One summer, a young woman travels with her lover to the isolated tobacco farm he has inherited after his family dies in a terrible accident. As Orren works to save his family farm from drought, Aloma struggles with the loneliness of farm life and must find her way in a combative, erotically-charged relationship with a grieving, taciturn man. A budding friendship with a handsome and dynamic young preacher further complicates her growing sense of dissatisfaction. As she considers whether to stay with Orren or to leave, she grapples with the finality of loss and death, and the eternal question of whether it is better to fight for freedom or submit to love. All the Living has the timeless quality of a parable, but is also a perfect evocation of a time and place, a portrait of both age-old conflicts and modern life. It is an ode to the starve-acre Southern farm, the mountain landscape, and difficult love. In her lyrical and moving debut novel, C.E. Morgan recalls both the serenity of Marilynne Robinson and the shifting emotional currents and unashamed eroticism of James Salter. It is an unforgettable book from a major new voice.

They want what they suspect I have.' 'What?' Lester's eyes were wide, his voice barely a whisper. 'Life.' The first born son of Adam and Eve...is still alive. He has one week to reveal his secrets to his best friend, Lester, before he moves to the Middle East for one final divine task. But with a ruthless secret society of shadowy evil, known as the Lightmen, closing in, time is in desperately short supply. In order to survive he is going to need Lester's help. But first, Lester needs a history lesson. With God's permission, Al finally tells his life as it is and once was. As Al recounts his story to his only confidant, Lester not only learns the secrets of his mysterious best friend, but the story behind the world's beginning—and in the process, he may even find faith for himself.

As profiled in the New York Times Magazine… Based on the author’s twenty-five years of experience as a veterinarian and veterinary behaviorist, The Soul of All Living Creatures delves into the inner lives of animals – from whales, wolves, and leopards to mice, dogs, and cats – and explores the relationships we forge with them. As an emergency room clinician four years out of veterinary school, Dr. Vint Virga had a life-changing experience: he witnessed the power of simple human contact and compassion to affect the recovery of a dog struggling to survive after being hit by a car. Observing firsthand the remarkably strong connection between humans and animals inspired him to explore the world from the viewpoint of animals and taught him to respect the kinship that connects us. With The Soul of All Living Creatures, Virga draws from his decades in veterinary practice to reveal how, by striving to perceive the world as animals do, we can enrich our own appreciation of life, enhance our character, nurture our relationships, improve our communication with others, reorder our values, and deepen our grasp of spirituality. Virga discerningly illuminates basic traits shared by both humans and animals and makes animal behavior meaningful, relevant, and easy to understand. Insightful and eloquent, The Soul of All Living Creatures offers an intimate journey into the lives of our fellow creatures and a thought-provoking promise of what we can learn from spending time with them.

Reimagining the scholarly book as living and collaborative--not as commodified and essentialized, but in all its dynamic materiality. In this book, Janneke Adema proposes that we reimagine the scholarly book as a living and collaborative project--not as linear, bound, and fixed, but as fluid, remixed, and liquid, a space for experimentation. She presents a series of cutting-edge experiments in arts and humanities book publishing, showcasing the radical new forms that book-based scholarly work might take in the digital age. Adema's proposed alternative futures for the scholarly book go beyond such print-based assumptions as fixity, stability, the single author, originality, and copyright, reaching instead for a dynamic and emergent materiality. Adema suggests ways to unbind the book, describing experiments in scholarly book publishing with new forms of anonymous collaborative authorship, radical open access publishing, and processual, living, and remixed publications, among other practices. She doesn't cast digital as the solution and print as the problem; the problem in scholarly publishing, she argues, is not print itself, but the way print has been commodified and essentialized. Adema explores alternative, more ethical models of authorship; constructs an alternative genealogy of openness; and examines opportunities for intervention in current cultures of knowledge production. Finally, asking why it is that we cut and bind our research together at all, she examines two book publishing projects that experiment with remix and reuse and try to rethink and reperform the book-apparatus by taking responsibility for the cuts they make.

John M. Del Vecchio’s searing bestseller The 13th Valley was praised as one of the most powerful works of literature to emerge from the Viet Nam experience. Now back in print comes an even more stunning achievement: For the Sake of All Living Things. In this unflinching and unforgettable epic saga, Del Vecchio re-creates the violence and horror of Viet Nam’s parallel tragedy—the Cambodian holocaust—as seen through the eyes of a Cambodian family and the American adviser whose fate becomes irrevocable linked with theirs. A sweeping tale of savagery and survival that pits parents and children against both the North Vietnamese invaders and the unprecedented ferocity of the Khmer Rouge, For the Sake of All Living Things is an unrelenting, ultimately inspiring chronicle of conflict and redemption in the killing fields. “Harrowing....[Del Vecchio] has added another memorable book to the literature of the Southeast Asian conflict.” —The New York Times Book Review “Nothing can prepare the reader for the experience of this book.” —The Dallas Morning News “Exhaustive, emotionally powerful....Del Vecchio brilliantly portrays the labyrinthine tragedies that led to the 1970s cataclysm in Cambodia.” —Publishers Weekly