotten, damp, and dark places, those back-and-forth places of sin that we do not discuss or share with others or ever hope they find out about us. The author desires to "save with fear while pulling them out of the fire, hating even the garment stained by the flesh" (Jude 23 MEV). The book unfolds as she travels across the Pacific and Atlantic Oceans in search of a better life and freedom from past hurts to fall into the arms of Jesus Christ while living in a pagan and foreign land. Sometimes, God must take us from what we know to places that are unknown to capture the heart and the alleys of the mind for his glory!

It is said that by thought, we attract the thing. By taking action, we receive the thing. We decide what our thoughts should be. As a man thinks in his heart, so is he (Prov. 23:7). The book encourages us to think using the mind of God (Phil 2:5). Thinking with the mind of God makes success inevitable because God knows all things. The book encourages readers to let go of many things, including the past. But to never give up on the power of believing in oneself. Readers are encouraged to allow their higher self to control the inner conversations. Many people rent out their mind to sources void of credibility but get no compensation in return. Furthermore, they have no “rental clause” to protect them from their mind being highjacked. More often than not, even if their mind is returned to them, it is under the control of envy, jealousy, fear, worry, and “can’t do.” Before the mind is returned to its original owner, it would have forged an intimate relationship with “lack,” “procrastination,” and “the past.” Who is controlling your mind?

The groundbreaking Audio Culture: Readings in Modern Music (Continuum; September 2004; paperback original) maps the aural and discursive terrain of vanguard music today. Rather than offering a history of contemporary music, Audio Culture traces the genealogy of current musical practices and theoretical concerns, drawing lines of connection between recent musical production and earlier moments of sonic experimentation. It aims to foreground the various rewirings of musical composition and performance that have taken place in the past few decades and to provide a critical and theoretical language for this new audio culture. This new and expanded edition of the Audio Culture contains twenty-five additional essays, including four newly-commissioned pieces. Taken as a whole, the book explores the interconnections among such forms as minimalism, indeterminacy, musique concrète, free improvisation, experimental music, avant-rock, dub reggae, ambient music, hip hop, and techno via writings by philosophers, cultural theorists, and composers. Instead of focusing on some "crossover" between "high art" and "popular culture," Audio Culture takes all these musics as experimental practices on par with, and linked to, one another. While cultural studies has tended to look at music (primarily popular music) from a sociological perspective, the concern here is philosophical, musical, and historical. Audio Culture includes writing by some of the most important musical thinkers of the past half-century, among them John Cage, Brian Eno, Ornette Coleman, Pauline Oliveros, Maryanne Amacher, Glenn Gould, Umberto Eco, Jacques Attali, Simon Reynolds, Eliane Radigue, David Toop, John Zorn, Karlheinz Stockhausen, and many others. Each essay has its own short introduction, helping the reader to place the essay within musical, historical, and conceptual contexts, and the volume concludes with a glossary, a timeline, and an extensive discography.

The Quantification of Bodies in Health aims to deepen understanding of the quantification of the body and of the role of self-tracking practices in everyday life. It brings together authors working at the intersection of philosophy, sociology, history, psychology, and digital culture.

This book examines the crucial role of psychoanalysis in understanding what AI means for us as speaking, sexed subjects. Drawing on Lacanian theory and recent clinical developments it explores what philosophy and critical theory of AI has hitherto neglected: enjoyment. Through the reconceptualization of Intelligence, the Artificial Object and the Sexual Abyss the book outlines the Sexbot as a figure who exists on the boundary of psychoanalysis and AI. Through this figure and the medium of film, the author subverts Kant’s three Enlightenment questions and guides readers to transition from asking 'Does it think?' to 'Can it enjoy?' The book will appeal in particular to students and scholars of psychoanalysis, philosophy, film and media studies, critical theory, feminist theory and AI research.