In The Gay Male Sleuth in Print and Film (2005), scholar Drewey Wayne Gunn examined the history of gay detectives beginning with the first recognized gay novel, The Heart in Exile, which appeared in 1953. In the years since the original edition's publication, hundreds of novels and short stories in this sub-genre have been produced, and Gunn has unearthed many additional representations previously unrecorded. In this new edition, Gunn provides an overview of milestones in the development of gay detectives over the last several decades. Also included in this volume is an annotated list of novels, short stories, plays, graphic novels, comic strips, films, and television series with gay detectives, gay sleuths of secondary importance, and non-sleuthing gay policemen. The most complete listing available—including the only listing of early gay pulp novels, present-day male-to-male romances, and erotic films—this new edition brings the work up to date with publications missed in the first edition, particularly cross-genre mysteries, early pulps, and some hard-to-find volumes. The Gay Male Sleuth in Print and Film: A History and Annotated Bibliography lists all printed works in English (including translations) presently known to include gay detectives (such as amateur sleuths, police detectives, private investigators, and investigative reporters), from the 1929 play Rope until the present day. It includes all films in English, subtitled or dubbed, from the screen version of Rope in 1948 and the launch of the independent film Spy on the Fly in 1966 through the end of 2011. Complete with two appendices—a bibliography of sources and a list of Lambda Literary Awards—and indexes of titles, detectives, and actors, this extensively revised and updated reference will prove invaluable to mystery collectors, researchers, aficionados of the subgenre, and those devoted to GLBTQ studies.

When zombies seem NazisAs winners cry foul,While chickens turn loversHerding comes to power.Though this land is called NayraAnd here zombies rule,So simple is livingWe all must be cool.Enter the Babas,Clearly they rule!By force and by crueltyAll Babas crush fools.***"In the Land of Nayra this is the thing, they eat much carne de res." A dead wolf, "green with smear," tells in a 52 stanza poem about Baba Black Jade and other Baba soldiern who live with her in a land where they earn their keep by hunting down zombies. The sights of Hell have never looked so much like a typical work day before, which the zombie princess whore who narrates this romp laments, even as she seems to be intriguing with her coworkers for what cannot be said. Included are two other short poems by way of introduction to the theme of love, and black and white images, as well as a glossary of 47 items.

Most habitable planets with sentient life(Mankind) on it have such a story at or around the year 2000. Inside is the story for your planet, Earth... Please read this book...

A small town once haunted by a serial killer braces for a new evil in this debut horror novel by the New York Times bestselling author of Ink. Thirty years ago, a blues musician called the Bone Man killed the devil at the crossroads, only to be beaten and hung like a scarecrow in a cornfield—or so the story goes. Today, the people of Pine Deep celebrate their town’s grisly past by luring tourists to the famous haunted hayride, full of chills and scares. But this year as Halloween approaches, “The Spookiest Town in America” will learn the true meaning of fear. Its residents will see the real face of evil lurking behind the masks of ordinary people. They will feel it—in their hearts, in their bones, in their nightmares. Because evil never dies. It only grows stronger . . . Winner of the Bram Stoker Award for Best First Novel First in the Pine Deep Trilogy Praise for Ghost Road Blues “Maberry supplies plenty of chills, both Earth-bound and otherworldly, in this atmospheric horror novel . . . . This is horror on a grand scale, reminiscent of Stephen King’s heftier works.” —Publishers Weekly Praise for Jonathan Maberry “Jonathan Maberry’s horror is rich and visceral. It’s close to the heart . . . and close to the jugular.” —Kevin J. Anderson “Maberry has the chops to craft stories at once intimate, epic, real, and horrific.” —Bentley Little “Maberry spins great stories. His (Pine Deep) vampire novels are unique and masterful.” —Richard Matheson “Maberry’s works will be read for many, many years to come.” —Ray Bradbury

The undead are back! In Undead in the West: Vampires, Zombies, Mummies, and Ghosts on the Cinematic Frontier, Cynthia J. Miller and A. Bowdoin Van Riper assembled a collection of essays that explored the unique intersection of two seemingly distinct genres in cinema: the western and the horror film. In this new volume, Undead in the West II: They Just Keep Coming, Miller and Van Riper expand their examination of undead Westerns to include not only film, but literature, sequential art, gaming, and fan culture (fan fiction, blogging, fan editing, and zombie walks). These essays run the gamut from comics and graphic novels such as American Vampire, Preacher, and Priest, and games like Darkwatch and Red Dead Redemption, to novels and short stories by celebrated writers including Robert E. Howard, Joe R. Lansdale, and Stephen King. Featuring a foreword by renowned science fiction author William F. Nolan (Logan’s Run) and an afterword by acclaimed game designer Paul O’Connor (Darkwatch), this collection will appeal to scholars of literature, gaming, and popular culture, as well as to fans of this unique hybrid.

The credal affirmation, 'he descended to the dead', has attracted a plethora of views over the centuries and many Christians today struggle to explain the meaning of these words. This book explores various interpretations of the doctrine of Christ's descent to the dead, both within particular historical contexts and within contemporary theology. Laufer argues that the descensus clause, Christ's descent, is integral to Christian faith, specifically to the doctrine of the incarnation. If we are to affirm that, in Christ, God became truly human then that affirmation must include his sharing in the state of being dead that is the ultimate consequence of being human. Laufer concludes that, since the Son has experienced genuine human death and the separation from God which is the essence of hell, there is no longer any human condition from which God is absent, either in this life or in eternity. Christ's descent means that he is truly 'hell's destruction'. Drawing on a treasure trove of writings from the western theological tradition, including Luther, Calvin, Maurice, Balthasar, Moltmann and others, and attending to historical, theological, exegetical, philosophical and pastoral issues, this book explores an often-ignored doctrine which lies at the core of Christian life, death and faith.

This book explores the connections between comics and Gothic from four different angles: historical, formal, cultural and textual. It identifies structures, styles and themes drawn from literary gothic traditions and discusses their presence in British and American comics today, with particular attention to the DC Vertigo imprint. Part One offers an historical approach to British and American comics and Gothic, summarizing the development of both their creative content and critical models, and discussing censorship, allusion and self-awareness. Part Two brings together some of the gothic narrative strategies of comics and reinterprets critical approaches to the comics medium, arguing for an holistic model based around the symbols of the crypt, the spectre and the archive. Part Three then combines cultural and textual analysis, discussing the communities that have built up around comics and gothic artifacts and concluding with case studies of two of the most famous gothic archetypes in comics: the vampire and the zombie.