Haida Gwaii, the ancient territory of the Haida people, is a West Coast archipelago famous for its wild beauty and rich species diversity. But that natural bounty, since European contact, has also been a magnet for industry. In the mid-1970s, the Haida rallied with environmentalists to end the rapacious logging of their monumental old-growth forests—and to reassert their title and rights to their homeland. Combining first-person accounts with his own vivid prose, Ian Gill traces the struggle from its early days. The battle became epic, stretching from the backwoods of British Columbia to the front benches of Canada’s parliament and uniting a colourful cast of characters. There were many setbacks, but also amazing victories, including the creation of Gwaii Haanas, a world-renowned protected area, and landmark legal decisions. Perhaps the fiercest champion of the Haida’s visionary new stewardship ethic has been Guujaaw—artist, orator, strategist and four-term president of the Council of the Haida Nation. In 2004, the Haida laid claim to their entire traditional territory: the land, seabed and waters of Haida Gwaii. It was an audacious move, and one that set a benchmark for indigenous rights around the world. In telling this incredible story of political and cultural renaissance, Ian Gill has crafted a gripping, ultilayered narrative with far-reaching reverberations.

Haida Gwaii, also known as the Queen Charlotte Islands, is the Galapagos of the north. Famous for their wild beauty, the islands are also the ancient homeland of the Haida Nation. Integral to Haida culture is the relationship to the land, and the Haidas have spent many years trying to protect and recover control of it. Under the leadership of Giindajin Haawasti Guujaaw, the visionary artist, drummer, and orator, the Haida blockaded loggers, joined forces with environmentalists, lobbied political leaders, and in 2004 filed suit against the Canadian government, laying claim to their entire traditional territory. Ian Gill captures the excitement of the Haida struggle and their passion for their culture. He also reveals the making of an artist and political activist: Guujaaw’s audacity, eloquence, tactical skills, and deep knowledge of his homeland place him at the heart of this riveting story, and this book reveals his extraordinary role in it.

From acclaimed author Dinaw Mengestu, a recipient of the National Book Foundation’s 5 Under 35 award, The New Yorker’s 20 Under 40 award, and a 2012 MacArthur Foundation genius grant, comes an unforgettable love story about a searing affair between an American woman and an African man in 1970s America and an unflinching novel about the fragmentation of lives that straddle countries and histories. All Our Names is the story of two young men who come of age during an African revolution, drawn from the safe confines of the university campus into the intensifying clamor of the streets outside. But as the line between idealism and violence becomes increasingly blurred, the friends are driven apart—one into the deepest peril, as the movement gathers inexorable force, and the other into the safety of exile in the American Midwest. There, pretending to be an exchange student, he falls in love with a social worker and settles into small-town life. Yet this idyll is inescapably darkened by the secrets of his past: the acts he committed and the work he left unfinished. Most of all, he is haunted by the beloved friend he left behind, the charismatic leader who first guided him to revolution and then sacrificed everything to ensure his freedom. Elegiac, blazing with insights about the physical and emotional geographies that circumscribe our lives, All Our Names is a marvel of vision and tonal command. Writing within the grand tradition of Naipul, Greene, and Achebe, Mengestu gives us a political novel that is also a transfixing portrait of love and grace, of self-determination and the names we are given and the names we earn. This eBook edition includes a Reading Group Guide.

A brilliantly brain-warping thriller and a love story that leaps back and forth in time – All Our Yesterdays is an amazing first novel, perfect for fans of The Hunger Games. Em is locked in a bare, cold cell with no comforts. Finn is in the cell next door. The Doctor is keeping them there until they tell him what he wants to know. Trouble is, what he wants to know hasn't happened yet. Em and Finn have a shared past, but no future unless they can find a way out. The present is torture – being kept apart, overhearing each other's anguish as the Doctor relentlessly seeks answers. There's no way back from here, to what they used to be, the world they used to know. Then Em finds a note in her cell which changes everything. It's from her future self and contains some simple but very clear instructions. Em must travel back in time to avert a tragedy that's about to unfold. Worse, she has to pursue and kill the boy she loves to change the future . . .