It was supposed to be a relaxing vacation. Even though he can't spend time in the warm waters of Belize, policeman Conrad Bishop is happy to spend time with his girlfriend, Amber, at a private beachfront home in Nantucket. After a tranquil evening walking the beach, Conrad wakes at 3:00 AM, turns on the television, and hears a disturbing news report about a deadly influenza plague-the direct result of a terrorist attack on the United States. Rushing into his bedroom, he finds his girlfriend unconscious and suffering from a high fever. When he tries to take her to the hospital, the town is in a panic. Cars clog the road, and he's forced to return to the beach house. Amber never regains consciousness, and by that evening, she is dead. Grief stricken, Bishop is suddenly thrust into a world that changes by the minute. Terrorists attack every major city in the United States with car bombs and invade American embassies overseas. With a small group of survivors, Conrad struggles to stay alive. His fight will take him to the very steps of the White House and have him waging a valiant crusade to keep a dying nation alive.

From Jules Verne to the Jetsons, from a 500-passenger flying wing to an anti-aircraft flying buzz-saw, the vision of the future as seen through the eyes of the past demonstrates the play of the American imagination on the canvas of the future.

How the communist revolution failed, presented in a series of catastrophes. The communist project in the twentieth century grew out of utopian desires to oppose oppression and abolish class structures, to give individual lives collective meaning. The attempts to realize these ideals became a series of colossal failures. In Yesterday's Tomorrow, Bini Adamczak examines these catastrophes, proceeding in reverse chronological order from 1939 to 1917: the Hitler-Stalin Pact, the Great Terror of 1937, the failure of the European Left to prevent National Socialism, Stalin's rise to power, and the bloody rebellion at Kronstadt. In the process, she seeks a future that never happened.

Recipient of the Hugo and Nebula Awards for his writing, Barry Longyear flexes his creative and comic chops in Yesterday’s Tomorrow. In these true stories, Longyear wanders from scenic Maine backdrops to the smoky hum of backwoods Twelve Step meetings, all while dissecting why some recoveries don’t come naturally—and why it’s okay to let down our guard and laugh. Recovery is one hell of a roller coaster. It twists and plummets, upending our stomachs, while some maniac cackles hysterically in the front car. What’s so damn funny? Besides our stomach’s contents, what are we missing? Truth is, while we all sit anxiously awaiting that next drop, Barry Longyear is enjoying the wild ride. An award-winning author and proprietor of the Life Sucks Better Clean blog, Barry has been on recovery’s ride for a while now. He understands the importance of stupid questions and sarcastic responses. He’s honest to the point of embarrassment. And he has real problems: with friends, with self-ordained recovery police, and with the god of his childhood. But he also has a strong recovery full of laughter. Despite all its ups and downs, your recovery, too, can be a good one.

Yesterday's Tomorrow is a valentine to an era of optimism, relaxed lifestyle, and innovative design; a large-format, general audience book, illustrated with rarely seen art and photography of the mid-20th century reflecting the unique style that Walt Disney and his artists contributed to the era. If you've seen Sleeping Beauty, read Dwell Magazine, shopped at Design Within Reach, or watched Mad Men, this book is for you and all those who love this extraordinary era of Disney.

2012 was a year of financial crises and ecological disasters, of endings and forebodings. The world did not end on December 21st as the Mayan calendar predicted, but became the stage for new beginnings, utopian communities, protest groups and solidarity movements. The essays in this book form an intertextual space for negotiating meaningful facts and fictions with an aim to understanding the present. Discussions focus on utopia and dystopia from literature and film, not only within the framework of science fiction but also critical theory, gender politics and social sciences. The authors of these essays are international academics whose interest lies in utopian studies and who attended the 13th International Conference of Utopian Studies, “The Shape of Things to Come”, held in Tarragona, Spain, in 2012.