The birth of rock 'n roll ignited a firestorm of controversy--one critic called it "musical riots put to a switchblade beat"--but if it generated much sound and fury, what, if anything, did it signify? As Glenn Altschuler reveals in All Shook Up, the rise of rock 'n roll--and the outraged reception to it--in fact can tell us a lot about the values of the United States in the 1950s, a decade that saw a great struggle for the control of popular culture. Altschuler shows, in particular, how rock's "switchblade beat" opened up wide fissures in American society along the fault-lines of family, sexuality, and race. For instance, the birth of rock coincided with the Civil Rights movement and brought "race music" into many white homes for the first time. Elvis freely credited blacks with originating the music he sang and some of the great early rockers were African American, most notably, Little Richard and Chuck Berry. In addition, rock celebrated romance and sex, rattled the reticent by pushing sexuality into the public arena, and mocked deferred gratification and the obsession with work of men in gray flannel suits. And it delighted in the separate world of the teenager and deepened the divide between the generations, helping teenagers differentiate themselves from others. Altschuler includes vivid biographical sketches of the great rock 'n rollers, including Elvis Presley, Fats Domino, Chuck Berry, Little Richard, Jerry Lee Lewis, and Buddy Holly--plus their white-bread doppelgangers such as Pat Boone. Rock 'n roll seemed to be everywhere during the decade, exhilarating, influential, and an outrage to those Americans intent on wishing away all forms of dissent and conflict. As vibrant as the music itself, All Shook Up reveals how rock 'n roll challenged and changed American culture and laid the foundation for the social upheaval of the sixties.

The King of Rock ’n’ Roll lives! And he’s Josh’s dad. When 13-year-old Josh finds out that he has to stay with his dad in Chicago for a few months, he’s not too thrilled. But when he arrives at the airport, he’s simply devastated. His father—who used to be a scatterbrained but pretty normal shoe salesman—has become . . . Elvis. Well, a sideburnwearing, hip-twisting, utterly-embarrassing Elvis impersonator. Josh is determined to keep his dad’s identity a secret, but on his very first day at his new school, a note appears on his locker. It’s signed Elvisly Yours, and instead of a name, a sneering purple smiley face. The secret is out, and when his dad is invited to perform at a special 50s concert at his school, Josh is forced to take drastic action. From award-winning author Shelley Pearsall comes a hilarious novel about discovering the important (and sometimes painful) difference between who you want to be—and who you really are. “Alternately wry, silly, thoughtful and laugh-out-loud funny.”—BookPage

This Illustrated Limited Edition hardback book provides an insight into the unique journey of one of the most significant cultural icons of the 20th century Elvis Presley Follow the authoritative text charting the career of the man they call the King of Rock and Roll . We follow Presley from his carefree beginnings at Sun records to global ......

A Man With a Past When an unexpected inheritance sends J.D. Carver to the Star Lake Lodge to claim his half, he's expecting trouble. Being greeted with open arms by the whole Lawrence gang—feisty Aunt Sophie and calm Uncle Ben, clearly off-limits Dru and her young son, Tate—just convinces him they're working an angle, and he's determined to uncover it. But a tiny part of him longs for the home-and-hearth life they have. A Woman With a Reputation Dru's finally beaten her bad-girl reputation, and though the Lodge may not be exciting, she's fiercely protective of her quiet home. Hard-eyed J.D.'s ability to push all her buttons just proves how wrong he is for her. So why does her son hero-worship the guy? And why does her heart clench when he gets that "nose pressed against the candy shop window" look on his face?

Examines the life of Elvis Presley, focusing on the influence his music had on popular culture.

Earthquakes, nuclear accidents, and floods were among the many unexpected tragedies that struck the Soviet Union over its history. Requiring the immediate mobilization of vast resources and aid, and embedded within a specific context and time, these catastrophes provide critical insights into the nature of the twentieth-century Communist state. All Shook Up takes a close look at the representation in film, the political repercussions, and the social opportunities of large-scale catastrophes in separate Soviet epochs, including the 1927 earthquake in the Crimean peninsula, the 1948 earthquake in Ashgabat, the Tashkent earthquake in 1966, the Chernobyl explosion in 1986, and the Armenian earthquake in 1988. Juxtaposing various disaster responses and demonstrating the ways both Soviet authorities and citizens molded them to their own cultural needs, Nigel Raab highlights the radical shifts in disaster policy from one leader to the next. Given the opportunity to act outside regular parameters, Soviet residents not only rebuilt their devastated cities, but also experimented with new values and crafted their own worldview while the state struggled to return the situation to normal. Based on archival research conducted in Russia and Ukraine, All Shook Up fills a gap in a global literature and challenges stereotypical representations of the Soviet Union as a monolithic state.