This is a theoretical study of human metamorphosis in Western literature.

Allegories of Writing presents the first full synthesis of allegory theory and literary metamorphosis. It examines the leading themes and the literary transformations of metamorphic narratives. By applying current theories of the text and the subject to metamorphic tales from Homer, Plato, and Apuleius to Keats, Kafka, and Calvino, this book recovers the critical force of metamorphosis in secular Western literature. The author clarifies the cultural history of literary metamorphosis from the perspective of allegory theory. At the core of the study are the connections among Plato's Phaedrus, Apuleius's Golden Ass, Shakespeare's A Midsummer Night's Dream, and Keats's Lamia. Other primary texts are arranged around this core by their significant participation in the ironic literary deployment of metamorphic devices.

"Humanists and social scientists alike will profit from reflection on the efforts of the contributors to reimagine anthropology in terms, not only of methodology, but also of politics, ethics, and historical relevance. Every discipline in the human and social sciences could use such a book."--Hayden White, author of Metahistory

In an updated edition of his hugely successful student introduction to English literature from 1100 to 1500, J. A. Burrow takes account of scholarly developments in the the field, most notably devoting a final chapter to the impact of historicism on medieval studies. Full of information and stimulating ideas, and a pleasure to read, Burrow's book deals with circumstances of composition and reception, the main genres, 'modes of meaning' (allegory etc.), and medieval literature's afterlife in modern times. It shows that the literature of authors such as Chaucer, Gower, and Langland is more readily accessible than usually imagined, and well worth reading too. By placing medieval writers in their historical context - the four centuries between the Norman Conquest and the Renaissance - Professor Burrow explains not only how they wrote, but why.

Wolf Totem and the Post-Mao Utopian by Li Xiaojiang explores the controversial best-selling novel by the political economist Jiang Rong as an allegory of utopia through discussion of an encyclopaedic range of scholarship in the humanities and social sciences that offer thinking on topics introduced in the novel. In promoting the significance of utopian thought, Li stresses that the term for her study, “post-utopian criticism,” is not the same as anti-utopian criticism, but an analytical approach to criticism in order to addresses the shortcomings of postmodern and postcolonial theories applied to contemporary China, and to open up interpretive space for the specific historical experience of its people and its utopian ideals.