In a world of increasingly strident identity politics, a theological approach, claiming no more than the outworking of subjectivist sentiment, offers no remedy. What if a key factor in this predicament is a misrepresentation of the operation of metaphor? This acknowledged building-block of language looks set to become a mere component of the wearer's spectacles. The consequences for theology, philosophy, literature, and even the sciences are yet to be charted. This book takes readers on a journey to the Land of Oz and asks whether our culture, while discarding past errors, can reconnect with the spiritual bonds that underpin language, truth in its various forms, and identity. Companions on the road are Dorothy and her friends, Sallie McFague and the Wizard, Paul Ricœur and C. S. Lewis, and others.

Examining those medieval texts which were extant for sixteenth-century use and reading, Professor Tuve attempts to discover how certain writers at a given time and for reasons we can trace read the allegorical books of the Middle Ages. Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Isabel MacCaffrey contends that, in allegory, the mind makes a model of itself, and she shows that The Faerie Queene, mirroring as it does the mind's structure, is both a treatise on and an example of the central role that imagination plays in human life. Viewing the poem as a model of Spenser's universe, the author investigates the poet's theory of knowledge and the role of imagination in the construction of cosmic models. She begins with a survey of theories of the imagination and the creation of fictions, establishing a context in which allegorical images may be understood throughout the European allegorical tradition to which The Faerie Queene belongs. Isabel MacCaffrey's new readings show that insofar as Spenser's poem concerns modes of knowledge, it offers the reader an anatomy of its own composition, an analysis of imagination in its varied relations to the world. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The extraordinary range of photography from South Asia dates back to the official birth of the mediumin the mid-19th century. One of the first exhibitions of its kind in North America, Allegory & Illusion offers an intimate survey of vintage images from the modern nations of India, Sri Lanka, Burma, and Nepal. Together, they established a unique regional history of photography through both foreign and local practitioners. The photographs, drawn exclusively from the private collection of Mr. E. Alkazi, Chairman, Alkazi Foundation for the Arts, have been curated to explore the linked fields of portraiture, figuration, and inter-visual communication. This volume, produced in conjunction with the exhibition, presents the works of some of the leading photographers and studios of the time, namely Felice Beato, Bourne & Shepherd, Johnston & Hoffmann, Gobind Ram & Oodey Ram, Darogah Abbas Ali, Raja Deen Dayal and Shapur Bhedwar. The three lead essays, together with photographer biographies and techniques, present varied perspectives on photographys development of a unique vernacular culture. Ethnography, identity, integration, and assimilation are therefore some of the key notions that underlie practices of portraiture and domesticating spacereordering how an image may be perceived in our digital present.

Allegory in America surveys the history of American allegorical writing from the Puritans through the period of American romanticism to postmodernism. In a series of theoretical chapters the cultural function of allegory is discussed in relation to the mythology of American exceptionalism. Each theoretical chapter is followed by a chapter that analyzes a specific text or group of texts. Allegorical indeterminacy is seen to produce a literary tradition that both represents and subverts the ideals of American orthodoxy.

First published in 1997, Reinventing Allegory asks how and why allegory has survived as a literary mode from the late Renaissance to the postmodern present. Three chapters on Romanticism, including one on the painter J. M. W. Turner, present this era as the pivotal moment in allegory's modern survival. Other chapters describe larger historical and philosophical contexts, including classical rhetoric and Spenser, Milton and seventeenth-century rhetoric, Neoclassical distrust of allegory, and recent theory and metafiction. By using a series of key historical moments to define the special character of modern allegory, this study offers an important framework for assessing allegory's role in contemporary literary culture.

A physician-anthropologist explores how public health practices--from epidemiological modeling to outbreak containment--help perpetuate global inequities. In Epidemic Illusions, Eugene Richardson, a physician and an anthropologist, contends that public health practices--from epidemiological modeling and outbreak containment to Big Data and causal inference--play an essential role in perpetuating a range of global inequities. Drawing on postcolonial theory, medical anthropology, and critical science studies, Richardson demonstrates the ways in which the flagship discipline of epidemiology has been shaped by the colonial, racist, and patriarchal system that had its inception in 1492. Deploying a range of rhetorical tools and drawing on his clinical work in a variety of epidemics, including Ebola in West Africa and the Democratic Republic of Congo, leishmania in the Sudan, HIV/TB in southern Africa, diphtheria in Bangladesh, and SARS-CoV-2 in the United States, Richardson concludes that the biggest epidemic we currently face is an epidemic of illusions—one that is propagated by the coloniality of knowledge production.