The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.

Traces the development of allegory in the European and American tradition from antiquity to the modern era.

Holy Scripture requires holy reading. Encounter an ancient but fresh way of reading the Bible. Learn from Augustine, Anselm of Canterbury, Bernard of Clairvaux, and others. Experience a structured and simple way to focus on Christ, listen to the Spirit, and rest in God's love. Jesus is the point of reading the Bible. Christians read Scripture to encounter Christ and be conformed to his image. Scripture is no mere human text; it is God's living word. So how should we read it? For Christians throughout the centuries, the answer has been lectio divina—"divine reading." em Lectio divina is a sacramental reading. It aims to take us more deeply into the life of God. Through practicing the four movements of emlectio divina—attentive reading, extended meditation, prayerful reflection, and silent resting—we have a structured and simple way to focus on Christ, listen to the Spirit, and rest in God's love. We no longer simply read the words of Scripture; instead, we read the face of God in the eternal Word.

The ancient Greek romances of Achilles Tatius and Heliodorus were widely imitated by early modern writers such as Miguel de Cervantes, Philip Sidney, and Mary Wroth. Like their Greek models, Renaissance romances used ekphrasis, or verbal descriptions of visual representation, as a tool for characterization. The Emblematics of the Self shows how the women, foreigners, and non-Christians of these tales reveal their identities and desires in their responses to the ‘verbal pictures’ of romance. Elizabeth B. Bearden illuminates how ‘verbal pictures’ enliven characterization in English, Spanish, and Neolatin romances from 1552 to 1621. She notes the capacity for change among characters — such as cross-dressed Amazons, shepherdish princesses, and white Mauritanians — who traverse transnational cultural and aesthetic environments. Engaging and rigorous, The Emblematics of the Self breaks new ground in understanding hegemonic and cosmopolitan European conceptions of the ‘other,’ as well as new possibilities for early modern identities, in an increasingly global Renaissance.

Central to the Christian mystical tradition is the inspired work of the anonymous author of The Cloud of Unknowing. Rich with insights and perceptions of the obscurity and “unknowability” of God, this work reveals God as being on an entirely different plane of existence from human beings—so different that time-bound human language is inadequate to describe God exhaustively or accurately. Intellect and emotion both fail in seeking God, who can only be encountered by rejecting all common earthly means in a “cloud of forgetting” and the discovery of Godself in the dark “cloud of unknowing” that can be pierced only with a “lance of longing love.” Now, we finally have a translation that captures all of this beauty and complexity, without minimizing the nuances, all of which are explained with extensive introductions and accompanying notes. "If I could keep with me only two books and a journal, this book would be one of the books. As far as I’m concerned it’s the most important book (and among the most influential) on Christian prayer in the last two millennia. I'm delighted to endorse this fine new translation and commentary.”—The Rev. Dr. Chris Neufeld-Erdman, University Presbyterian Church, Fresno, CA , author of Beyond Chaos: Living the Christian Family in a World Like Ours and Returning to the Center: Living Prayer in a Distracting World "The Complete Cloud of Unknowing includes two classics of medieval Christian contemplative spirituality — essential reading for anyone seeking to deepen their relationship with God through the practice of silent prayer. They are rich texts, full of nuanced wisdom that often gets lost in modern translations. Father John-Julian has captured the beauty, humor and literary elegance of the original versions, but also has supplemented his translation with detailed notes that convey the subtle spiritual insight that makes these works required reading. I'm excited about this book — it's a title I will recommend both to beginners and to longstanding students of The Cloud.” —Carl McColman, author of Answering the Contemplative Call and The Lion, the Mouse and the Dawn Treader

England's Insular Imagining is vital reading for anyone interested in British nationhood. It shows how the English used Geoffrey of Monmouth's mythical 'British History' (1137) first to justify an attempted Scottish conquest, then to make Scotland's nationhood vanish in new literary, legal and cartographic figurations of English sea-sovereignty.