Presents a collection of the author's daily love haikus, paired with his own photographs.

Eddie Robson's Drunk on All Your Strange New Words is a locked room mystery in a near future world of politics and alien diplomacy. Lydia works as translator for the Logi cultural attaché to Earth. They work well together, even if the act of translating his thoughts into English makes her somewhat wobbly on her feet. She’s not the agency’s best translator, but what else is she going to do? She has no qualifications, and no discernible talent in any other field. So when tragedy strikes, and Lydia finds herself at the center of an intergalactic incident, her future employment prospects look dire—that is, if she can keep herself out of jail! But Lydia soon discovers that help can appear from the most unexpected source... At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

I'll be your deep breath, I'll be your simple relief. I'll be home to you. Every day for the past six years, Tyler Knott Gregson has written a simple haiku about love and posted it online. These heartfelt poems have spoken to readers around the world, and won Tyler a large and loyal following. Now, in All the Words Are Yours - the follow-up to the US bestseller Chasers of the Light - this startlingly honest, vulnerable and moving new voice presents his favourites among those haiku. Some are previously unpublished; all are accompanied by his signature photographs, reproduced in gorgeous full colour. Together, they capture the textures of daily life and extraordinary love through the eyes of a man truly present in each moment.

If you read one book about writing every week for a year, what would you learn? Thanks to the self-publishing revolution and events like National Novel Writing Month, the genre of writing craft books has exploded in recent years. Book editor Kristen Tate set out to read and review one writing advice book each week for a year, from classics like E. M. Forster’s Aspects of the Novel and Anne Lamott’s Bird by Bird to newer works like Jane Alison’s Meander, Spiral, Explode and Jessica Brody’s Save the Cat! Writes a Novel. What she discovered was a dizzying array of approaches to writing: plotters who know even the smallest details about characters before they write a word; pantsers who blithely dive right into a draft without a plan; anti-adverb crusaders and advocates for complex sentences; and, always, that the best way to learn is to read the kinds of books you want to write. All the Words is also a meditation on the challenges and pleasures of starting and sustaining a weekly practice of reading, thinking, and writing. It’s an optimistic, encouraging book that will motivate you to keep reading and, most importantly, keep writing.

In this “urgently relevant”* collection featuring the landmark essay “The Case for Reparations,” the National Book Award–winning author of Between the World and Me “reflects on race, Barack Obama’s presidency and its jarring aftermath”*—including the election of Donald Trump. New York Times Bestseller • Finalist for the PEN/Jean Stein Book Award, the Los Angeles Times Book Prize, and the Dayton Literary Peace Prize Named One of the Best Books of the Year by The New York Times • USA Today • Time • Los Angeles Times • San Francisco Chronicle • Essence • O: The Oprah Magazine • The Week • Kirkus Reviews *Kirkus Reviews (starred review) “We were eight years in power” was the lament of Reconstruction-era black politicians as the American experiment in multiracial democracy ended with the return of white supremacist rule in the South. In this sweeping collection of new and selected essays, Ta-Nehisi Coates explores the tragic echoes of that history in our own time: the unprecedented election of a black president followed by a vicious backlash that fueled the election of the man Coates argues is America’s “first white president.” But the story of these present-day eight years is not just about presidential politics. This book also examines the new voices, ideas, and movements for justice that emerged over this period—and the effects of the persistent, haunting shadow of our nation’s old and unreconciled history. Coates powerfully examines the events of the Obama era from his intimate and revealing perspective—the point of view of a young writer who begins the journey in an unemployment office in Harlem and ends it in the Oval Office, interviewing a president. We Were Eight Years in Power features Coates’s iconic essays first published in The Atlantic, including “Fear of a Black President,” “The Case for Reparations,” and “The Black Family in the Age of Mass Incarceration,” along with eight fresh essays that revisit each year of the Obama administration through Coates’s own experiences, observations, and intellectual development, capped by a bracingly original assessment of the election that fully illuminated the tragedy of the Obama era. We Were Eight Years in Power is a vital account of modern America, from one of the definitive voices of this historic moment.

"Walter Abish has dovetailed his novel within a Procrustean scheme that has the terrifying and irrefutable logic of the alphabet. Alphabetical Africa is in the line of writers such as Raymond Roussel, Raymond Queneau, Georges Perec and Harry Mathews, who have used constrictive forms to penetrate the space on the other side of poetry." -- John Ashbery