FINALIST FOR THE 2024 NATIONAL BOOK AWARD IN FICTION AN INSTANT NEW YORK TIMES BESTSELLER The New York Times bestselling author returns with an irreverently sexy, tender, hilarious and surprising novel about a woman upending her life “A frank novel about a midlife awakening, which is funnier and more boldly human than you ever quite expect . . . nothing short of riveting.” —Vogue “All Fours has spurred a whisper network of women fantasizing about desire and freedom. . . . It’s the talk of every group text."—The New York Times “All Fours possessed me. I picked it up and neglected my life until the last page, and then I started begging every woman I know to read it as soon as possible.” —The Cut “A novel that presses into that tender bruise about the anxiety of aging, of what it means to have a female body that is aging, and wanting the freedom to live a fuller life . . . Deeply funny and achingly true.” —LA Times “July’s novel is hot and weird and captivating and one of the most entertaining, deranged, and moving depictions of lust and romantic mania I’ve ever read.” —New York Magazine A semi-famous artist announces her plan to drive cross-country, from LA to NY. Thirty minutes after leaving her husband and child at home, she spontaneously exits the freeway, checks into a nondescript motel, and immerses herself in an entirely different journey. Miranda July’s second novel confirms the brilliance of her unique approach to fiction. With July’s wry voice, perfect comic timing, unabashed curiosity about human intimacy, and palpable delight in pushing boundaries, All Fours tells the story of one woman’s quest for a new kind of freedom. Part absurd entertainment, part tender reinvention of the sexual, romantic, and domestic life of a forty-five-year-old female artist, All Fours transcends expectation while excavating our beliefs about life lived as a woman. Once again, July hijacks the familiar and turns it into something new and thrillingly, profoundly alive.

Beau has never met anyone he doesn't want to lick. Ben is wary of love. Beau finds opportunity around every corner. Ben hides in the shadows of shame. Life on All Fours is a love story framed by loss and narrated by one whose four paws are firmly on the ground. Ben Walker lives in San Francisco. It's 1997, and after nearly two decades of AIDS devastation, finally, there may be reasons to hope. Ben, his ex-wife, Judy, and their mutual best friend, Anthony, struggle in a complicated triangle of love and personal history to create family. Into the mix tumbles Beau, an eight-week-old Field Spaniel who bears witness to the human drama that swirls around him. From down here anything is possible. Life on All Fours is two stories but one shared journey-a dog and a man, and the hearts they touch along the way.

“A scrumptious gem of a story!”—Jennifer A. Nielsen, New York Times bestselling author of The False Prince Meet Gladys Gatsby: New York’s toughest restaurant critic. (Just don’t tell anyone that she’s in sixth grade.) Gladys Gatsby has been cooking gourmet dishes since the age of seven, only her fast-food-loving parents have no idea! Now she’s eleven, and after a crème brûlée accident (just a small fire), Gladys is cut off from the kitchen (and her allowance). She’s devastated but soon finds just the right opportunity to pay her parents back when she’s mistakenly contacted to write a restaurant review for one of the largest newspapers in the world. But in order to meet her deadline and keep her dream job, Gladys must cook her way into the heart of her sixth-grade archenemy and sneak into New York City—all while keeping her identity a secret! Easy as pie, right?

A Fox Terrier's memoirs of his 250 mile walkies on the Swiss Alpine Pass Route, aspectacular 250 mile traverse of the Swiss Alps that includes 58,000ft of ascent.

Winni's parents refuse to let her have a pony so she decides to become one & goes on to win the Grand National.

A comprehensive guide to legal style and usage, with practical advice on how to write clear, jargon-free legal prose. Includes style tips as well as definitions.

Providing an alphabetical listing of sexual language and locution in 16th and 17th-century English, this book draws especially on the more immediate literary modes: the theatre, broadside ballads, newsbooks and pamphlets. The aim is to assist the reader of Shakespearean and Stuart literature to identify metaphors and elucidate meanings; and more broadly, to chart, through illustrative quotation, shifting and recurrent linguistic patterns. Linguistic habit is closely bound up with the ideas and assumptions of a period, and the figurative language of sexuality across this period is highly illuminating of socio-cultural change as well as linguistic development. Thus the entries offer as much to those concerned with social history and the history of ideas as to the reader of Shakespeare or Dryden.