A Situationist International roman à clef, written by Guy Debord's first wife, a founder of the movement and one of its influential thinkers. “What do you do, exactly? I have no idea.” “I reify,” he answered. “It's a serious job,” I added. “Yes, it is,” he said. “I see,” Carol observed with admiration. “Serious work, with big books and a big table cluttered with papers.” “No,” said Gilles. “I walk. Mostly I walk.”—from All the King's Horses Michèle Bernstein's novel, All the King's Horses (1960), is one of the odder and more elusive, entertaining, and revealing documents of the Situationist International. At the instigation of her first husband, Guy Debord, Bernstein agreed to write a potboiler to help swell the Situationist International's coffers. When she objected to the idea of practicing a “dead art,” Debord suggested that it would be instead be détournement—the Situationist reuse of media toward different, subversive, ends. Inspired by the pseudo-scandalous success of Roger Vadim's filmed version of Choderlos de Laclos's Les Liaisons dangereuses and the adolescent Françoise Sagan's bestselling novel Bonjour tristesse, Bernstein lampooned and borrowed from both Sagan and de Laclos, concocting a roman à clef that succeeded on several levels. A moneymaker for the most radical front of the French avant-garde, the novel (by its very success) demonstrated the bankruptcy of contemporary French letters and the Situationist contempt for the psychological novel, while (perhaps unintentionally) holding up a playful mirror to the private lives of two of the Situationist International's most important members.All the King's Horses is a slippery rewrite of Dangerous Liaisons with Debord playing the role of cold libertine, Bernstein as his cohort, and disguised walk-on roles by the likes of the painter Asger Jorn and others. Though Greil Marcus sparked interest in this novel in his 1989 book Lipstick Traces, All the King's Horses remained unavailable until its 2004 republication in France. This Semiotext(e) edition is its first translation into English.

When Elvis Presley decided he wanted to buy a horse in 1966, he didn't want just any horse. "He wanted a Golden Palomino," Priscilla Presley remembers. "He would get up at 3:00 in the morning, go to certain farms and ranches and say, 'Do you have a Golden Palomino for sale?' People would say, 'That was Elvis Presley!" Elvis's legendary love of horses drove him to find the Golden Palomino who would become his beloved companion Rising Sun, and to fill Graceland's stables and Circle G Ranch with horses for family and friends to ride. In the first-ever book dedicated to Elvis's equestrian side, horse lovers Kimberly Gatto and Victoria Racimo share rare stories, interviews, and photographs that shed light on the beautiful, quiet life the King lived when he was with his horses.

Traces the history of the Clydesdale horse and depicts the training of Clydesdales at the Anheuser-Busch breeding facility

"Experience the magical world of Irish storytelling where many remarkable characters await you: a king with a mysterious secret, brave warriors famous for their strength, a clever leprechaun who outwits humans, and many more"--Front dust jacket flap.

Lord Artos is on a historic quest - to search out the finest black horses ever known to man. He has vowed to drive the invading Saxons out of Britain, and he needs big, strong, powerful horses to carry his army into battle. Galwyn, a young Roman-Celt, leaps at the chance to accompany the group, little guessing the adventure ahead of him - or the price he will have to pay for his loyalty...

Since 1066 there have been 42 monarchs in Britain, each with their individual tastes and styles of government, yet the one thing which has always linked them is an overriding fascination and love of horses, from their use in war and pageantry to sport and leisure. Henry VIII and Elizabeth I bred horses at Hampton Court to race and imported stallions and mares from North Africa and the Middle East. James I and Charles I expanded the importation of Barb and Arab blood, and though Oliver Cromwell prohibited racing, the studs and racetracks of the Restoration were able to continue to produce some of the finest horses in the world. Amanda Murray's intriguing and comprehensive study offers a new history of the British royal family told through the fascinating and often surprising story of 'The Sport of Kings'. Discover how the side saddle was introduced, how horsemanship has always worked hand in hand with architecture, Queen Victoria's many and impressive achievements as a breeder, as well as countless other tales of the heroes and villains of horse-racing and breeding.